What we’ve got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don’t get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film’s a walking, talking turd.
Over the last decade or so, few fantasy films have been widely accepted by the mainstream audience. That’s probably because the genre was overdone in the 80’s with mostly lackluster results. Fantasy and fairy tale films have been considered something for kids and/or weirdoes who dress up like elves. It wasn’t until films like The Lord of the Rings trilogy and the Star Wars prequels had great success (deservedly or not) that we trolls, dwarves, and Sith Lords could come out in public again.
Let me tell you something about myself. I am surrounded by hundreds, sometimes thousands, of snakes every day. As I write this review, there are about 500 snakes just a couple hundred feet away. I’m not on a plane, of course, but snakes are a big part of my life. I’m a snake breeder. I’m also a musician who has just released an entire CD of reptile tracks (see footnote). So it was with more than the little bit of curiosity that I just had to see this film. I knew everybody would be asking me what I thought. So what did I think?
Thankfully, some of the larger studios are beginning to produce films that are either good old-fashioned family films, or are films touting religious value and piety. Walden Media, who were behind such films as Holes and How to Eat Fried Worms, have produced and released another film with similar concepts behind them, a charming little piece of celluloid entitled Hoot.
Based on the novel by Carl Hiaasen and adapted to film and directed by Wil Shriner (Peggy Sue Got…
As I see more and more film’s from 2005, I realize that a majority of the best films are those that aren’t huge financial successes. Films like Capote, Munich and now David Cronenberg’s latest film A History of Violence weren’t huge successes but have earned praise due to the themes and stories they present. Containing a well crafted story, with interesting characters, A History of Violence is one of those rare films that you see that has a latest impact on you.
Inspired, rather than based, on the life of bounty hunter Domino Harvey, this exercise in monumentally brain-dead excess sees Keira Knightley in the title role. The daughter of Manchurian Candidate star Laurence Harvey, she rebels against the posh Beverly Hills life of her mother (Jacqueline Bisset) to become the bounty hunting partner of Mickey Rourke and Edgar Ramirez, working for Delroy Lindo. Christopher Walken is the TV producer who designs a reality show around the trio and two …
Blade: Trinity caught a lot of flack from most critics, and even the movie going public as per the box office returns (only grossing $52 million domestically). When I went to see this film in the theatre, half of my party was extremely disappointed with the flick. The other half, including myself, thought the film was quite entertaining. I must admit, this film does not come close to the original Blade, but I did find it a little bit more entertaining the Blade 2.
In the present, in a nursing home, we meet two residents: James Garner and Gena Rowlands.She is afflicted with Alzheimer’s, and cannot remember her past. He reads to her from anotebook, telling the tale (which is their story) of two young people (Ryan Gosling and RacelMcAdams) who meet, fall in love, but are driven apart by class prejudice (she’s upper class, he’sworking class). He never gives up on her, and the story charts more heartbreaking reunions andtravails.
“All good things must come to an end…” Truer words have never been spoken, especially when it comes to describing what may be argued as the greatest epic ever produced for the silver screen. Peter Jackson’s Lord of the Rings trilogy has redefined excellence in movie making. The only other series that I can compare this accomplishment to is, not surprisingly, the original Star Wars trilogy in terms of the scope of what was accomplished – old fashioned story telling which captured its audience with ground…
By David Annandale on March-20-2004 in
Disc Reviews
Synopsis
In 1973, a group of Young, Beautiful People are on the way across Texas to a rock concert.They pick up a hitch-hiker: a terrified young woman who commits suicide when she thinks she isbeing driven back to the place she just fled. Seeking help in a nearby house, our heroesunfortunately come into contact with Leatherface and his clan, and the slaughter begins.
Though there are some variations, the plot, in is broad lines, is very close to the 1973original. And therein…
I can only imagine what it might have been like to be a child during the heyday of Disney’s live films division. Going to see The Parent Trap or Mary Poppins as a young girl must really have been exciting. Experiencing Pete’s Dragon or Chitty Chitty Bang Bang in the theater must have been a thrill for young lads.
Unfortunately, Disney has not lived up to those high standards in its later days. Part of the wonder of those films was that they were not children’s films, as much as s…
Freddy has been rendered powerless by being forgotten. In order to revive his memory, andthus his power, he impersonates Jason’s mother (work with me, here) and sends the hulkingkiller down Elm Street way, hoping that he will be blamed for Jason’s murders. His plan beginsto work, but Jason is so relentless in his slaughter that he starts nailing teens that Freddy hadreserved for himself, and thus the two monsters are set on a collision course.
