Archive for the ‘Dolby Digital 5.1 (English)’ Category
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Disc Reviews by Gino Sassani on September 1st, 2010
“On October 6, the planet blacked out for two minutes and seventeen seconds. The whole world saw the future…”
For all intents and purposes, it appears just like any routine fall day throughout the world. People are busying themselves about their normal concerns. Suddenly everyone on the planet blacks out for exactly 2 minutes and 17 seconds. Just think about that part for a moment. Every human being collapses at the same moment.
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Disc Reviews by Gino Sassani on August 30th, 2010
Ken Olin is truly a great talent that I’ve followed since back when he played the snotty detective Garibaldi on Hill Street Blues. Since then he’s done some wonderful work behind the camera, and Brothers & Sisters certainly shows his influence; however, this is not some of his best work. The show often leans on clichés and gets awfully lazy in moving forward at times. I do see the great family of characters they created here, but fail to find them interesting beyond the life breathed into them by their performers. This is a case of ego getting in the way of great potential.
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Disc Reviews by Gino Sassani on August 26th, 2010
Mention the name Jackson Browne and one thinks less of the performances and more of the music itself. While he never achieved quite the fame of many of his peers, his style and songwriting has had a lasting impact on some of the biggest names in the music industry. He was part of the whole Troubadour scene in the early 1970’s where he hung out with the likes of James Taylor, The Eagles, and other notable artists who were about to find their golden tickets to larger stages and the crowds, money, and fame that went along with them. The likes of Crosby, Stills, & Nash have been inspired both by his ability to write and his passion for the causes he believes in.
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Disc Reviews by William O'Donnell on August 25th, 2010
Pauly Shore seems to be trying to steer his career from being a washed up b-lister to being a self-aware washed up b-lister. Pauly Shore is Dead was his first dabbling into mockumentaries about himself, and now he has followed it up with Adopted. This yarn is about Shore, following the trend set by Angelina Jolie and Madonna, of flying to Africa (and later Cambodia) to adopt a child, with the hopes that being a father would fill a void in his shallow Hollywood hills life.
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Disc Reviews by Gino Sassani on August 24th, 2010
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time.
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Disc Reviews by William O'Donnell on August 23rd, 2010
A robber tosses his loot onto a freeway and it lands on the hood of a random passerby. Said passerby decides to keep the $600,000+ and use it to buy brand new…everything, for him and his wife. While the robber gets incarcerated, he offers half the money to his twin brother if he can track it down. If the young couple flashes their money around and started paying cash for big ticket items, they will be hunted down…they do, and they are.
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Disc Reviews by Michael Durr on August 22nd, 2010
Wolverine and the X-Men is the fourth time Marvel Studios have decided to animated the Uncanny X-Men into a show. Despite the successful runs of Evolution and the Animated Series, this show didn’t quite fare so well. It only lasted the typical twenty six episodes that a lot of animated shows go through. However, Marvel has stayed true to the fans and released this sixth and final volume of the show chronicling the last three episodes.
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Disc Reviews by Michael Durr on August 21st, 2010
Have you ever walked into a 2 hour movie with only half an hour left to go? It is not a picnic. The same can be said of a television show that is entering its fourth (and final) season and you haven’t watched a single episode. That’s the situation that presented myself with Ugly Betty. However, I have always found myself up to the challenge and we’ll step into this adventure with our head held high.
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Disc Reviews by David Annandale on August 19th, 2010
Miley Cyrus is displaced from New York to spend the summer by the sea in Georgia with estranged father Greg Kinnear. While younger brother Bobby Coleman thinks the set-up is just keen (especially former composer dad’s work restoring the stain glass windows of a burned church), Cyrus stomps around in full Resentful Teenage Girl mode, until two things make her begin to open up: the need to protect a nest of sea turtles, and the attentions of the impossibly hunky Liam Hemsworth. Since this is a Nicholas Sparks story, true love and happiness will have to run the gauntlet of class snobbery, Disturbing Revelations ™, and the inevitable Third Act Fatal Illness That Brings Out The Best In Everyone (also a registered trademark).
