Archive for the ‘DTS HD 5.1 MA (English)’ Category
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Disc Reviews by John Ceballos on April 2nd, 2013
“The important thing for a writer is to tell a good story.”
Martha Gellhorn, considered by some to be the greatest war correspondent of the 20th century, was extremely adamant about not wanting to be a footnote in someone else’s life. So I’m thinking the writer — who died in 1998 — may have had mixed feelings about Hemingway & Gellhorn. On one hand, her life story gets the prestigious (and mostly sympathetic) HBO Films treatment, and Gellhorn is played by Oscar winner Nicole Kidman in a sensational, searing turn. On the other hand
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Disc Reviews by John Ceballos on April 1st, 2013
When The Sandlot first came out 20 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. Though I’ve kept in touch with the film over the years, Fox’s new 20th Anniversary Blu-ray re-release of The Sandlot marked my first time watching it from start to finish in a long while. It surely won’t be the last.
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Disc Reviews by Gino Sassani on March 28th, 2013
“It’s been a long time getting from there to here.”
35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use.
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Disc Reviews by John Ceballos on March 25th, 2013
The great, central joke of Veep — HBO’s sharp, profane political comedy — is that no self-respecting politician aspires to become the Vice President of the United States. (Just like no self-respecting kid dresses up as Robin for Halloween.) It’s no accident the POTUS is completely MIA from the show, leaving his second-in-command and her beleaguered staff to deal with the countless indignities of a job described on “The Making of Veep” featurette as “so close to being important.”
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Disc Reviews by Jonathan Foster on March 25th, 2013
It’s tradition. The night before a wedding, the groomsmen throw a party for the groom and the bridesmaids do the same for the bride. Usually, the bachelorette parties are tamer than their male counterparts. Unless, of course, the bride has the absolute worst bridesmaids in the history of weddings; like the ones Becky (Rebel Wilson, Pitch Perfect, Bridesmaids) chooses for her bridal party in Bachelorette.
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Disc Reviews by John Ceballos on March 21st, 2013
Day of the Falcon is a photogenic, lavish reminder that violence and strife in the Middle East existed well before it could be broadcast on CNN. The film — set in the early part of the 20th century — also works as a throwback to the sort of rollicking, epic-scale adventure films David Lean was making at the height of his powers and that no one seems terribly interested in making anymore. Don’t get me wrong: Day of the Falcon is no Lawrence of Arabia or Bridge on the River Kwai, but it’s an accetable 21st century substitute.
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Disc Reviews by John Ceballos on March 13th, 2013
“The border between the United States and Mexico spans 2,000 miles. It’s also the most frequently crossed land border in the entire world. And that just refers to legal crossings…”
Hundreds of thousands of people — we’re told at the start of Border Run — try to cross that boundary every year, and each of them has a unique story. Unfortunately, the filmmakers botched a great opportunity to explore the thorny issue of illegal immigration in a thoughtful and stimulating way by choosing to tell the most ridiculous and off-putting story they could possibly think of.
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Disc Reviews by John Ceballos on March 12th, 2013
“I don’t know if I’m an alcoholic, really, I just drink. I drink a lot.”
Movies that deal with alcoholism tend to either be relentless downers (Leaving Las Vegas, When a Man Loves a Woman) or use drunkenness as a catalyst for Hangover-style shenanigans and tipsy laughs (Arthur; Dean Martin’s entire act). In other words, drunks on film don’t usually look like Mary Elizabeth Winstead in Smashed, the brisk, well-acted dramedy from writer-director James Ponsoldt.
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Disc Reviews by John Ceballos on March 11th, 2013
On paper, pro wrestlers are the perfect action movie stars. Their beefy frames and larger-than-life personalities should make them naturals at kicking butt on the big screen, plus the performers are certainly familiar with choreographed combat. (This is the part where I planned to mention that wrestling is fake, but I don’t want to make anybody cry.) Even though Arnold, Sly and their brawny brethren have struggled at the box office recently — and are about 20 years past their heyday — WWE Studios has a sneakily clever thing going with its Marine franchise.
