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Disc Reviews by Sean Jester on April 6th, 2010
“It’s New Year’s Eve on the Poseidon. Partying voyagers toast the future. The future comes in a rush; a 150 foot rogue wave flips the cruise ship over. And a struggle to survive begins.”
Poseidon doesn’t waste any time getting to the action, so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc…). But we don’t watch movies like Poseidon for character exposition, do we?
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Disc Reviews by Sean Jester on June 23rd, 2008
It’s not that video game movies are bad because they are based on video games — things that are usually void of character development and plot in favor of cheap thrills — it’s just that they’ve mostly been handled by hacks, from the director down to the caterer. This usually makes the movie about as tedious as the filmed vignettes you’re forced to watch in between the video game’s levels.
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Disc Reviews by Sean Jester on June 17th, 2008
It’s nice when a movie lives up to its expectations and even surpasses them because it rarely seems to happen anymore. Such is the case with Anton Corbijn’s Ian Curtis bio-pic, Control.
I’ve been waiting to see Control for a long time. From the start, the film sounded interesting, since I am a huge fan of post-punk alternative rock music, the genre that Ian Curtis and Joy Division practically invented in the late 1970’s. But when I heard that long-time band collaborator and renowned music video director Anton Corbijn was directing the film, my anticipation rose to even higher levels.
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Disc Reviews by Sean Jester on June 14th, 2008
Katherine Heigl gets her Juila Roberts on in the romantic comedy 27 Dresses as Jane, a friendly woman who can’t say no to planning weddings for the many people she knows. Ever since she was young she’s loved weddings, even though she doesn’t seem to have the time to find a future groom of her own. She’s in love with her boss, George (Edward Burns), but when Jane’s sister Tess (Malin Akerman) drops in for a visit, Tess and George fall in love and before Jane knows it, they’re engaged to be married and she’s planning their wedding. Let the cliched rom-com hijinks begin!
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Disc Reviews by Sean Jester on June 9th, 2008
When the Learners are driving home from their son Josh’s recital, they stop off at a gas station where he is struck and killed by Dwight Arno (Mark Ruffalo) who is heading home from a Boston Red Sox game with his son Lucas. Dwight flees the scene while Ethan (Joaquin Phoenix) and Grace (Jennifer Connelly) mourn the death of their son. In the following weeks, Ethan becomes obsessed with finding the hit and run driver while Dwight deals with his guilt and tries to bond with his son against the backdrop of the 2004 Boston Red Sox historic World Series run.
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Disc Reviews by Sean Jester on June 6th, 2008
It’s ironic that 28 Days Later and the Dawn of the Dead remake (which was originally a George Romero film), have jump-started Romero’s long-running “Dead” series that started in 1968 with Night of the Living Dead.
Since 28 Days Later and the Dawn remake were released, Romero has released two new installments: Land of the Dead in 2005, and now Diary of the Dead in 2007.
It’s also quite ironic, and perhaps a little sad, that 28 Days Later and even the Dawn of the Dead remake were better movies than any of Romero’s “Dead” films since the original Dawn of the Dead was released in 1978. But with Diary of the Dead, Romero clearly isn’t putting this series to bed any time soon. And according to IMDb, a sequel to Diary of the Dead is on its way.
So, is Diary of the Dead any good?
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Disc Reviews by Sean Jester on March 29th, 2008
In The Mist, Frank Darabont returns to familiar territory, directing another movie based on a short story by Stephen King. Darabont struck gold in 1994 with The Shawshank Redemption and then came close to, but did not equal, that magic with 1999’s The Green Mile.
Is the third time a charm for Darabont working with King material? The answer is a resounding “yes”.
The Mist is near-perfect on every level.
Horror movie? Check.
Morality tale? Check.
Metaphor for today’s world? Check.
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Disc Reviews by Sean Jester on March 28th, 2008
Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood.
Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family oriented plays upon which many of his movies are based.
After Diary, Perry went on to star in and direct the sequel, Madea’s Family Reunion, which did even better at the box office. And since then, he’s created his own studio, released three more movies, is set to release a few more, and currently produces a sitcom, Tyler Perry’s House of Payne, on TBS.
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Disc Reviews by Sean Jester on March 18th, 2008
Two couples, each with their own intimacy issues, set out to spice up their love life by attending a sex therapy seminar. After navigating through their problems for about forty minutes, they each settle on group sex to solve their problems, because that’s always the best solution to everything, right?
