Archive for the ‘Drama’ Category
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Disc Reviews by Gino Sassani on March 11th, 2010
The fourth season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
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Disc Reviews by Gino Sassani on March 11th, 2010
The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise.
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Disc Reviews by David Annandale on March 5th, 2010
So here we go with yet another heaping helping of public domain offerings from Infinity. I last looked at their Abbott & Costello package, which concentrated on TV shows and only featured a couple of movies. This Mickey Rooney set is heavily oriented towards the movies. Here’s what you get:
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Disc Reviews by Matthew Spencer on February 28th, 2010
In the 2006 hit The Devil Wears Prada there was a single line that summed up Meryl Streep’s pitch-perfect portrayal of icy fashion editor Miranda Priestly: “That’s all.” The real-life inspiration behind the character, Vogue editor-in-chief Anna Wintour, has such a commanding presence that even those few words are hardly necessary. Her disapproval is apparent with a single glare.
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Disc Reviews by William O'Donnell on February 25th, 2010
Oh how the rich can get into mischief. This DVD set is smack dab in the middle of Dynasty’s successful nine season run. The mud slinging, both literal and figurative, was at its height in this fourth season, and no $200 haircut or $1000 outfit was left unruffled by the various scandals and plots set into the web of these wealthy Denver residents. In fact, this season was the one and only time this series won a Golden Globe for best TV Drama.
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Disc Reviews by Gino Sassani on February 23rd, 2010
William Conrad was no stranger to audiences when Cannon joined the Quinn Martin stable of television dramas. In fact, most folks knew his voice before they got to know his trademark girth. Conrad was the original Matt Dillon when Gunsmoke was a radio drama. When the drama entered the visual medium of television, even Conrad admitted later that the audience, who thought of him as tall and handsome, would have been disappointed. His voice lent authority to any role he played, and on radio his size was never an issue. He was famous as the voice of the stern narrator in the Rocky and Bullwinkle cartoons who often crossed the laws of the trade and interacted with the title characters.
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Disc Reviews by David Annandale on February 22nd, 2010
Eddie Sutton (Russell Hornsby) is an idealistic police officer, dreaming of making a real difference. His family (nurse wife and three kids) is currently living in a too-small apartment. The chance to kill two birds with one stone comes up with a program that encourages officers to buy homes in depressed neighbourhoods, and so Eddie moves his family into a spacious former crack house in the titular LA district. Things, as one might expect, are not easy. Eddie discovers (to his unaccountable surprise) that his new neighbours are suspicious of the police. His son is bullied in school. The girls have their own problems fitting in. And crime keeps rearing its ugly head. But as the series progresses, Eddie and his family make of their new house, and its neighbourhood, a real home.
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Disc Reviews by David Annandale on February 17th, 2010
Brian Clough (Michael Sheen) is the manager for the Leeds United soccer team, brought in to replace Don Revie (Colm Meaney), who is off to manage the England team. Clough is young, charismatic, brash, arrogant and opinionated, and has some pretty unflattering (and publicly aired) views about his predecessor and the thuggish style of play he fostered. So begin his 44 catastrophic days in 1974 as the unwelcome manager of United, and the film flashes back to the meteoric rise that brought him to this crucial pass.
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Disc Reviews by David Annandale on February 17th, 2010
Director Robert Altman here adapts David Rabe’s play about a small group of recruits on the verge of being shipped off to Vietnam. The action takes place entirely in the barracks, and here we get to know African-American Roger (David Alan Grier), fitting in as best he can in a white man’s army; sensitive and gay Richie (Mitchell Lichtenstein); and possibly-closeted Billy (Matthew Modine). They talk about and dance around their various fears and anxieties, and then into the mix comes the explosive Carlyle (Michael Wright), whose life on the streets and experience with racism have turned him into someone who talks and acts long before he thinks…
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Disc Reviews by Gino Sassani on February 16th, 2010
“In the 1940’s and 1950’s the juiciest roles for actresses in Hollywood were often in B pictures that explored the dark side of life, staring roles as cool, calculating girls who could stick a knife in a man’s back and make him like it.”
And so Sony collects 8 of these films as part of what looks like is going to be an ongoing series. But what exactly is Film Noir? You hear the term used from time to time, but what does it mean?
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Disc Reviews by Gino Sassani on February 15th, 2010
I have absolutely no doubt that Hilary Swank meant well, but we all know what wise men say about good intentions. It is likely that Amelia Earhart has been a hero and inspiration to the young actress as I know she’s been to women of all professions throughout the years. There’s no question that she is an influential historical figure and deserving of attention. Of course, she’s had plenty over the years. There have actually been quite a few films and television shows dedicated to the heroine since her disappearance so many years ago.
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Disc Reviews by William O'Donnell on February 15th, 2010
This film chronicles the career of Maurice “The Rocket” Richard, an NHL player for the Montreal Canadians, from his childhood days in a Junior hockey league, to the season in 1955 where his suspension from playing for the remainder of that season led to violent riots in Montreal. This film is more than just an examination of Richard as a French-Canadian citizen and legendary hockey player (many still argue as the greatest ever to play) but also a look at his impact as an icon and living legend to the people of Quebec.
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Disc Reviews by Michael Durr on February 11th, 2010
Most people who call themselves friends of mine know that I absolutely adore the combination of John Carpenter and Kurt Russell. Escape from New York is my favorite movie of all time and I even liked Escape from L.A. as well. Now that my credibility is probably ruined, I was delighted to receive Elvis, a mini-series produced in the seventies that brought together this amazing duo for the first time. Kurt Russell is the King of Rock n Roll and I can’t help to enjoy watching.