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Disc Reviews by Gino Sassani on August 19th, 2010
“Tyger Tyger burning bright…”
The 1794 poem by English wordsmith William Blake provides the title and much of the inspiration in this modern thriller/man vs. nature film by director Carlos Brooks. It’s only the director’s second feature film. There is very little experience among the many writers of the story and screenplay. Excuse my jaded reviewer skepticism, but this was not a film I was particularly looking forward to seeing. I expected this to be on par with the beast-of-the week scenario that those made for television SyFy films have been putting out for years.
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Disc Reviews by Gino Sassani on August 18th, 2010
In many ways Cougar Town appears to be Friends 20 or more years later. It’s not just the fact that the former Friends star Courtney Cox heads the call sheet on the new situation comedy. There are a ton of other elements that appear to tie the shows together. Like the old NBC show, the core of this show is a tight group of friends. They have a lot of the same kinds of adventures and conversations as the old gang used to have. The big difference here is that the adventures and the talk come from an older, if not more mature, perspective.
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Disc Reviews by Gino Sassani on August 10th, 2010
Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo; apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy-tale world of Numb3rs,
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Disc Reviews by David Annandale on August 10th, 2010
Jody Balaban (Leelee Sobieski) is a newly minted film school grad who, heady with the success her student film has brought her (an award presented by Garry Marshall!), heads off to Hollywood to find fame and fortune. Instead, she finds doors shut to the newcomer, the closest she can get to a major studio job being a stint directing traffic. But then she is offered a job as an editor. The only problem is, the studio in question is a porn outfit. Her dismay is all the greater since she has been put off sex due to the enormous childhood traumas of having been spanked
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Disc Reviews by Michael Durr on August 10th, 2010
After watching plenty of terrible horror movies in my life, I start to wonder if this is easiest thing in Hollywood to produce. Work with a small budget, come up with a scare and hire some shapely actors to play the ones in peril. Oh, and make sure you have plenty of fake blood. Our example today is Open House, a recent horror movie directed by Andrew Paquin.
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Disc Reviews by Gino Sassani on August 9th, 2010
“There is a place, a mystical nexus, where this unholy relic can be destroyed. I only hope we can get there before Vellich.”
When you think of Edward Douglas, you really do not think about him as a film director or writer. He’s made a name for himself mostly in the music business. No, you aren’t going to see his videos on MTV, and it’s not likely that you’ll find his name on the charts. He’s become somewhat the poster child for specialized Halloween music. So, I guess it isn’t that large a leap to find him writing and helming his first film, obviously a horror film.
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Disc Reviews by Michael Durr on August 9th, 2010
A good thriller is something that has been absent from my recent viewing experience. One of my favorite thrillers of all time is a movie named Ninth Gate. This movie is directed by Roman Polanski. As luck would have it, Roman Polanski also directed the thriller I am bringing you today, The Ghost Writer. My fingers are crossed and I can only hope that this film is just as good.
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Disc Reviews by Gino Sassani on August 2nd, 2010
One of the most difficult types of films to pull off is the black comedy. By its very nature the film has to be somewhat morbid and exist in a world of the absurd. As much as I am often drawn to this kind of movie, I haven’t found more than a handful that were able to pull it off. The black comedy usually involves someone’s death, often by some bizarre means, and almost always in a world of moral ambiguity, where such things fail to affect the emotions or consciences of those involved. The death has to appear almost matter-of-fact.
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Disc Reviews by Gino Sassani on August 2nd, 2010
Everybody is always looking to find a new angle or a fresh way of looking at the typical horror film. That is, when they’re not trying to recycle/reboot/remake/reimagine something that’s already been done, often more than once. Credit writer Glenn B Hopper III and director Neil H. Weiss for at least coming up with a new spin on some old ideas. The Hanged Man doesn’t venture very far from its traditional horror roots, but it does offer you a little more thoughtful motivations and insights into its characters and situations.
