My earliest recollection of VCR’s was when I was just a little boy and my parents went down to the local TV shop and purchased a Zenith for about $600. At the time, it was a wondrous machine and I can still remember fondly my copies of Ghostbusters or Die Hard and how many times I would watch them. I didn’t care whether the tapes had a case or which edition of the tape I had. As long as it was the original movie and the tape wasn’t beat to heck I was a happy camper. Times change. I don’t think I own a single VHS tape that isn’t exercise related and my dvds, more than 400 of them are cataloged and cared for to the utmost degree. In truth, I sometimes miss the VHS days when things were simpler & films sold on the film alone, not on how many extras the dvd has or how fantastic the Dolby Digital 5.1 sound is. Be Kind Rewind goes back to that simpler time and gives a movie that is more about substance than the tiny snap case it comes contained in.
I don’t remember that much about Diva growing up; it was a film that I heard about as a kid, and a lot of people liked it, but that was the first time I can honestly say I was exposed to the arthouse film, and that it was something that I wanted to find out more about. Through the years, I’ve seen many a foreign or independent film, however the one that started all of it off for me I hadn’t seen, until now.
It’s not that these fantasy-epic films that feature a young child in the starring roles bore me, it goes to the larger notion that Hollywood will remake every child’s fantasy novel into some sort of cinematic product, so a buck or two can be made. For every Harry Potter, there’s a Golden Compass or even Spiderwick Chronicles. The well is rapidly running dry, and you needn’t look much further than The Seeker: The Dark is Rising, a film about a young lonely boy who finds himself in circumstances and an adventure beyond what he might initially suspect. Wait, doesn’t that sound like EVERY children’s movie lately?
Come on, admit it, you want to say that Hayden Christensen was the worst part if the latest trilogy of Star Wars films, and yeah, the guy did bring the suck, to be sure, but he wasn’t really that bad, right? Well yeah, he was, but he’s not the only thing wrong when it comes to Jumper, the latest film from writers David S. Goyer (The Dark Knight) and Jim Uhls (Fight Club), who adapted the Steven C. Gould novel. Directed by Doug Liman (The Bourne Identity), Jumper features Christensen as David Rice, a man who grows up with a genetic gift, the ability to ”jump” from place to place, Christensen’s performance was his first major role since transforming Darth Vader from an ominous, silently rueful and dominating presence, to a dude who thought his girl was cheating on him, so he started hanging out with a creepy old guy as a result.
A question to ponder before we head into this review. What do you get when you mix anime or japanese animation with a healthy dose of John Woo? Besides a ton of falling gun shell casing and cute characters performing acrobatics in the air while taking down a dozen bad guys? You get a movie that goes full speed for over a hundred minutes and makes you realize that this is truly the perfect avenue for John Woo and style of films. However, just don’t expect there to be a completely solid story behind it.
By David Annandale on March-14-2008 in
Disc Reviews
Here are four films from renowned maverick Jean-Luc Godard. Insofar as these films have plots in the conventional sense of the word, Passion is about a filmmaker struggling to rediscover his love for his profession, First Name: Carmen plays with the tale of that same name to tell another story of filmmaking and bank robbery, Detective is an idiosyncratic tribute to films noirs, and Oh, Woe Is Me is about a man who may or may not be possessed by a god wanting to seduce his wife.
By Ryan Keefer on February-25-2008 in
Disc Reviews
Well, since HD DVD has pretty much collapsed now, it only makes sense that we here at Upcomingdiscs clear off what’s left on the mantle, get the cobwebs out, and do our level best to take a look at this lame duck format if you will. I mean, there are movies on them after all, and Knocked Up was arguably a favorite of many in 2007, to the tune of over $150 million and helping to entrench Judd Apatow and Seth Rogen, those who were behind Superbad, as significant contributors to the world of motion picture comedy.
Traditionally, I love spoofs. I spent many of my younger days watching movies like Spaceballs, Robin Hood: Men in Tights or Young Frankenstein. More recently, I have actually (for the most part) enjoyed every Scary Movie. So whenever I see a new spoof, I am at least somewhat interested in the movie and have aspirations to see it on disc. Epic Movie scares me a bit because it comes from the same people who did Date Movie. I found Date Movie to be okay at best, but I had a small hope that this would turn out better. Jello shots & Nyquil could not save me from this disaster.