The first couple is James and Heather (Culkin and Alexis Dziena). James is madly in love with Heather, but she can’t have an orgasm when they have sex. That, my friend, is a problem. The second couple is Ellis and Renee (Kuno Becker and Dushku), who seek thrills to liven up their bored sex life. That, is a problem too… but not as bad as the first.
As fate would have it, these two couples both sign up for the same group sex therapy and… wait for it… they have group sex together. Score!
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Disc Reviews by Sean Jester on March 17th, 2008
“Greed is Good.”
No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street.
The film celebrates its 20th Anniversary with a 2-disc re-release that includes never-before-seen special features. And while Wall Street is very dated (my wife and I cracked up at the fashion and decorating styles), it still works as a morality tale in the era of big business.
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Disc Reviews by Sean Jester on March 9th, 2008
Without knowing if he is or not, I’m willing to bet that director James Gray is a fan of The Godfather. His previous films, The Yards and We Own the Night show flashes and flourishes of The Godfather so familiar, it’s uncanny. Also, while The Yards featured Sonny Corleone, We Own the Night features Tom Hagen.
Funny, huh?
As a matter of fact, while watching We Own the Night, I was unsure who had directed it, but after a few all too familiar scenes, I reached a conclusion. It had to be Gray, and damn if I wasn’t right when the credits rolled.
If ever there is a Part IV, or dare I say it, a remake, of The Godfather, I hope Gray is the guy behind the camera. His two last movies feel like he’s actively lobbying for the position.
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Disc Reviews by Sean Jester on March 9th, 2008
On paper, Rendition looked good. Damn good. It had Reese Witherspoon, hot off her best actress win as June Carter in Walk the Line. It had “it boy” Jake Gyllenhaal from Brokeback Mountain and Zodiac. It also had stalwarts in Alan Arkin and Meryl Streep rounding out the cast. It was directed by acclaimed Tsotsi director Gavin Hood. And it was about post 9/11 hot-button issues such as torture and imprisonment without due process.
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Disc Reviews by Sean Jester on March 4th, 2008
Tyler Perry has created an empire. Stand-up tours… movie studio… and now he’s thrown his hat into television with the sitcom, House of Payne, on TBS. One can’t deny Perry’s power in Hollywood. His movies are constantly at the top of the box office and his stand-up tours are always sold out.
So can Perry make it in what is perhaps the hardest medium to succeed? The sitcom?
Big personalities and powerful people have entered the realm of the sitcom and promptly had their lunch handed to them. Names like George Foreman and Emeril Lagasse come to mind. Luckily for Perry, he’s just a producer on House of Payne so any potential humiliation from cancellation will not be filmed for all to see. But the fact that the show has two seasons already in the books proves that it’s at least somewhat successful. However, the question remains. Is House of Payne any good?
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Disc Reviews by Sean Jester on February 10th, 2008
It’ll be interesting when man travels past the moon to far away places in outer space. The science of it will be reason enough for the rest of the world’s population to pay attention, but I want to find out, more than anything, if every deep space crew in real life runs into the same problems that they do in the movies.
In Sunshine, a movie by director Danny Boyle, I thought that the deep space crew in the film would be relatively free of space movie cliches. This just didn’t seem like one of those movies. But I’ll be damned if at the end of the movie Cillian Murphy wasn’t racing panicked through the corridor of his space ship, determined to detonate a nuclear bomb before a clock reached zero.
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Disc Reviews by Sean Jester on February 9th, 2008
Early on, it’s easy to tell that Mr. Brooks doesn’t take itself seriously.
At least I hope it didn’t.
What starts off as an intriguing look into a seemingly normal man’s life and his addiction to killing people, Mr. Brooks quickly spirals down the drain into a movie that tries to do too much and ends up doing too little.
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Disc Reviews by Sean Jester on January 29th, 2008
What happened to Cuba Gooding Jr.? Since when did he have to take Eddie Murphy’s sloppy seconds? The man has an Academy Award for crying out loud. OK, that was twelve years ago from Jerry McGuire, and Cuba has made Snow Dogs and Boat Trip since then, but I still kinda believe in him. After all, this is the guy who said “Show me the money” and made Tom Cruise say “I love black people!” Wasn’t that great? Talent like that doesn’t just fade away into bolivian like Mike Tyson would say.
