Archive for the ‘DTS HD 5.1 MA (English)’ Category
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Disc Reviews by John Ceballos on May 24th, 2013
“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”
Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.
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Disc Reviews by Michael Durr on May 20th, 2013
Well, it is that time of the year when we must see what the blood suckers, shape shifters, wolves and the faeries are up to. No, I am not talking about the State of the Union address; I’m talking about the latest season of True Blood. Season Five to be exact. In these twelve episodes, we again travel to the land of Bon Temps, Louisiana and see exactly what delicious trouble and dastardly deeds our characters can get themselves tied up in.
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Disc Reviews by John Ceballos on May 20th, 2013
The conclusion of the wildly popular Twilight saga last fall left a nation of haters high-fiving each other, but it also created a giant, heart-shaped vacuum in Hollywood. Where is the industry’s next big young adult-oriented, human-on-supernatural romance franchise going to come from? This past Valentine’s Day was as good a time as any to find out if Beautiful Creatures — based on Kami Garcia and Margaret Stohl’s “Caster Chronicles” series — was up to the task.
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Disc Reviews by Jonathan Foster on May 20th, 2013
“Never let the truth spoil a good story.” – Charlie Watts, drummer
Ever since they came on the scene in the ‘60s, The Rolling Stones have done things in their own unique and unapologetic style. Widely regarded as the anti-Beatles, The Stones’ blues-infused rock music spoke to many people and inspired many a future musician. They personified the era of sex, drugs and rock & roll…especially the “drugs and rock & roll” part.
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Disc Reviews by John Ceballos on May 15th, 2013
Even among the crowded field idyllic meadow of big-screen romances, the “Nicholas Sparks movie” has become its own lucrative sub-genre. The only other contemporary authors I can remember achieving that sort of name brand recognition are Stephen King and John Grisham. (When people went to watch a Harry Potter film, they didn’t usually say, “Let’s go see the new J.K. Rowling movie.) It’s easy to spot a Nicholas Sparks movie: the lily white leads usually live in or around one of the Carolinas, where they inevitably get drenched by a romantic, cleansing rain before coming across a pivotal letter.
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Disc Reviews by Brent Lorentson on May 14th, 2013
“This is not what you think it is.”
Sometimes a movie comes along that simply has so much to say that two hours simply isn’t enough to flesh it out to its full potential. Broken City is a film that is filled with many great characters and story threads that needed more than just the 109-minute running time to tie everything all together.
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Disc Reviews by John Ceballos on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
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Disc Reviews by John Ceballos on May 6th, 2013
“This is America’s war as never seen before…”
When you consider the countless documentaries, miniseries and feature films dedicated to the Second World War, you’d think the defining conflict of the 20th century has been covered from every possible angle. And you’d be wrong! History has taken to the skies with WWII From Space, a two-hour special that originally aired on the cable network in December and promised to bring viewers an unprecedented, extraterrestrial perspective of the war.
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Disc Reviews by John Ceballos on April 30th, 2013
Before Jay & Silent Bob, Harold & Kumar, and Seth Rogen, James Franco and their current band of merry stoners, there was Cheech & Chong. In terms of pot humor, they were the trailblazers who happily blazed on screen and on stage. The comedy duo’s popularity hit its apex with the release of 1978’s Up in Smoke, which became the year’s highest-grossing comedy. Still, Richard “Cheech” Marin and Tommy Chong’s roots were always in music.
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Disc Reviews by Brent Lorentson on April 22nd, 2013
Donnie Yen continues to deliver one great martial arts film after the other, easily making him the most entertaining martial arts star for quite some time. Sure, there are those who cling to the idea of Bruce Lee being “the best” or perhaps mentioning Jackie Chan or Jet Li for more modern viewers. But for me it’s Yen, and I have no problem saying he may be the best martial arts star of all time. His work with Ip Man, Seven Swords, and Flash Point are staples in a career that has been going since 1984.
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Disc Reviews by John Ceballos on April 22nd, 2013
“I want to talk to you about the war for the soul of Los Angeles.”
This could easily describe the current rivalry between the surging L.A. Clippers and the geriatric Los Angeles Lakers, but Gangster Squad has slightly weightier matters on its mind. The stylish 1940s and 50s cops-and-crooks saga wants to tell a story about corruption and violent men unable — or unwilling — to turn off their capacity for hurting others. Instead, the film winds up being a somewhat shallow 21st century gloss on The Untouchables. And there’s absolutely nothing wrong with that.
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Disc Reviews by John Ceballos on April 22nd, 2013
“Whose move is it?”
To be honest, I’m not much of a chess player. I know how all the pieces move and I enjoy the mental challenge, but I never really committed to becoming proficient at the game. (Now, if we’re talking Connect Four, you don’t want to run into me in a dark alley.) Pawn establishes its intriguing chess motif early on, before almost completely abandoning it in favor of becoming more of a generically twisty thriller.
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Disc Reviews by John Ceballos on April 18th, 2013
“I want to visit a country of dreams, imagination and magic.”
Instead of “dreams, imagination and magic”, the Africa presented in this confounding, family-friendly offering from Spanish filmmaker Jordi Llompart is a place of trippy visuals, head-scratching dialogue and horrid CGI. Magic Journey to Africa — billed as a “giant screen spectacle” — is now available for home consumption, where the film’s dazzling 3D presentation is its only saving grace.