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Disc Reviews by Michael Durr on August 1st, 2010
Since I get to review a lot of sitcoms, I tend to see the gambit of shows designed for only purpose. That purpose is for me to laugh. But there is another word in sitcom which can restrict how funny the comedy will be to a given person. Situational. The situation I present here involves a female sports columnist and her male friends. One can only wonder if this formula created by Betsy Thomas will be what I’m looking for.
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Disc Reviews by Jay Macdonald on August 1st, 2010
Extraordinary Measures is a moving story about family and a father’s perseverance to find a cure for his children. John Crowley (Brendan Fraser) seeks out the help of an irritable medical researcher (Harrison Ford) whose theory cannot be fully developed without extensive funding. As the time ticks away, so does the probability of finding a cure. This film requires an emotional investment and audiences will be surprised at how invested they become.
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Disc Reviews by Jay Macdonald on July 28th, 2010
Timer is an innovative concept. In the film, people can choose to be fitted with a timer which counts down until that person meets their soul mate. The timer will tell you precisely how long you will have to wait to find true love. Oona (Emma Caulfield) is in the rare situation of having a blank timer. Her soul mate has not had one implanted yet and the suspense is getting to her. Oona decides to go out of her comfort zone and begin dating a considerably younger man named Mikey (John Patrick Amedori). The only problem is that Mikey is not slated to meet his soul mate for another four months.
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Disc Reviews by David Annandale on July 28th, 2010
Woody Harrelson is Arthur Poppington, a child-like adult who fights crime by night in the guise of Defendor. His costume and weapons are DIY: a helmet that records his adventures on VHS, a duct tape “D” on his black turtleneck, a trench club, a slingshot, marbles, lime juice. He is obsessed with tracking down “Captain Industry,” a mythical figure whom he blames for the death of his drug-addicted mother. He runs afoul of corrupt cop Dooney (Elias Koteas at his scuzziest best), beating him and “rescuing” prostitute Kat (Kat Dennings), and the latter convinces him that the crime boss Dooney works for is, in fact, Captain Industry. Arthur sets out on his crusade, and the question is whether his naiveté will triumph, or get him killed.
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Disc Reviews by Gino Sassani on July 27th, 2010
I’m reminded of my innocent childhood days when Mr. Rogers would come on my black & white television to change his shoes and put on a sweater. I have to say that I always found the guy a little creepy. He would sing to us in a soft hypnotic voice: “It’s a wonderful day in the neighborhood, a wonderful day in the neighborhood. Could you be mine. Would you be my neighbor.” Mr. Rogers had quite a fanciful neighborhood indeed. The place was mostly populated with puppets and strange creatures of all sizes. And while today he’d look and sound like a pedophile, Mr. Rogers welcomed everyone to his neighborhood. So, I can’t help thinking how he’d feel about “The Girl”.
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Disc Reviews by Gino Sassani on July 26th, 2010
“Would you give up 20 years to prove a stranger’s innocence?”
That’s the question that is asked and answered, at least for one person, in the docudrama The Wronged Man. The film is a made-for-television movie that appeared originally, and still does from time to time, on Lifetime.
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Disc Reviews by David Annandale on July 26th, 2010
As the name suggests, this is a collection of ten movies on LGBT themes. In chronological order, here’s what we have:
The Children’s Hour (1961): Shirley MacLaine and Audrey Hepburn are the headmistresses of a girl’s school, and their lives are turned upside down when one ghastly little child accuses them of being romantically involved. It is clear, though, the MacLaine would very much like to be. This was director William Wyler’s second stab at adapting Lilllian Hellman’s play, and this time was able actually to deal with the play’s central issue, rather than disguise it as he had to
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