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Disc Reviews by Gino Sassani on February 9th, 2010
“Look sharp, act sharp, be sharp. These guys coming out of prison? They’re buff, been on drugs. You do what they teach you in the academy, you will die. Knucklehead wants to take your gun. So if it’s you or some 300-pound naked guy on PCP, you take his ass down any way you can. You ride with me, you back your badge.”
There probably isn’t a group of people who have been profiled more than the men and women serving in the LAPD.
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Disc Reviews by Gino Sassani on February 9th, 2010
What if you took the Desperate Housewives and placed them on an Army base? If that thought has been keeping you awake at night, sleep tight, gentle reader. You can find out simply by picking up a copy of Army Wives on DVD. I’m not exaggerating about this at all. Army Wives has the very same soap opera plotting and tone as the ABC hit does. You gotta really be into that sort of thing if you have any hope at all of keeping up with the antics of these four friends,
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Disc Reviews by Gino Sassani on February 9th, 2010
Just as JAG closes out its 10th and final year I really think the show was peaking. Most regular readers to the site will remember I was not much of a fan when I started with the 5th season set. I thought the stories failed to work on the action or courtroom levels. As the show evolved, or I did, I was drawn in with the clever and unique types of stories the series began to explore. By the time it ended here I was ready for more, but no more will be forthcoming. Of course, it lives on in the two NCIS spin-off shows currently on the air.
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Disc Reviews by Gino Sassani on February 9th, 2010
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
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Disc Reviews by Michael Durr on February 8th, 2010
Recently, my parents moved to Tennessee in their attempt to enjoy retirement. We actually lived there about six months when I was in the 8th grade. So, apparently there was something in the water that made them want to go back. After the movie Glitter, I never wanted to see anything with Mariah Carey that involved anything where she actually had to speak. For some reason, I also came back to Tennessee.
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Disc Reviews by Gino Sassani on February 6th, 2010
“One year ago, the MOD test system at Eskmeals confirmed radioactivity of above normal background levels at the Corry Reservoir, Craigmills, Yorkshire. The usual emergency procedurals were activated under NAIR arrangements, and the reservoir was shut down. An independent inquiry was set up under the chairmanship of Dr. Anthony Marsh.”
Edge Of Darkness is something of a classic to the British. It cleaned up in the 1986 BAFTA awards, taking almost every award they have with the possible exception of Best Coffee In Craft Services. The mini-series has apparently stood the test of time, maintaining such high regard for nearly 25 years.
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Disc Reviews by Gino Sassani on February 4th, 2010
“There are stories a river can tell. And truths it cannot hide. There are ways it brings us together that we may never see, connecting us with places never suspected. Places like fear, like betrayal, like murder.”
One thing you have to say for Clint Eastwood. In his later years as a director and producer of films, maybe from Unforgiven onward, he has selected some of the most compelling stories for his film projects. You get the sense that he hasn’t been in this for the money in a long time. You easily believe that he doesn’t make a film unless it reaches him completely and deeply.
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Disc Reviews by Jay Macdonald on February 4th, 2010
Muhammad Ali could be the greatest athlete of all time. Facing Ali is a documentary that interviews ten of Ali’s former opponents throughout his career. All of the retired fighters offer some brilliant insight into Ali’s career, personality and break down their memories of their individual bouts with him. The fights that are being recounted mark the pinnacle of personal achievement for these fighters and each fight is equally as significant to each fighter. The idea and execution of this documentary are exceptional and this film provides substantial entertainment for the duration.
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Disc Reviews by David Annandale on February 1st, 2010
Sterling Silliphant, in the latter days of his career, gifted the world with the deliriously schlocky screenplays to the likes of The Poseidon Adventure, The Towering Inferno, and that apotheosis of the Expensive Badfilm, The Swarm. So it is sometimes hard to remember that he also penned the script of In the Heat of the Night and some 74 episodes of Route 66. I confess to a being a complete newcomer to the series, and though I was rather baffled at first, I was also struck by the quite beautiful prose being spoken. Anyone who thinks highly literate scripts are impossible (or just about) on network TV should cock an ear (and an eye) in the direction of this series.
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Disc Reviews by Matthew Spencer on January 31st, 2010
There’s a quote by author Kent Nerburn that says: “It is much easier to become a father than to be one.” The Boys Are Back, based on a memoir by Simon Carr, is the best example of that sentiment on film that I’ve personally seen in a few years. Clive Owen plays sportswriter Joe Warr. He’s good at becoming a father, but not at being one. His one-the-go job keeps him from spending any real quality time with his family, leaving his wife Katy (Laura Fraser) to raise their son Artie (Nicholas McAnulty). When Katy becomes fatally ill, Joe must step up to the plate to take care of his 6-year-old son.
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Disc Reviews by William O'Donnell on January 30th, 2010
This is the story of two young twins who are living completely different lives, one in a boarding school who is caught up in a child smuggling ring and the other is living with his struggling artist father, but are able to share their physical pain and emotions as if telepathically. Thomas, who is with his father, knows of Tom, the boarding school “orphan,” but everyone believes Tom is just his imaginary friend. Through a chance encounter the two are reunited and both must find a way to escape the smugglers who wish to take them sell them outside of England.
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Disc Reviews by Gino Sassani on January 29th, 2010
Metaphors are often effective tools in filmmaking. They can be used in a variety of unique and clever ways to either highlight a particular aspect of story and/or character. They can be used to add an artistic flourish to a movie. They can even be used to drive a plot, if you’re careful enough to avoid becoming too abstract. Then there are films like The Burning Plain which attempt to create a film that is metaphor itself. What you often end up with, and certainly here, is something difficult to follow and more acceptable at the festival circuit than at the box office
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