Archive for the ‘DTS (English)’ Category
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Disc Reviews by Michael Durr on October 16th, 2008
Most people who know me know that Daredevil is my #1 Superhero of all time. Number #2 is Batman. Third is somewhat of a surprise for a lot of people. It’s the Punisher. It’s surprising because the Punisher is portrayed as a nemesis of Daredevil quite often in the comic books. However, like Batman and Daredevil, Punisher is a classic flawed hero. In the comics, his family was gunned down gangland style and he seeks out to “punish” those responsible. In the proceedings, he finds that the greatest enemy is not those who executed his family but himself. Drinking, suicidal thoughts, and endless pursuit to extract justice at any cost chip away at this very core. Enter 2004, and director Jonathan Hensleigh decides to bring the story of the Punisher to the big screen.
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Disc Reviews by Sean Jester on June 23rd, 2008
It’s not that video game movies are bad because they are based on video games — things that are usually void of character development and plot in favor of cheap thrills — it’s just that they’ve mostly been handled by hacks, from the director down to the caterer. This usually makes the movie about as tedious as the filmed vignettes you’re forced to watch in between the video game’s levels.
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Disc Reviews by Ryan Keefer on June 13th, 2008
Come on, admit it, you want to say that Hayden Christensen was the worst part if the latest trilogy of Star Wars films, and yeah, the guy did bring the suck, to be sure, but he wasn’t really that bad, right? Well yeah, he was, but he’s not the only thing wrong when it comes to Jumper, the latest film from writers David S. Goyer (The Dark Knight) and Jim Uhls (Fight Club), who adapted the Steven C. Gould novel. Directed by Doug Liman (The Bourne Identity), Jumper features Christensen as David Rice, a man who grows up with a genetic gift, the ability to ”jump” from place to place, Christensen’s performance was his first major role since transforming Darth Vader from an ominous, silently rueful and dominating presence, to a dude who thought his girl was cheating on him, so he started hanging out with a creepy old guy as a result.
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Disc Reviews by Ryan Erb on February 27th, 2008
I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down.
In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime.
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Disc Reviews by Sean Jester on February 9th, 2008
Early on, it’s easy to tell that Mr. Brooks doesn’t take itself seriously.
At least I hope it didn’t.
What starts off as an intriguing look into a seemingly normal man’s life and his addiction to killing people, Mr. Brooks quickly spirals down the drain into a movie that tries to do too much and ends up doing too little.
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Disc Reviews by Mark Dancer on January 12th, 2008
When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director’s chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual’s belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.
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Disc Reviews by David Annandale on December 1st, 2007
Who says horror can’t be the cinema of personal expression? Director Tim Sullivan follows up his comic horror 2001 Maniacs with this heartfelt ghost story. Raviv Ullman plays David, a teenager whose depression and death-fixation following the demise of his older brother prompts his desperate parents to ship him off to an “Attitude Adjustment Camp.” Basically a brutal cross between boot camp and prison, this is a private institution (inspired by actual places) designed to transform any insipient Columbine-copycats. Once there, David must contend not only with the sadistic Captain Kennedy (Diamond Dallas Page) who runs the place, but also with visions of a ghost who clearly wants a buried truth revealed.
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Disc Reviews by Ryan Keefer on September 6th, 2007
(You’re going to have to forgive me, I’m pulling ample portions of this review from my earlier Divimax review of Dawn, with some exceptions of course.)
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy put out a copy of this film now before overloading us we on the remake, done in grainy, handheld 28 Days Later style by director Zack Snyder of 300 lore. A stopgap one disc version was released, followed by this huge-arse four disc version that we’re viewing now.
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Disc Reviews by Ryan Keefer on July 21st, 2007
Synopsis
Honestly, the only thing that I remembered from watching For Your Eyes Only was that Sheena Easton sang the title song (qualifying her as probably the most attractive Scotsperson out there) and that there was a sprawling chase scene involving Roger Moore on skis that was cool. But that’s it. And now that I’m wrapping up this long winding once over for all the James Bond Ultimate Edition DVDs and I get a chance to see everything again, it turns out that this film is a pretty good one.
