Archive for the ‘Drama’ Category
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Disc Reviews by John Ceballos on March 4th, 2013
By the time we meet most big-screen hitmen, they’ve already attained the level of badass-ery required to be efficient killers. Far fewer movies take the time to examine the circumstances that result in a person becoming a murdering machine. Interview with a Hitman — a British action offering from first-time writer/director Perry Bhandal — stands out from the pack because it’s a surprisingly thoughtful meditation on the consequences of killing.
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Disc Reviews by John Ceballos on February 26th, 2013
Here’s how hot Jennifer Love Hewitt is in The Client List, Lifetime’s breezy, sexy hit dramedy. My wise, eternally-patient girlfriend and I watch the show together, and she doesn’t even get jealous or make any sort of catty remarks at our TV. Instead, she figuratively tips her cap to Hewitt’s hotness the same way a golfer might compliment an opponent for making an impossible shot. (Game recognizes game, I suppose.)
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Disc Reviews by John Ceballos on February 24th, 2013
“If the average civilian had been through the same stresses that you have been through, undoubtedly they too would have developed the same nervous conditions.”
The first time I saw The Master, I really didn’t like it. It was a terrible feeling. I’m a huge Paul Thomas Anderson fan, and Boogie Nights is one of my 10 favorite films of all time. So I walked into that theater excited to see what was being called a landmark achievement: the “Scientology movie” that wasn’t really about Scientology (but actually kinda was) helmed by one of the most talented directors working today.
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Disc Reviews by Brent Lorentson on February 23rd, 2013
Ever since Ben Affleck stepped behind the camera and took on the role of director, I’ve found myself not only becoming a fan of his work but believing the man has greatness ahead of him. When I first watched Gone Baby Gone, I was more than a little impressed; after all, it was his first time at the helm. But then Affleck released his follow-up film, The Town, and it blew me away. Sure, there were some great movies that came out that year, but the fact that it didn’t make the list of best picture nominees I just can’t understand.
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Disc Reviews by John Ceballos on February 22nd, 2013
And you thought Thanksgiving dinner with your family was tense. For most of us, it doesn’t get much worse than critical parents, competitive siblings or that weird side dish no one really wants to try. (There always seems to be about a gallon of that stuff too.) Consider yourself lucky: unlike the poor souls in Deadfall, you’ve probably never been chained to the dinner table — not literally, at least — nor had a psychotic Eric Bana point a gun at your face.
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Disc Reviews by Archive Authors on February 20th, 2013
Back around the time I was born, when Tom Cruise had an ounce of sanity, a little movie called Top Gun swept across the globe, raking in over $350,000,000 worldwide, as well as sparking an interest in the US Navy and everything Tomcat, Skyhawk, and MiG related. Ever since its original release Top Gun has kept a hold on its audience, being played almost weekly, and now it makes its way into the world of high definition with its release on Blu-ray 3D.
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Disc Reviews by John Ceballos on February 19th, 2013
“There’s a king in every corner now.”
Game of Thrones is definitely one of the best shows on TV right now, and it might be the most ambitious television series ever produced. Ambition and quality don’t always go hand in hand. (See, Cloud Atlas. No, seriously…watch it. I’m one of the people who really enjoyed that convoluted mess.) The second season of Game of Thrones — a massive undertaking that took its cast to Iceland and Croatia, in addition to its Belfast base — performed a minor miracle. It deepened, expanded and improved upon an already excellent show.
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Disc Reviews by John Ceballos on February 17th, 2013
“You think football builds character? It does not; football reveals character.”
The open secret about sports movies is that they’re not really about sports. Most of the great ones use the games people play as a dynamic arena to tell universal stories about struggle, underdogs overcoming impossible odds, greatness and redemption. You don’t have to know a nose guard from a mouth guard to enjoy a football movie. By that same token, Undefeated may chronicle a grueling real-life high school football season, but I wasn’t surprised to see it play out like a lot of fictional sports flicks.
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Disc Reviews by John Ceballos on February 12th, 2013
The image of what a bully looks and sounds like has changed drastically in recent years. When you and I were growing up, a “bully” was probably someone who looked like this and demanded your lunch money. Mean Girls came out less than 10 years ago; but if Tina Fey were trying to get the exact same movie made today, she’d probably have to deal with notes from a nervous studio exec worried that the Burn Book would drive one of the characters to suicide.