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Disc Reviews by Gino Sassani on April 17th, 2013
The computer-animated feature film has reached the point where you don’t have to be one of the big boys to play. While Pixar and to a lesser extent Dreamworks have dominated this feature form pretty much since its inception, there have already been a handful of independent films that have managed to leave their mark on the landscape. Now the foreign market is getting into the act as well. A Monster In Paris, or Un Monstre a’ Paris, is the result of that evolution.
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Disc Reviews by Brent Lorentson on April 16th, 2013
Sometimes a movie comes along that rises above simple entertainment and actually has something to say. The Big Picture is the kind of movie that has profound ideas about love, family, and the pursuit of your dreams. Is it possible to really have it all? The perfect spouse, the perfect family and live out your lifelong passion and dream? Many who have families, especially when starting young, can understand the idea of sacrifice for their families; it doesn’t mean they just cast their hopes and dreams aside, but once marriage and children are involved the direction your life may take was never the direction you had planned at all.
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Disc Reviews by Brent Lorentson on April 11th, 2013
Looking back, it’s amazing how far visual effects have come since 1988. I can remember sitting in the theater watching Willow for the first time and believing everything I saw up on the screen wasn’t the work of movie magic, but I believed it to be reality. Perhaps some far off land where there are swordsmen fighting evil sorcerers and trolls lurk in the shadows of abandoned castles. This is a thought I’d like to believe I’m not the only one that hoped this was a reality, but if I am I’m fine with that. Willow came out at a time when Hollywood was trying to bring large-scale fantasy to the screen with other releases like Excalibur, Legend and Conan.
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Disc Reviews by Brent Lorentson on April 3rd, 2013
This is a review that I’ve been dreading. It’s been a while since a movie has gotten me so worked up over its thoughtless execution that I struggle to find something redeeming out of it. For those unfamiliar with non-linear storytelling, a simple definition would be a story told out of order, for instance Memento or Pulp Fiction. Those two examples are of films that execute non-linear storytelling and use the structural device as a means to further their story. As for the filmmakers involved with The Devil’s in the Details, they took a decent story and then tore it up into shreds, tossed it in the air, and pieced it together however they saw fit.
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Disc Reviews by John Ceballos on April 2nd, 2013
“The important thing for a writer is to tell a good story.”
Martha Gellhorn, considered by some to be the greatest war correspondent of the 20th century, was extremely adamant about not wanting to be a footnote in someone else’s life. So I’m thinking the writer — who died in 1998 — may have had mixed feelings about Hemingway & Gellhorn. On one hand, her life story gets the prestigious (and mostly sympathetic) HBO Films treatment, and Gellhorn is played by Oscar winner Nicole Kidman in a sensational, searing turn. On the other hand
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Disc Reviews by John Ceballos on April 1st, 2013
When The Sandlot first came out 20 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. Though I’ve kept in touch with the film over the years, Fox’s new 20th Anniversary Blu-ray re-release of The Sandlot marked my first time watching it from start to finish in a long while. It surely won’t be the last.
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Disc Reviews by Gino Sassani on March 28th, 2013
“It’s been a long time getting from there to here.”
35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use.
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Disc Reviews by John Ceballos on March 25th, 2013
The great, central joke of Veep — HBO’s sharp, profane political comedy — is that no self-respecting politician aspires to become the Vice President of the United States. (Just like no self-respecting kid dresses up as Robin for Halloween.) It’s no accident the POTUS is completely MIA from the show, leaving his second-in-command and her beleaguered staff to deal with the countless indignities of a job described on “The Making of Veep” featurette as “so close to being important.”
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Disc Reviews by Jonathan Foster on March 25th, 2013
It’s tradition. The night before a wedding, the groomsmen throw a party for the groom and the bridesmaids do the same for the bride. Usually, the bachelorette parties are tamer than their male counterparts. Unless, of course, the bride has the absolute worst bridesmaids in the history of weddings; like the ones Becky (Rebel Wilson, Pitch Perfect, Bridesmaids) chooses for her bridal party in Bachelorette.
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Disc Reviews by John Ceballos on March 21st, 2013
Day of the Falcon is a photogenic, lavish reminder that violence and strife in the Middle East existed well before it could be broadcast on CNN. The film — set in the early part of the 20th century — also works as a throwback to the sort of rollicking, epic-scale adventure films David Lean was making at the height of his powers and that no one seems terribly interested in making anymore. Don’t get me wrong: Day of the Falcon is no Lawrence of Arabia or Bridge on the River Kwai, but it’s an accetable 21st century substitute.
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Disc Reviews by John Ceballos on March 13th, 2013
“The border between the United States and Mexico spans 2,000 miles. It’s also the most frequently crossed land border in the entire world. And that just refers to legal crossings…”
Hundreds of thousands of people — we’re told at the start of Border Run — try to cross that boundary every year, and each of them has a unique story. Unfortunately, the filmmakers botched a great opportunity to explore the thorny issue of illegal immigration in a thoughtful and stimulating way by choosing to tell the most ridiculous and off-putting story they could possibly think of.
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Disc Reviews by John Ceballos on March 12th, 2013
“I don’t know if I’m an alcoholic, really, I just drink. I drink a lot.”
Movies that deal with alcoholism tend to either be relentless downers (Leaving Las Vegas, When a Man Loves a Woman) or use drunkenness as a catalyst for Hangover-style shenanigans and tipsy laughs (Arthur; Dean Martin’s entire act). In other words, drunks on film don’t usually look like Mary Elizabeth Winstead in Smashed, the brisk, well-acted dramedy from writer-director James Ponsoldt.
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