Apparently Cuba didn’t heed the advice that you should avoid working with kids and animals because they’ll always steal the show from you. Or the advice that you should avoid crappy sequels to kids movies. Maybe he lost out to Scott Baio on Superbabies: Baby Geniuses 2 and decided never to miss an opportunity like that ever again. Maybe he needs to consider hiring a new agent. Maybe we never hear from Cuba again. Only time will tell if he can stand the test of time…
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Disc Reviews by Sean Jester on January 28th, 2008
On the surface, The Kingdom appears to be a good way for Americans to relieve some stress by watching the demise of some middle-eastern terrorists. But The Kingdom is actually quite different from your standard action movie shoot ‘em up. Yes, there is a lot of action, most of it occurring in the film’s last half an hour, but the film asks some tough questions and is optimistic in its belief that Americans and Muslims can work towards one goal together.
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Disc Reviews by Sean Jester on January 28th, 2008
While strolling through the local Blockbuster store, I’m always amazed at how many direct-to-video sequels there are to big name movies. Sure, Bring it On was never in the Lord of the Rings echelon of franchises, but it was still a successful movie at the box-office. Yet I still can’t get over the fact that Bring it On now has its own trilogy, just like LOTR.
Most of these low-budget sequels exist solely to cash in on the movie’s title, which is usually unrelated to the original film. The roles are recast or characters done away with, and some dumbed-down script that rehashes the first film is approved. But every once in a while, a cheapie comes along that does more with less, and surpasses the original. See my review for I’ll Always Know What You Did Last Summer for more proof of this.
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Disc Reviews by Sean Jester on January 25th, 2008
Director David Cronenberg’s masterpiece, A History of Violence catapulted him to the upper-echelon of today’s directors. Until AHOV, he’d previously worked on offbeat films that got mixed reviews, like Crash (1996), eXistenZ, and Spider, with the occasional brush with “commercial” films like The Fly.
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Disc Reviews by Sean Jester on April 12th, 2007
After watching a bloated Tom Sizemore run around tunnels being chased by a man in a rubber suit while making bad jokes, it’s hard to believe that he used to be in good movies like Heat, Saving Private Ryan, and Black Hawk Down. And that’s probably the biggest impression I got from Bottom Feeder, just another example of the latest “anyone can make a direct-to-video horror movie” trend. My, how far Sizemore has fallen.
The plot is minimal, which is par for the course in most horror films…
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Disc Reviews by Sean Jester on April 9th, 2007
In many ways, slasher films are like porno movies. Chief among them is that many times you just want to skip to the good parts. There may be a plot, but it’s so poorly constructed, the dialog is downright embarrassing and the direction leaves a lot to be desired. But the one thing they get right is all that matters. After all, there’s only one reasons we watch.
Going to Pieces: The Rise and Fall of the Slasher Film is a documentary which does just this. It features some of the most gruesome and fam…
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Disc Reviews by Sean Jester on February 2nd, 2007
It’s a shame that there aren’t many stand-up comedians around anymore. And the ones that are still around (Chris Rock, Dane Cook) usually only use the medium as a launching pad into a flawed movie or television career that never equals the laugh factor and energy that exists in their stand-up comedy shows.
So along comes Damon Wayans’ Last Stand.
Wayans, in my opinion, was always a talented comedian. His characters on In Living Color made the show a pop-culture hit that rivaled S…
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News and Opinions by Sean Jester on September 21st, 2006
Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.
On paper, 2001’s Pearl Harbor must have had the studio big wigs licking their chops. Randall Wallace (Braveheart) was penning script. Action director Michael Bay (Armageddon) was going to finally direct something serious. Hot stars Ben Affleck, Josh Harnett and Kate Beckinsale were cast as a love triangle set against the back drop of the historic Japanese sneak atta…
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Disc Reviews by Sean Jester on September 20th, 2006
After Heather (Agnes Bruckner) sets her parent’s tree on fire out of boredom, she is shipped off to a strange boarding school run by Ms. Traverse (Patricia Clarkson), where the woods surrounding the school seem to be slowly devouring the building itself. There’s also the standard issue legend surrounding the history of the school that involves a coven of witches who murdered the school’s head-mistress years before.
Does any of this result in an interesting film? Let’s take a step back before we delve into …
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News and Opinions by Sean Jester on September 14th, 2006
Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.
With the recent news of MGM green-lighting Terminator 4 as a future tent-pole release in the near future, I thought it would be appropriate to go back and revisit Terminator 3: Rise of the Machines on DVD.
The Terminator and T2: Judgment Day were sci-fi/action marvels anchored by James Cameron’s expansive imagination and eye for detail. While …
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