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Disc Reviews by John Ceballos on February 9th, 2013
I didn’t know what to make of this Pig/1334 double bill when I took it on as my latest assignment. All I had to go on were the aggressively grotesque images on the Blu-ray case. I wasn’t yet familiar with the work of Dutch filmmaker Nico B. or former Christian Death frontman Rozz Williams. I did a bit of research, mostly because I wanted to make sure I wasn’t being handed a real-life version of the videotape from The Ring. (Surely, there would be a less drastic way of informing me my services were no longer required on this site.) What I uncovered instead was an intriguing and haunting back story.
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Disc Reviews by John Ceballos on February 7th, 2013
You don’t usually get too many legendary (and wildly polarizing) filmmakers coming off the biggest hit of their careers — unadjusted for inflation, of course — at age 77. Yet that’s exactly where Woody Allen found himself with To Rome with Love, his pleasant, witty, not-at-all-groundbreaking follow-up to Midnight in Paris. The writer-director originally named this film The Bop Decameron before changing it to Nero Fiddled. I’m guessing somebody (smartly) figured the suddenly buzzworthy director’s next film should have a less esoteric title; and if there was a way to incorporate a European city into the name, even better.
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Disc Reviews by John Ceballos on February 6th, 2013
Can a scumbag also be considered a hero? Lance Armstrong fans probably mull that question each time a new, unsavory revelation about the now-disgraced cyclist comes to light. The issue was addressed in 1992’s Hero, which starred Dustin Hoffman as a low-life who saves a group of passengers on a crashed airplane. Flight also takes to the not-so-friendly skies to examine whether it’s possible to reconcile a lifetime of destructive behavior with an extraordinary act of valor.
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Disc Reviews by John Ceballos on February 3rd, 2013
“I’ve changed a lot. I’m not the same woman.”
Early on in Luis Buñuel’s surrealist gem, a mild-mannered older gentleman named Mathieu douses a beautiful, battered woman with a bucket of water as she desperately attempts to board the train he’s riding. His fellow passengers are stunned, but also understandably intrigued. What possible sequence of events could’ve led Mathieu to this cold and cartoonish gesture? It’s an irresistible hook, and Mathieu proceeds to regale the other travelers —
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Disc Reviews by John Ceballos on January 31st, 2013
No matter how much you hated Prometheus — parts of it were startlingly dumb, but people who seriously talk about it like it’s the worst film of all time need to take a deep breath — Ridley Scott has a pretty strong case to be included on any list of Top 10 Living Directors. His work has helped redefine genres (Alien, Blade Runner, Gladiator) given us indelible images (that final still from Thelma & Louise) and even provided a few smaller-scale delights (Matchstick Men is my favorite of this group). So I’m proposing we take a quick break from trashing his last movie to discuss his very first one.
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Disc Reviews by John Ceballos on January 24th, 2013
I see an Oscar nominee, an Emmy nominee, an actor who has carried two successful TV shows, and the bad guy from the highest-grossing movie of all time. In other words, I see more talent than you would ordinarily expect from a straight-to-DVD drama. Then again, I also see Soulja Boy, but he’s not the problem. Instead, Officer Down squanders a few fine performances and a solid premise due to some seriously (and unnecessarily) muddled storytelling.
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Disc Reviews by Jonathan Foster on January 23rd, 2013
When I first received Love Me, I thought it was going to be just another angsty teen drama. (Something along the lines of Dawson’s Creek.) That notion was quickly disabused, however, when a young girl is stalked and attacked in the opening scene. From there, the film jumps ahead three months, with the town still reeling from her disappearance. While discussing how eerie the case is with her friends, Sylvia Potter (Lindsay Shaw, TV’s Pretty Little Liars) quite literally bumps into rich pretty boy Lucas Green (Jamie Johnston, TV’s Degrassi: The Next Generation) and falls for him instantly.
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Disc Reviews by John Ceballos on January 20th, 2013
If Compliance weren’t based on true events, the film’s plot would immediately be dismissed as implausible and insulting of its audience’s intelligence. (Same with Argo.) As the story of an incredibly committed prank caller and his unwitting prey progresses, there’s a pretty good chance you’ll repeatedly roll your eyes. There’s an even better chance the eye rolling will be followed by a feeling of outrage — definitely toward the caller, but maybe even toward the gullible victims — when you remember this stuff actually happened.
