A group of low-life gangsters kidnap a starlet (Ursula Fellner) and hightail it off to a jungle island, where they subject their victim to endless indignities while waiting for the ransom money to arrive. Al Cliver is dispatched to rescue her, but his helicopter arrival draws the attention of a group of hostile natives and, more to the point, a red-eyed, cannibal zombie-god who holds them in a grip of fear.

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Gitane Demone was one of the lead singers for seminal deathrock band Christian Death before going solo in 1989.  This 2-DVD set is a record of her various solo efforts, tracking various incarnations, most notoriously (and most prominently featured in the release’s packaging) being the fetish performances for the likes of the DeMask club and Skin Two magazine. Present here is a mix of television interviews, one video, and a raft of live footage.

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Holly Golightly is perhaps the most tragic, depressing character in all of literature and film, especially to those of us who know (or have known) people just like her. As an example to aspire to, Golightly fails miserably. She is internally and externally destructive, intentionally so. Truman Capote, author of Breakfast at Tiffany’s, the novella in which she was formed, has created in her a realistic portrait of people that fear happiness, and so imprison themselves to lives of restless and reckless abandon.

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Kung Fu Killer is a sad attempt to take advantage of the two iconic roles that David Carradine has had in his life. There’s more than one reference or nod to the popular Kung Fu television show. The name of his character is Crane, instead of Caine. Here Crane is the master, and he has his own “Grasshopper” moment with his own student. There is a flute driven theme that could have easily been lifted from one of the television episodes.

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These Comedy Central Roasts are a bit of a crapshoot. I laughed my rear off during the William Shatner Roast. Unfortunately, I didn’t even crack a smile watching this one. It’s not like Saget’s a funny guy to begin with. Throw in a room full of other not-funny folks, and you get a real snore fest.

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Every director has a style. Sometimes it can be a deliberate style, sometimes it can be more subtle. I received the movie Ring of Death and was a little worried since I had my fill of bad prison movies. After watching the movie, it seemed familiar but I couldn’t place why. The director’s name on the back was Bradford May. To most people, that probably does not ring a bell. To me, it was a different story: he was the director of Darkman 2 and Darkman 3. Then everything from that point became clear.

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David Koepp is one of Hollywood’s power screenwriters. His credits include Indiana Jones, Jurassic Park, and Spider-Man. As a director he has also had some limited success with films like Stir Of Echoes. It seems almost from left field that we end up with a romantic comedy both written and directed by the award winning writer. If Koepp is out of his element here, it really doesn’t show at all.

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The Tudors returns for a rather triumphant second season. The series attempts to modernize the story more than a little. Henry’s attire is more akin to a rock star than a 16^th century ruler. The language is also more updated, often filled with modern colloquialisms and the like. The story of Henry VIII is well known, but this is not the Henry your history teachers told you about.

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“Every story has a beginning. Every life has meaning and potential…”

Kyle doesn’t really know his story, and he’s beginning to understand his potential. But that was last year. This year things are about to change for our adolescent boy without a belly button. The series Kyle XY returned first to ABC Family and now returns to DVD.

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If there is a highlight of this second release, it’s the flashback episode, Freshman Daze. It’s absolutely great. We get to meet all of these characters back in high school and see how the dynamics developed. Now we know why they are the way they are to each other. I particularly enjoyed seeing how the Cappy and Evan characters were once pretty tight friends.

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There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997.

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“I fear I’ve done some things in life too late… and others too early.”

Not a creed for the growing minions of our divorced population (though it probably should be), but a remarkably summative line from the new film The Duchess starring Keira Knightley and Ralph Fiennes. Knightley is Georgiana, a spirited young girl, who starts with a fairy tale ideal of how her life as a married woman will be

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“Gaze too long into the abyss and the abyss gazes back at you…”

The original Pulse film was a remake of an Asian horror film, part of the recent trend of converting many of these titles into American retellings. That trend appears to also include strong warnings against technology and linking ghostly apparitions with some form of technology, from video tapes to cell phones.