Fox re-releases this beloved weepie in a new edition with a number of new extras. Beyond those additions, this version is identical to the one reviewed here previously. Therefore, my deathless prose once again: “On a luxury ocean liner, playboy Cary Grant meets singer Deborah Kerr. Each is involved with someone else, but they fall deeply in love with each other. Upon arriving in New York, they decide to part and, if all goes well, reunite in six months at the top of the Empire State Building, by which time their lives should be in order. If you’ve seen Sleepless in Seattle, you know what happens next. Though this is one the most celebrated weepies ever, I found it curiously uninvolving.
I don’t particularly care how many times filmmakers recycle old tales, so long as they produce enjoyable films. The Invasion revisits sci-fi scribe Jack Finney’s “The Body Snatchers” for the fourth time on film, following in the steps of the original 1956 film and the ’78 and ’93 remakes. Dave Kajganich wrote the screenplay, and Oliver Hirschbiegel (The Downfall) directed. Then Warner hired the Wachowski brothers (The Matrix) to rewrite some scenes and inject more action into the film, and James McTeigue (V for Vendetta) to direct the re-shoots.
So is The Invasion a case of too many cooks in the kitchen, or just the right creative balance to bring Finney’s classic horror tale to life in the new millennium?
Screwball comedies can be fun, sometimes. The comedy where the main cast members have the intelligence of a three-toed sloth…combined. Dumb & Dumber was a good example. Gags that get created simply on the premise of their inadequate brain power. However, Dumb & Dumber created an awful sequel. What’s worse is that created a few wannabes in the process. One of those films arguably is Brothers Solomon. However, this viewer hoped just for a second that I wouldn’t be holding my head in my lap the entire ninety three minutes asking for my very painful headache to go away.
TV reporter Jason Behr is the reincarnation of warrior from 500 years ago, charged with protecting a woman (Amanda Brooks, also a reincarnation) whose destiny is to sacrifice herself so that a mystical giant serpent (an Imoogi) can become a dragon. Unfortunately, an evil Imoogi named Buraki wants the power for itself, and summons a giant reptilian army that lays waste to LA in the search for Brooks.
I like Robin Williams (Good Will Hunting). A lot. Generally, his presence alone is enough to make me watch a particular movie — an unfortunate fact, given his spotty record. The man can be hilarious, and he has starred in some highly entertaining films over his long career. But he’s also done bad movies, flops and failures. License to Wed is one of those.
10 minutes in, I wanted to turn it off. At 18 minutes, I was actively mocking everything and anything onscreen. By the half-way point, I was cursing my obligation as reviewer to sit through the entire film. This movie is an all-around bust. Stop reading now, and check out some other Upcomingdiscs reviews for better films to watch. You can pretty much close your eyes and click to find something that’ll top License to Wed.
Olivier Smolders is a Belgian filmmaker with a sensibility as distinctive and challenging as his artistry is developed. Cult Epics has done North American audiences a huge service by bringing his films to Region 1 DVD release. This disc has ten short films. Each piece has its own distinct identity, yet they are all very clearly the work of a singular creative talent. The frequently disturbing shorts range from a tale of murder and cannibalism in “Adoration” (previously available on the Cinema of Death collection), to the heartbreaking “Mort ŕ Vignole” (where Smolders narrates a family tragedy filtered through home movies made by his and his wife’s parents, along with his own family footage), to an extended yet elegantly filmed practical joke (“Point de Fuite”) to a most unusual adaptation of Sade with “La Philosophie dans le Boudoir.” The films are invariably gorgeous and clinical in the precision of their observations. The blurbs on the case invoke Lynch, Greenaway and Bergman, and the comparisons are apt, though Smolders is also very much his own man.