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Disc Reviews by John Ceballos on January 18th, 2013
TNT prides itself on “knowing drama,” but as far as I’m concerned the network’s best series was also its most woefully underappreciated. It didn’t have any cops, lawyers or doctors. It wasn’t as light or slick as some of the channel’s hits like The Closer (cops), Franklin & Bash (lawyers) and Rizzoli & Isles (a cop AND a doctor; don’t make me guess which is which). It didn’t have aliens (Falling Skies) or impossibly charismatic crooks (Leverage). Instead, Men of a Certain Age dealt with a topic that is much less fun to think about, yet happens to 100 percent of us: getting older.
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Disc Reviews by Jonathan Foster on January 17th, 2013
Do you realize how much you’re affected by advertising? Branded attempts to answer this question while showing us where our world is headed if the trend continues. Mishka Galkin (Ed Stoppard, The Pianist) is Russia’s advertising whiz kid. When Mishka meets Abby (Leelee Sobieski, 88 Minutes, The Wicker Man), they immediately become friends, despite the fact that she is the niece of Bob Gibbons (Jeffrey Tambor, TVs Arrested Development, the Hellboy movies), Mishka’s boss.
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Disc Reviews by Jonathan Foster on January 13th, 2013
What do you do when you have to choose between the law and what is morally right? Lieutenant Danny Sefton (Seth Gabel, TV’s Dirty Sexy Money and Fringe) faces that very problem in Allegiance. Having lost the respect of the men in his command by transferring to a recruiting position right before they are to deploy to Iraq, Sefton faces a crisis of conscience when one of those men — Specialist Chris Reyes (Shad “Bow Wow” Moss, Like Mike, Roll Bounce) — has his non-deployment waiver revoked.
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Disc Reviews by John Ceballos on January 9th, 2013
If you’re any sort of discerning cinephile — and if you’ve taken the time to visit our fine site, I’m going to assume you are — you’ve probably heard of The Jazz Singer. Of course, for the movie-going public in the late 1920s, The Jazz Singer was unlike anything they’d ever heard: the first feature-length motion picture with synchronized dialogue. Or, put more simply, the first “talkie.” Though you probably know it revolutionized the film industry, I’m betting it’s a lot less likely you’ve actually seen The Jazz Singer.
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Disc Reviews by Brent Lorentson on January 7th, 2013
When it comes to writer/director Spike Lee, he seems to have a very polarizing effect on the people who watch his films. I’d like to consider myself a fan of most of his work. For me Clockers, Summer of Sam, and The 25 Hour rank at the top of my list of favorites. He’s a director with a very distinct style and voice that sets him apart from most filmmakers. But it’s that voice of his that often times gets him in trouble, whether it is in the message of his films or oftentimes comments he makes (most notably his comments on Tarantino and Django Unchained).
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Disc Reviews by Jonathan Foster on January 3rd, 2013
In the financial world, the term “arbitrage” refers to the possibility of risk-free profit at zero cost. This seems to be the goal for Robert Miller (Richard Gere), a hedge fund manager desperate to sell his business and retire. The reason for his desperation is that his business is completely broke due to a bad investment. This goal has completely consumed Robert, and it affects everything he does. Robert treats his employees like slaves, is nervous around his family, and regards his mistress as little more than a plaything. One night after the sale suffers yet another setback, he convinces his mistress to come with him to his country cabin.
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Disc Reviews by Jonathan Foster on January 3rd, 2013
The Hippocratic Oath all doctors take is simple: “First, do no harm.” Dr. Martin Blake (Orlando Bloom) throws that ideal out the window when a young woman named Diane Nixon (Riley Keough) comes under his care. After getting treated like a nobody by his fellow doctors and disrespected by nurses he feels are beneath him, Diane is the first person who appreciates what Martin does and makes him feel special. As he treats her, Martin becomes obsessed with Diane, going so far as to alter her medication to keep her sick. As Martin’s obsession grows, his actions become more and more drastic.
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Disc Reviews by Brent Lorentson on January 2nd, 2013
It’s hard to not appreciate a film that wastes no time jumping into the action, and with a title like Kill’em All you go in expecting the action to be piled on and non-stop. I have to say I’m a little surprised this little film lived up to the title; after all most straight-to-DVD titles seem to be lackluster if not simply awful. I’m also not saying this is a film that’ll be remembered too long either, but it is a B movie that delivers on the action and has Gordon Liu doing what he does best.
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