Most people who know me know that Daredevil is my #1 Superhero of all time. Number #2 is Batman. Third is somewhat of a surprise for a lot of people. It’s the Punisher. It’s surprising because the Punisher is portrayed as a nemesis of Daredevil quite often in the comic books. However, like Batman and Daredevil, Punisher is a classic flawed hero. In the comics, his family was gunned down gangland style and he seeks out to “punish” those responsible. In the proceedings, he finds that the greatest enemy is not those who executed his family but himself. Drinking, suicidal thoughts, and endless pursuit to extract justice at any cost chip away at this very core. Enter 2004, and director Jonathan Hensleigh decides to bring the story of the Punisher to the big screen.
Despite being very thoroughly dead, Jigsaw is up to his old games again. This time, SWAT commander Rigg must race against time to rescue to kidnapped fellow officers. Jigsaw’s messages send him all over town, to one gruesome event after another. Meanwhile, the FBI is also on the case, interrogating the killer’s ex-wife, which means the audience finds out quite a bit more about Jigsaw’s backstory.
What we’ve got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don’t get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film’s a walking, talking turd.
Back in the summer of ‘89, a popular action flick was calling my name from the shelves of the local video rental store. It was Young Guns, and I’d heard it was wild, gun-toting ride from start to finish. Problem was, I was eight years old and there was no way my folks were going let me see such a violent movie, for fear two hours with Billy the Kid would make me a career criminal.
Boy, have times changed. Granted, Young Guns wasn’t the baddest film on the block 18 years ago, but it was reflective of the then-current action standards. In 2007, we’ve got stuff like Shoot ‘Em Up, a film so over-the-top violent that the tables have turned — I wouldn’t let my parents anywhere near it, for fear they’d have simultaneous, massive myocardial infarctions.
Think you can handle a taste of the old ultraviolence? Read on.
The big thing that gave Captivity the anticipation leading up to its release was a less than studio endorsed billboard showing its star Elisha Cuthbert (24) being tortured before getting killed. The main thing about the film was that Cuthbert had sunk so far downhill after renouncing her dad Jack Bauer. But holy crap, Roland Joffe directed this film! For those who don’t know, Joffe is a two time Oscar nominated director for The Killing Fields and The Mission. But since then, his success arc seemed to fall off the table completely since the mid ‘80s, with contributions like Super Mario Brothers and The Scarlet Letter, even directing an episode of an MTV sitcom. So I guess it’s only natural that he come into the torture horror genre much too late in the game with Captivity.
A remake of writer/director John Waters’ 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it’s bigger and better than previous iterations, I can’t say, because this DVD release marks my first Hairspray experience. What I can say is if Waters’ original and the Broadway show are even half as good, they’re definitely worth your time.
If that doesn’t convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.
Writer note: Apologies to Brendan who did the fine HD-DVD review for this flic. Some hack had to pick up the slack for the regular DVD and present a slightly alternate view. (and a different interpretation of english grammar)
Ever see Shaun of the Dead? No? Don’t worry, not too many people did either. This fine film directed by Edgar Wright was a parody and homeage to the George Romero Dead films. Full of comedy and nods to the genre, it was a very good but mostly forgotten flic. Fast forward to 2007 and Edgar Wright along with Simon Pegg (who would also play the character of Nicholas Angel) decide to write the homeage to action movies: Hot Fuzz.
(Supplemental material portions of this review are culled from Gino Sassani’s review of said film in the Blu-ray format, so enjoy or read elsewhere.)
I’ve always enjoyed Hitchcock’s Rear Window, and I’ve gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken’ LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.
Monty (Idris Elba, 28 Weeks Later) is a father struggling for custody of his three children. This has become of utmost importance to him especially since his ex wife is involved with a local drug dealer. He enlists the help of attorney Julia (Gabriel Union, Bad Boys 2) to get his children back. Of course sparks begin to fly between the two, and the children seem to take the backseat. I’ve seen this type of movie way too many times before, and I would be completely contentif I didn’t have to again.
Disturbia looks to potentially be a classic thriller; it has the elements of a classic Hitchcock film, and a noteworthy cast. Although I’m not and never will be a fan of Shia LaBeouf I will admit he has sold me with his performances several times before, but does he have the talent to carry this movie? Regardless there are some other semi-reputable names cast in Disturbia including Carrie-Anne Moss and David Morse, so here’s to hoping that this flick isn’t a waste of time.
The second season of Weeds follows much the same formula as the first, and incase you haven’t seen the first season I suggest you do so beforehand. But for your benefit I’ll quickly run over what you’ve missed. Nancy (Mary Louise Parker) has recently lost her husband and the only way she sees to raise her children in the affluent neighborhood they’ve become accustom too is by dealing weed. Most of her customers are parents, most notably the town councilman Doug Wilson (Kevin Nealon, Saturday Night Live). While dealing with problems at home and on the streets Nancy goes through life the best way she can, which is rather comedic for the rest of us.
Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to…
Lady in the Water is the latest film offered from M. Night Shyamalan. In its opening weekend (21-23 July 2006), the film grossed a total of $18.2 million, placing third in the United States box office results for that weekend. It was M. Night’s lowest opening for any of his five major films. Due to negative reviews and poor word-of-mouth, its second week fell sharply to $7.1 million, pushing its total to only $32.2 million. Its third weekend was no better, falling another 62.1% to $2.7 million. As of September…
The plot of Tim Burton’s Corpse Bride, although simple, provides a very enjoyable experience throughout its entirety. Johnny Depp does a tremendous job brining his character to life, as does the rest of the cast.
Set in a dark Victorian era city, Corpse Bride is the tale of an arranged marriage between Victor Van Dort (Johnny Depp) the son of fishmongers, and Victoria Everglot (Emily Watson) the daughter of aristocrats. Victor is very hesitant of the marriage, of course until he meets the cha…
By Ryan Keefer on November-25-2006 in
Disc Reviews
Synopsis
With Casino Royale now out in theaters and being shown to a mostly positive audience, let’s all take a step back and remember that James Bond just celebrated an anniversary in 2002 with the release of Die Another Day. The film was the twentieth in the Bond legacy, and Brosnan’s fifth (and last) in the role. How does it stack up?
Directed by Lee Tamahori (Once Were Warriors), the film puts Bond in North Korea, attempting to procure some diamonds from a young Korean Col…
A critically acclaimed Adam Sandler film? I’d never would I have thought I’d see the day. I guess if The Truman Show is one of Jim Carrey’s dramatic stabs, then the star of Big Daddy can give a romantic comedy a try. Written and directed by Paul Thomas Anderson (Magnolia), using a story from the “Strange But True” category, combined with adding a touching tenderness to his characters, wrapped up with Sandler, playing a quiet, soft spoken man prone to fits of blind rage.
Donnie Wahlberg plays a cop whose past, to say the least, is checkered. He is drawn into a very personal confrontation with Jigsaw (Tobin Bell) when the killer kidnaps his son. Jigsaw wants Wahlberg to sit and listen to him if he wants his son to live. The boy, meanwhile, is trapped in a house where the air is slowly filling with a toxic nerve agent, and surrounded by a group of people who, desperate as they are to escape and to find antidotes to the poison, also, did they but know it, have …
What bothers me about music, aside from the sanitized, overmarketing of a band or artist, is the way that those who play it for its enjoyment are cast aside so rudely and without thought. In Frank Zappa’s outstanding “The Real Frank Zappa Book”, he talks about appearing at a jazz festival with his group the Mothers of Invention, and witnessing the legendary Duke Ellington pleading for a $10 advance on his appearance fee. Quoting Zappa’s response; “We’d been together in one configuration or another …
Inspired, rather than based, on the life of bounty hunter Domino Harvey, this exercise in monumentally brain-dead excess sees Keira Knightley in the title role. The daughter of Manchurian Candidate star Laurence Harvey, she rebels against the posh Beverly Hills life of her mother (Jacqueline Bisset) to become the bounty hunting partner of Mickey Rourke and Edgar Ramirez, working for Delroy Lindo. Christopher Walken is the TV producer who designs a reality show around the trio and two …
2005 was definitely a big year for Tim Burton. He had the mega successful Charlie and the Chocolate Factory and ended the year with this film, Corpse Bride. Neither Charlie or Corpse deserved to be placed on the top of Burton’s best work list, but both are filled with typical Burton qualities from his funny jokes to interesting visuals.
Tim Burton’s Corpse Bride is similar to The Nightmare Before Christmas via Burton’s usual trademarks. Corpse Bride features…
It was really 1977 and as close as your neighborhood theatre. Luke Skywalker, Han Solo, Darth Vader, and Princess Leia captured our imaginations and have never let go. Star Wars has become nothing less than a modern mythology. No one can deny that George Lucas changed how we see films forever. It doesn’t matter if you’re a Star Wars fan or even watch science fiction as a whole. Movie making changed in 1977. Lucas continues to shape the industry with the f/x empire he built on Star Wars.
In the event you had to move under a rock in 1997 and just crawled out from under it last week, James Cameron’s TITANIC – winner of 11 Academy Awards - recounts the tragic sinking of the supposedly indestructible ship seen through the eyes of two young lovers on board. Though the romance is fictional, it serves as a guide that will walk us through one of the most memorable events of the twentieth century.
There isn’t much to be said about this film that hasn’t been said a thousand times over in the …
It’s hard to believe that it’s already been 10 years since Pixar’s Toy Story was released in theatres. The first – and arguably still the best – full-length CGI release, Toy Story is a ground-breaking movie, paving the way for other animated masterpieces, such as Shrek, Ice Age and The Incredibles. Not only is Toy Story a remarkable display of animation technology and techniques, it is a wonderfully funny and well-directed buddy movie.
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Punisher, The (Extended Cut) 
Saw IV 
Rush Hour 3 (Platinum Series) 
Captivity 
Hairspray (Shake & Shimmy Edition) 
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Titanic 