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Disc Reviews by Ryan Keefer on July 15th, 2007
Synopsis
I’ve gotta say that when the first Die Hard was released, I was in a position where I hated, absolutely despised Bruce Willis. In my opinion, the world honestly didn’t need another loudmouthed movie star who was from New Jersey and didn’t hesitate to say so, and that whole schtick about him and the Bruno persona would allow him to release music albums reeking of self-promotion and another money grab. And when he hooked up with Demi Moore, my initial reaction was “good, they’ll have mongoloid…
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Disc Reviews by Ryan Keefer on July 1st, 2007
Synopsis
Timothy Dalton might have endured a bit of grief for his short tenure as James Bond, enduring comments equating him to Connery and Moore plagued his two film run, with this one being the last. However, this one was quite the doozy, and almost in the area of “forgotten gem” status.
Written by Richard Maibaum (The Man With the Golden Gun) and producer Michael Wilson, and directed by John Glen (A View to a Kill), Dalton as Bond finds himself as the Best Man to the wedding of lo…
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Disc Reviews by Ryan Keefer on June 27th, 2007
Synopsis
In slowly but surely wrapping up my reviews of each and every Ultimate Edition James Bond title on DVD, coming to Thunderball, a sect of people say that this is the quintessential film for the man who quintessentially personified James Bond. So in his fourth outing as the man who likes martinis, cars and women, he encounters a large swath of them all over two hours.
Based on Ian Fleming’s story and directed by Terence Young (From Russia With Love), this installment in the se…
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Disc Reviews by Gino Sassani on June 19th, 2007
Marvel Comics has certainly enjoyed a renaissance of late. There can be no question that this entire run of comic heroes on screen began with Spider-Man. Even the recent DC reimaginings might not have gotten this second chance without everyone’s favorite web slinger, or at least the gobs of money that franchise has pulled in. While none of these recent comic films have come close to the success of Spider-Man, the studios are determined to keep the trend alive and well. That translates to great news for us. The most…
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Disc Reviews by Michael Durr on June 10th, 2007
Synopsis
One of my favorite movies of all time is Rocky Horror Picture Show. My favorite character of that movie is Dr. Frank-N-Furter who is just a sweet transvestite transexual from Transylvania. So when I got Priscilla Queen of the Desert to review which had two cross dressers and a trannie and a grand helping of humor to boot, I was hoping it would become one of my favorite movies as well. The story behind Priscilla is that Tick Belrose (drag name: Mitzi) …
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Disc Reviews by Tom Buller on June 4th, 2007
With the release of Fantastic 4: Rise of the Silver Surfer just around the corner, it’s no surprise to see the studio rolling out a double-dip of the first film. Fantastic 4 – Extended Edition revisits the film with an extra 20 minutes of footage, and a second disc full of special features. But is it a worthy acquisition for your collection?
First, a bit about the film for the uninitiated. This is the Fantastic Four’s origin story, including how they came to have their super powers, and who Dr…
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Disc Reviews by Ryan Erb on May 14th, 2007
Released earlier this year to a successful box office run, Ghost Rider is yet another Marvel character making his way to the big screen. There’s something about these comic movies that have everyone all psyched these days, all of them performing admirably in the theatre and selling just as well upon DVD release. For me, there are only a couple of these Marvel films that I actually think were well done and in good contrast compared to their comic book counterparts. In fact I’m probably the only person on this c…
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Disc Reviews by Ryan Keefer on May 6th, 2007
Synopsis
Holy crap, this movie made a boat load of money for Fox when it came out around Christmas 2006, making $250 million and running second only to the Pirates of the Caribbean sequel for box office money. And to see Ben Stiller finally appear in a film that could be considered a blockbuster success was nice too. And in Night at the Museum, he gets to play Larry, night security guard in the New York Museum of Natural History.
