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Disc Reviews by Michael Durr on October 12th, 2008
One doesn’t usually admit they love puppets. There are many vehicles for this love all over the entertainment world. On one hand, you have those who perform standup with puppets like Jeff Dunham. Then you have those crazy puppets who live down in Fraggle Rock. But one can not forget the fairly recent invention of one Triumph, the Insult Comic Dog. A dog, sporting a cigar who likes to insult & poop on things. The idea of Triumph did not come from the Conan O’Brien show so much but instead came from the mind of Robert Smigel. Comedy Central’s TV Funhouse was that show that gave the real inspiration or birth to the character. At least I know now who to drag into the street and shoot.
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Brain Blasters by David Annandale on October 12th, 2008
The other day, I was watching Pathology, a release from Fox that is terminally mediocre, but is surprisingly gory for what is, minor-to-nil theatrical release aside, essentially a mainstream release. I won’t rehash its silly, empty-headed plot here, other to suggest that you look to spend your entertainment dollar elsewhere. What interests me about the film is that gore. As our characters about their titular activities, corpses are opened up and messed around with in a manner that, not too long ago, would have been unthinkable outside the realm of the more extreme exploitation flicks. For quite a while, since the horror film was revived at the end of the 90s, much of the chatter about violence in the films conveniently forgot just how graphic the situation was in the 70s and 80s, but over the last few years, the gap has been bridged. But that’s not what I want to talk about here. It isn’t the quantity of gore or its explicit nature that I’m ruminating about. Rather, is it still possible to distinguish the genuine, wholesome sleaze from its production-line counterpart emerging from the major studios.
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