The movie of Hudson Hawk was often panned by critics who thought the movie was the worst thing since George Bush Sr moved into office. Look where that has got us! Remember kids, bad presidents only birth worse presidents. Anyhow, Hudson Hawk which was billed as an action comedy and was thought of by many as sloppy, over-inflated movie making that took the cream of bad movie making. Was it a turd that sank like the Titanic?(both the movie and the ship) Was it a lemon like XXX? (both the movie and the scent of Vin Diesel’s Mr. Clean head)
A friend that I work with said that if Hollywood ever ran out of creative and original ideas, and that if a studio managed to make a sequel about pirate zombies that lasted three hours long, it would clean up at the box office. But the fact of the matter is that if we survived a nuclear winter, we would be well prepared about what to do when zombies took over the land, because of the prep we had from guys like George Romero. So even though Danny Boyle’s 28 Days Later might have presumably sealed the deal when it came to this particular interpretation, someone decided to dredge it up for whatever reason.
Despite its lame title, I’ve been excited about seeing Live Free or Die Hard since it was announced. The Bruce Willis franchise has been a favourite of mine for a long time, thanks to the original Die Hard which stands as one of the greatest action films of all time.
Willis reveals in the commentary that he and director Len Wiseman (Underworld) set out to make a Die Hard movie that surpasses the middle two in the series and is as good as the first. While Willis apparently feels they succeeded, I beg to differ. Live Free or Die Hard is certainly a good action flick, but nothing can ever surpass Die Hard in my book. Opinions of the film aside, this DVD set is sure to satisfy John McClane fans of any stripe.
Everybody remembers the first scary movie that gave them nightmares for days and months after they saw it. For some, it was the Exorcist and for more recent folks perhaps it was Scream or Saw. For me, it was Poltergeist. I was but seven years old and thought it would be something like E.T. Phone Home, but with swirly demons and ghosts? It was PG, how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard “They’re Here”, I knew I would never see static on televisions the same way.
The Invisible appears to have been marketed a couple of different ways when it was released in early 2007, but the most used phrase for the film appears to be “Supernatural Thriller”, which might address it to some degree if it was, you know, thrilling.
Christine Roum (Bodyguard II) co-wrote the screenplay, which David Goyer directed. Goyer has been a longtime writer, providing words to such films as Dark City, Blade and Batman Begins. And for all the good work he’s put in as a writer, you’d think he would have learned some things when it comes to directing, but ultimately, he’s just another guy who was talented in one area and needs some work in his new one.
There are plenty of reasons to be grateful for public domain rules, as they make plenty of movies easily available that wouldn’t be otherwise. But there are pitfalls as well, and there is no clearer example of this than what has befallen George A. Romero’s classic film. The great man barely saw a dime from his work, but all and sundry can fiddle with Night of the Living Dead as they see fit, and here is a textbook case. The basic premise is intact: young woman and her brother visit cemetery, are attacked by zombies, and heroine winds up part of a besieged group. Sid Haig lends his presence to liven things up a bit, but he have any real role to play until the movie is almost half-over, by which point many viewers will be sunk in boredom. The zombie attacks are tediously realized, and this is easily the most gore-free version of the story.
Box Sets that compile older titles usually just make me cringe. Think about it. Recycled discs, tired old movies, and a fancy somewhat new box cover. In other words, I get to sleep for 4-5 hours and then wake up in a cold sweat wondering what happened. Alright; so that just sounds like my first honeymoon. Anyway, I happened to get the Partying 101 Boxset (because I am a wild and crazy guy) which featured Bio-Dome, Back to School and PCU. These are the old MGM discs from 8 to 10 years ago. Be afraid.
Out For Justice is a classic Steven Seagal action flick set in the mean streets of Brooklyn. Seagal plays a cop named Gino who has seen the ups and downs of the neighborhood, but has done his best to keep it safe and running as smooth as possible. His childhood adversary, turned criminal scum (William Forsythe), has turned the streets into a war zone leaving a huge trail of dead bodies in his wake. Seagal decides to “take care of him” personally rather than bringing him to justice.
Subscribe
Be Kind Rewind 
The Seeker - The Dark Is Rising 
Jumper 
Epic Movie (Unrated) 
The Invasion (2007) 
Dragon Wars — D-War 
![Out for Justice [Blu-ray] dvd cover art](http://upcomingdiscs.com/ecs_covers/out-for-justice-blu-ray-large.jpg)