Based on a book by Milan Trenc, the story contains man…
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Disc Reviews by Ryan Keefer on May 5th, 2007
Synopsis
Well in the ever ongoing series of reviews of the James Bond series, this particular installment is the last of the Pierce Brosnan collection (the others are on the site, so go find them). And in Tomorrow Never Dies, I saved it for last because well, I needed some form of drama to keep me going.
This one takes Ian Fleming’s characters and adapts them into a screenplay that was written by Bruce Feirstein (GoldenEye) and directed by Roger Spottiswoode (Under Fire). And …
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Disc Reviews by Ryan Keefer on April 26th, 2007
Synopsis
Well, time may not have been too kind to George Lazenby since he assumed the tailored suits of James Bond for On Her Majesty’s Secret Service, but considering how well Daniel Craig did in Casino Royale, and the basic storyline is the same for both films, why do people still want to bash Lazenby now? Is it because he wasn’t a carbon copy of his predecessor, Sean Connery? Who knows?
As for the film itself, Lazenby was as unknown as one could get for the job, as this was only h…
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Disc Reviews by Ryan Keefer on April 13th, 2007
Synopsis
Ian Fleming’s The Man With the Golden Gun was the only posthumous release for the established actor, and the book was such a success that producers Albert Broccoli and Harry Saltzman decided to try and recruit Roger Moore for the role immediately after You Only Live Twice to capitalize on the success of Fleming’s book. However, it wasn’t meant to be, and the film’s production was delayed several years while the George Lazenby era came and went, not to mention the Sean Connery era leav…
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Disc Reviews by Ryan Keefer on April 9th, 2007
Synopsis
Carlos Santana has been a veritable part-owner in the Montreux Jazz Festival, with a half dozen or so appearances under his belt in over three decades of performing. Some have been solo appearances, but others have been fruitful collaborations with various blues and jazz performers, some singers. In 1988, Santana and friend Wayne Shorter performed at the show as part of a brief tour.
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Disc Reviews by Ryan Keefer on April 4th, 2007
To the credit of James Bond film producers Michael G. Wilson and Barbara Broccoli, they realized that recycling a storyline with Russian antagonists or other satellites of communism, was stale even several years after the Berlin Wall fell. But in its place, the big Bond villain was a Serbian national of sorts named Renard, who was shot in the head, and the bullet, still lodged in his brain, made him magically impervious to pain.
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Disc Reviews by Ryan Keefer on March 31st, 2007
Admittedly after George Lazenby left the James Bond franchise when On Her Majesty’s Secret Service was released, producers Harry Saltzman and Albert Broccoli wanted to go with a more American-based Bond in their seventh film, and were pretty serious in their intent. At one time, Adam West (yes, Batman) was even involved in negotiations to play the part. Actor John Gavin (Psycho) was signed and sealed for the role a week before principal photography started. But Sean Connery was pitched for it, a bunch of money was thrown at him, and he went upon his merry way to reprise the role that made him famous.
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Disc Reviews by Ryan Keefer on March 31st, 2007
Once Roger Moore left the Bond franchise (some would say three or four films too late), quite a few things left with him. When Timothy Dalton, whose most well-known work before this was an excellent supporting turn in The Lion in Winter, was brought in, several things seemed to change. First and perhaps most notably, the return of a James Bond that smoked cigarettes was most startling. Second, supporting characters like Lois Maxwell (who played Miss Moneypenny) and Bernard Lee (M) were replaced with younger, fresher (?) perspectives.
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Disc Reviews by Tom Buller on March 24th, 2007
He’s one of the most compelling villains of modern fiction. Disturbing, disgusting and absolutely captivating at the same time, Hannibal Lecter can really get inside your head.
You may not have read the novels by Thomas Harris, or even seen all of the films, but I’m willing to bet you’re familiar with The Silence of the Lambs. One of the greatest thrillers in film history, the film in which Sir Anthony Hopkins became Dr. Lecter is the cornerstone of this three-movie set.
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