I’ve always been fascinated by ocean life much more than space. Sure, planets and stars are cool, but growing up I was reading books about sharks, not supernovas. That interest in the wonders of the sea has never really faded, so you can imagine that I was pretty stoked to watch IMAX: Deep Sea.
Unfortunately, I missed this one in theatres when it was IMAX: Deep Sea 3D. The only thing three-dimensional about this DVD release is the sweet lenticular slipcover. If you stare at the cover while you turn it slowly, a shark appears to swim up to have you for lunch. Nice.
Mu-ju is trying to adjust to life again after surviving a terrible accident. Life is still hard, as her eldest daughter suffers from something like autism, and she is having trouble landing a permanent position as a teacher at a music school (plus, a former student has it in for her). The aforementioned eldest daughter becomes obsessed with a cello, and a mute housekeeper moves in, and terrible things begin to happen.
But those terrible things wait far too long to happen. A third o…
Private Kang (Jan Dong-kun) is a coast guard – i.e. a soldier tasked with watching the South Korean coast for spies from North Korea. He is obsessed with shooting one, even though it is extremely unlikely that he will encounter any. One night, he sees movement and opens fire, killing not a spy, but a teenager having a tryst with his girlfriend. The boy isn’t just shot – he’s riddled with bullets and then blown to pieces with a grenade. No surprise, then, that the girl is traumatized to the p…
Tae-suk is a young man who breaks into people’s home while they are away. He lives there in their absence, but doesn’t steal anything, and fixes odds and ends while he’s there. During one such break-in, it turns out that owner’s wife is there, and a love affair begins between the two. When the abusive husband returns, Tae-suk winds up killing him with the title instrument, and the lovers flee.
Director Kim Ki-duk (Spring, Summer, Fall, Winter… And Spring) is a storyteller …
By Sean Jester on December-14-2005 in
Disc Reviews
Let’s face it. Hollywood isn’t taking enough chances these days. In the era of film franchises, sequels and remakes, Hollywood has become too predictable, leading to mediocre reviews for most big releases and even worse box office returns. Many film goers have looked to independent and foreign films to challenge them, and for good reason. Foreign films march to the beat of their own drum, use complex themes and imagery to tell their story, and they usually keep you guessing until the very end. The same can be said f…
By Ryan Keefer on November-19-2005 in
Disc Reviews
Phone director Byeong-ki Ahn admits he wanted to take the premise of Ringu and incorporate cell phones as the primary transmitter of terror instead of VHS tapes. (Just when these vengeful spirits will make the jump to DVD is uncertain — and when they do, will it be Blu-Ray or… oh, I’ll save it for another time.) Anyway, he puts together an impressive-looking package with this horror tale, but unfortunately, the film itself falls flat on the wings of derivative, copycat storytelling.
A serial murderer is at large, burning his victims’ bodies down to the bone with acid. In order to identify the victims, the police must turn to reluctant forensic sculptor Hyun-min. He has no heart for the job, concerned as he is with this daughter, whose body seems to be rejecting its heart transplant. But he does go to work, even as he and his daughter have visions of a female ghost.
The long-haired ghost is a figure that is rapidly losing its power to scare through massive over…
A silent pimp (the only words he speaks – a couple of brief sentences late in the film – are also the last words spoken in the film) sees a young college girl and instantly falls obsessively in love. When she humiliates him after rejecting his crude advances, he arranges events to drive her into debt and legal problems, and from there into prostitution. He watches her in the brothel every night through a two-way mirror, as she descends further and further into the degradation of this world.< ...
I don’t know a great deal about Korean cinema, but I imagine that H must have been a milestone in the Korean film industry – a distinctly Korean interpretation of a Western tradition. H is a dark psychological murder mystery, thriller, and suspense film, best compared to The Silence of the Lambs, or Kiss the Girls - not what one expects from the other side of the Pacific. There’s no martial arts to be found, and no running through trees, and pseudo-mystical mum…
By David Annandale on September-15-2004 in
Disc Reviews
Synopsis
Very much an allegory, the film moves through the seasons of the title, each one representinga season in a man’s life. In Spring, then, he is a little boy. In Summer, an adolescent. And so on(young man, middle-aged man, older man). The scene remains the same: a Buddhist templefloating on a lake, surrounded by mountains. The other characters are the elderly monk who israising the boy, and the young girl who enters his life in adolescence. The story is told with aminimum of d…
A single mother, harried beyond all bounds and desperate for work, is forced to leave heryoung, resentful son in the care of his deaf-mute grandmother for a couple of months. The seven-year-old is mightily displeased, and repulses his grandmother’s attempts to create a bond.Gradually, however, she begins to win him over. A low-key, thoughtful film, The Way Homebenefits from very real performances, and a kid who is convincingly mean and spiteful in theearly goings.
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IMAX: Deep Sea 
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