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Disc Reviews by Brent Lorentson on March 6th, 2013
Normally when I see trailers for films about “inspiring true stories” I try to remind myself to avoid that film at all costs. Sure I’ve seen more than a few of these kinds of films, but that’s the problem with them, once you’ve seen one you’ve seen them all. When Chasing Mavericks was brought to my attention I was ready to ignore, but then I gave it a quick look at IMDB and to my surprise it had two directing credits, Curtis Hanson (L.A. Confidential, which just so happens to be in my all-time top ten films) and Michael Apted (Gorky Park, Nell, Gorillas of the Mist), and with that my mind was made up.
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Disc Reviews by John Ceballos on March 5th, 2013
If a movie starring Bruce Willis, Catherine Zeta-Jones, Vince Vaughn and a few other notable names only grosses slightly more than $20,000 — BoxOfficeMojo.com assures us that’s not a typo — does it make a sound? The natural assumption is any film boasting that kind of star power must be pretty bad to be completely ignored by distributors and the movie-going public. Lay the Favorite is a disappointing, low-energy effort, but it certainly deserved to make more money than what A Good Day to Die Hard will probably earn in the time it takes you to finish reading this sentence.
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Disc Reviews by Gino Sassani on March 5th, 2013
If you were alive at the time, you probably remember watching the seven tobacco company executives testifying in before a Senate committee on the addictive nature of their products. They all raised their hands to swear that they do not believe that nicotine is addictive. It made for great television of the absurd. It was great fodder for the late-night comedy routines, and almost every stand-up in the country found a way to work it into their material. It was the beginning of a changing environment in America toward smoking, in general. Most states have since passed “Clean Air Acts” which prohibit smoking from most public places.
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Disc Reviews by John Ceballos on March 4th, 2013
By the time we meet most big-screen hitmen, they’ve already attained the level of badass-ery required to be efficient killers. Far fewer movies take the time to examine the circumstances that result in a person becoming a murdering machine. Interview with a Hitman — a British action offering from first-time writer/director Perry Bhandal — stands out from the pack because it’s a surprisingly thoughtful meditation on the consequences of killing.
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Disc Reviews by John Ceballos on February 24th, 2013
“If the average civilian had been through the same stresses that you have been through, undoubtedly they too would have developed the same nervous conditions.”
The first time I saw The Master, I really didn’t like it. It was a terrible feeling. I’m a huge Paul Thomas Anderson fan, and Boogie Nights is one of my 10 favorite films of all time. So I walked into that theater excited to see what was being called a landmark achievement: the “Scientology movie” that wasn’t really about Scientology (but actually kinda was) helmed by one of the most talented directors working today.
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Disc Reviews by Brent Lorentson on February 23rd, 2013
Ever since Ben Affleck stepped behind the camera and took on the role of director, I’ve found myself not only becoming a fan of his work but believing the man has greatness ahead of him. When I first watched Gone Baby Gone, I was more than a little impressed; after all, it was his first time at the helm. But then Affleck released his follow-up film, The Town, and it blew me away. Sure, there were some great movies that came out that year, but the fact that it didn’t make the list of best picture nominees I just can’t understand.
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Disc Reviews by John Ceballos on February 22nd, 2013
And you thought Thanksgiving dinner with your family was tense. For most of us, it doesn’t get much worse than critical parents, competitive siblings or that weird side dish no one really wants to try. (There always seems to be about a gallon of that stuff too.) Consider yourself lucky: unlike the poor souls in Deadfall, you’ve probably never been chained to the dinner table — not literally, at least — nor had a psychotic Eric Bana point a gun at your face.
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Disc Reviews by Archive Authors on February 20th, 2013
Back around the time I was born, when Tom Cruise had an ounce of sanity, a little movie called Top Gun swept across the globe, raking in over $350,000,000 worldwide, as well as sparking an interest in the US Navy and everything Tomcat, Skyhawk, and MiG related. Ever since its original release Top Gun has kept a hold on its audience, being played almost weekly, and now it makes its way into the world of high definition with its release on Blu-ray 3D.
