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Disc Reviews by Archive Authors on March 31st, 2006
Arnold Clasen reenters society after time away in a Nazi prison camp, and returns to Hamburg and a life of quiet solitary resistance, in the 1981 war-time drama Your Unknown Brother. Clasen immediately reconnects with his old love Renate, and embarks on a turbulent, dangerous friendship with resistance leader Walter, a man of ulterior motives, who is also in bed with the Nazi regime. Clasen starts to suspect Walter when many of his old comrades are seized by authorities. It seems everyone in the resistance, wh…
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Disc Reviews by Archive Authors on July 17th, 2004
I am sure that many consumers have noticed the disturbing trend taking place in DVD land with regard to the same movie being released in multiple versions. This practice, commonly referred to in the industry as “multiple bites at the apple”, is a cheap way for studios to persuade consumers to buy movies that they already own over and over again, since each new release offers some sort of extra upgrade from the previous versions. Even those of us in the DVD community sometimes get burned on this type of thing, as ther…
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Disc Reviews by Archive Authors on December 20th, 2003
I often wonder what would make a good actor star in a bad film. Of course, the true answer almost always involves money, but I still hold out the hope that there is a greater purpose behind these little thespian mysteries. Did the actor know ahead of time that it was going to be a bad film? Was it a risk that just didn’t pay off? Did he owe someone a favor? Just what exactly would cause an actor to put his career at risk for a paycheck?
Shadow Fury boasts Karate Kid’s Pat Morita on it’s front-…
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Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels — Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
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