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Based on the true story, Coach Carter follows the tale of a high school coach who was once an All-American athlete himself. He is brought in to coach basketball at his old school where he still holds a few records. He accepts a challenge to turn around a program that has become mired in a tradition of defeat. He takes a no nonsense approach to the players from the moment he meets them

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Shia LaBeouf and Michelle Monaghan are on the run from a series of carefully orchestrated catastrophes. All are ominously foretold by a rather humorless young lady that may or may not be a robot in the new thriller Eagle Eye, a film that purports to be “from Stephen Spielberg.” Spielberg-lovers, don’t get your hopes up. Authorial rights belong more to director D.J. Caruso and a smorgasbord of writers that include John Glenn,

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The series known as Duckman can be explained in one phrase. Guilty pleasure. The series ran on USA during the 90’s before they decided to re-brand themselves as something more serious. Though for some reason they still tend to show the dog show every year. Anyhow, as I remember it came on right before another guilty pleasure of mine from the 90’s, Rhonda Shear and Up All Night. I miss Rhonda deeply, plastic never looked so good. Heck Tupperware was jealous. Duckman was a series like no other; full of debauchery and indecency just like Grandma intended. Grandpa will never be the same. Paramount has brought us forty-eight episodes over seven discs to compose season 3 & season 4. One has to wonder if it will hold up after all of these years.

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Ghost Town, the new romantic comedy from writer-director David Koepp, succeeds in not only introducing its British star Ricky Gervais to a wider audience but also in telling a simple, familiar story with an addictive charm all its own. Gervais plays Jack Nicholson in As Good As It Gets without the extreme OCD. What he lacks in this, however, he makes up for in his hatred of humanity.

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Visits – “an anthology of bone-chilling horror”? Well, it has its moments, I will say that. The most effective scenes are the ones that don’t call attention to the scare elements. Scenes that involve one or two little things out of the ordinary that don’t smack you in the face, but actually force a double-take in considering what it was you just saw

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Let me begin by saying that I was a child of the 1970’s, which tends to make me approach these era shows with some caution. After such shows as That 70’s Show, to name the likely most popular, I find myself not recognizing the setting as the same 70’s I remember living. Granted I was pretty young, so the subject of swingers and sexual revolution were not exactly part of my everyday culture.

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This modern retelling of the classic fairy tale is brought to you by a division of the Jim Henson Company called Unstable Fables. I think that whoever came up with this idea is the unstable part. This is actually causing me some pain to write. I never thought the day would come when I would be totally disgusted by a Jim Henson labeled release.

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When I was a lot younger, I took a particular fancy to two martial art superstars: Raphael of the Teenage Mutant Ninja Turtles & Hong Kong Phooey. There was also another guy running around at that time named Jean Claude Van Damme. Two of his first movies namely Bloodsport and Kickboxer solidified him as a complete badass and eventually landed him a role in Street Fighter: The Movie as Guile. Eventually when he started making duds such as Double Team& Knock-Off, most people stopped watching his high flying kicks. Soon Van Damme was headed for the direct to dvd releases. One of those movies was the 2003 release, In Hell.

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Power Rangers come, Power Rangers go. By the time Power Rangers: Jungle Fury had come into existence, some incarnation of Power Rangers had been around for sixteen seasons. The series however was unique due to two qualities. The first was that it centered on three Power Rangers where as other series typically encountered five. The second differentiating characteristic was that it was written during the 2007-2008 Writers Guild of America strike. Written by non-union writers, would the series still have the appeal that the Power Ranger shows had in prior runs?

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“The History of Black New York” thematically explores various aspects of the black experience through the use of historian testimony and period specific media. The documentary begins with the early arrival of the Dutch on Manhattan Island and their fair treatment of black slaves. With the arrival of the English, morality and race became intertwined in New York, as with the rest of America, leading to the ensuing years of black oppression and segregation.

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The box art on this film promises: “This campy splatterfest is 100% pure brainless fun”. Finally, truth in advertising. If you’re looking for anything else except what’s promised here, you really need to look elsewhere for some entertainment. But there is a place for this kind of thing, and if you’re willing to ask no questions, this movie will tell you no lies. I’m impressed that the makers of this movie never pretend to be anything else.

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Since the dawn of The Animal Planet we’ve seen an entire genre created around using real animal footage and providing a human story to go with it. In Meerkat Manor we are provided with a dramatic narration substituting human motivations for the actual activities captured by the film crew. In other instances voice over techniques are used to make the animals appear to talk. Movies like the Buddies series utilize this technique. With the help of a little CG, the animals appear to be speaking. In the case of Elephant Tales, however, there isn’t any effort to match the dialog to lip movement;

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