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Disc Reviews by John Ceballos on February 19th, 2013
“There’s a king in every corner now.”
Game of Thrones is definitely one of the best shows on TV right now, and it might be the most ambitious television series ever produced. Ambition and quality don’t always go hand in hand. (See, Cloud Atlas. No, seriously…watch it. I’m one of the people who really enjoyed that convoluted mess.) The second season of Game of Thrones — a massive undertaking that took its cast to Iceland and Croatia, in addition to its Belfast base — performed a minor miracle. It deepened, expanded and improved upon an already excellent show.
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Disc Reviews by John Ceballos on February 17th, 2013
“You think football builds character? It does not; football reveals character.”
The open secret about sports movies is that they’re not really about sports. Most of the great ones use the games people play as a dynamic arena to tell universal stories about struggle, underdogs overcoming impossible odds, greatness and redemption. You don’t have to know a nose guard from a mouth guard to enjoy a football movie. By that same token, Undefeated may chronicle a grueling real-life high school football season, but I wasn’t surprised to see it play out like a lot of fictional sports flicks.
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Disc Reviews by John Ceballos on February 12th, 2013
The image of what a bully looks and sounds like has changed drastically in recent years. When you and I were growing up, a “bully” was probably someone who looked like this and demanded your lunch money. Mean Girls came out less than 10 years ago; but if Tina Fey were trying to get the exact same movie made today, she’d probably have to deal with notes from a nervous studio exec worried that the Burn Book would drive one of the characters to suicide.
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Disc Reviews by John Ceballos on February 7th, 2013
You don’t usually get too many legendary (and wildly polarizing) filmmakers coming off the biggest hit of their careers — unadjusted for inflation, of course — at age 77. Yet that’s exactly where Woody Allen found himself with To Rome with Love, his pleasant, witty, not-at-all-groundbreaking follow-up to Midnight in Paris. The writer-director originally named this film The Bop Decameron before changing it to Nero Fiddled. I’m guessing somebody (smartly) figured the suddenly buzzworthy director’s next film should have a less esoteric title; and if there was a way to incorporate a European city into the name, even better.
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Disc Reviews by John Ceballos on February 6th, 2013
Can a scumbag also be considered a hero? Lance Armstrong fans probably mull that question each time a new, unsavory revelation about the now-disgraced cyclist comes to light. The issue was addressed in 1992’s Hero, which starred Dustin Hoffman as a low-life who saves a group of passengers on a crashed airplane. Flight also takes to the not-so-friendly skies to examine whether it’s possible to reconcile a lifetime of destructive behavior with an extraordinary act of valor.
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Disc Reviews by John Ceballos on January 31st, 2013
No matter how much you hated Prometheus — parts of it were startlingly dumb, but people who seriously talk about it like it’s the worst film of all time need to take a deep breath — Ridley Scott has a pretty strong case to be included on any list of Top 10 Living Directors. His work has helped redefine genres (Alien, Blade Runner, Gladiator) given us indelible images (that final still from Thelma & Louise) and even provided a few smaller-scale delights (Matchstick Men is my favorite of this group). So I’m proposing we take a quick break from trashing his last movie to discuss his very first one.
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Disc Reviews by Jeremy Butler on January 30th, 2013
How exactly do you make a superhero movie without the powers? Answer: Have them wake up with their powers being stripped from them. All Superheroes Must Die is a superhero tale that from the title you can tell is fated not to end in the traditional way that superhero films end: with the righteous prospering and the wicked suffering. What the film title doesn’t let you know, however, is how underwhelming the film is. It does have an interesting startup, I’ll give it that.
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Disc Reviews by Gino Sassani on January 28th, 2013
Here’s the thing. Fans of the franchise should be pleased with the latest entry. The series has been a solid October tradition for some time now. When you consider the low cost of creating one of these films with the proven box office numbers, this was all really a no-brainer, to say the least. You’re going to get more of what you are expecting, and the film throws in enough new angles and tricks to keep the idea as fresh as possible. However, there is a flip-side to all of this. I don’t think it’s very likely that you can enjoy this film quite so fully if you have not seen any of the previous films.
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