I don’t know what it is that makes men enjoy stupid comedies so much. Maybe it is our inner bully, lashing out at the weaknesses of those around us, and thus proving our superiority. Maybe it’s because it’s such a relaxing break from the stress of our busy working lives. Maybe it is because laughing at idiots makes us feel better about our own questionable level of intelligence. Whatever it is, it is clear that laughing at the ignorance of others is a basic male trait. There is a point, however, when the subject of o…
Mandy Moore plays Halley, a teen having a rough year. Her parents have just gottendivorced, and her DJ father (Peter Gallagher) is about to marry a weather bimbo. Her best friendhas suddenly fallen in love, her sister is getting married, and she feels very alone. Enter theexaggeratedly cute Trent Ford, who slowly will turn Halley’s cynical heart around. Though everyconceivable teen trauma is bundled into the plot, solid performances, a more mature look at teensexuali…
The pathologically shy Willard Stiles (Crispin Glover) lives a life from Hell. His mother isa domineering invalid. (Played by Jackie Burroughs as the most horrific mother since AnneRamsey in Throw Mama from the Train, she resembles nothing so much as NormanBates’ stuffed mother come to life.) His boss (R. Lee Ermey) is an abusive bully. But thenWillard befriends the white rat Socrates, and things begin to look up. Socrates brings more andmore friends into the …
Who wants to see the middle of a movie, anyway? The beginning of the movie introduces the characters and presents the conflict. The ending holds the resolution and the conclusion. But the middle? Who wants to just see the middle? Nobody comes late and leaves early at the Cineplex. Nobody sane, anyway. This is not just any film, though. This is an Epic. Literally everything about this production is huge. The original text of the story was actually so long that it had to be divided into three volumes. The companion fil…
I could sit here and type away for hours, deconstructing the finer points (using the term loosely) of the latest Ice Cube project, All About the Benjamins, were I so inclined. I could tell you about Bucum the bounty hunter (Cube), his target-turned-partner Reggie (Mike Epps, otherwise known as “Hey, that isn’t Chris Tucker!”) losing a sixty million-dollar lottery ticket and accidentally learning about a diamond heist while being relentlessly pursued. I could tell you about Bucum’s complicated motivation for …
The Greeks are well known for their complex and compelling mythology. Writers like Homer have for millennia defined the literary world of mythology. I challenge anyone to debate that J.R.R. Tolkien has filled that role for the 20th century and beyond. The foreword to The Fellowship of the Ring begins by saying: “The tale grew in the telling until it became a history…” I entered the theatre for a midnight showing of this ambitious film with very high expectations. Truth be told, it was not possible that those expectations could be met.
Jason Voorhees (Kane Hodder) has been about everywhere on earth, including to hell and back. It only seems fitting that his tenth feature takes him not only into space, but into the future as well. With the highest production value of a Jason movie to-date and one of the niftiest extra features I’ve ever seen, Jason X’s futuristic settings, slayings and familiar action feel right at home on DVD.
The plot for Jason X is simple, albeit a huge departure from previous slasher films. After repeated execution at…
The formula for sequels to highly successful films has been practiced by filmmakers for decades and continues to flourish today. It’s quite simple: take what audiences loved in the original, add more of it and throw in a twist. Guillermo del Toro’s Blade 2 follows this rule of thumb and creates a film that is bigger, badder, louder and more entertaining than its predecessor. It should come as no surprise that the DVD edition of Blade 2 surpasses the original Blade’s disc in every imaginable way as well.
One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix, seven… eight discs is what you’ll get in this colossal horror collection. Freddy is one of the more memorable monsters from the slasher era that also brought us the Halloween and Jason films. Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality… The first and third are the best story-wise, while the last might be the most unpredictable and original.
“Danger, Will Robinson.” Attempting to make a serious film out of Irwin Allen’s beloved space family Robinson wasn’t one of Hollywood’s brightest ideas. The filmmakers did a pretty decent job of creating a fun science fiction film, but their obvious attempts at nostalgia never quite gel with the overall vision of the film. Complete with stellar special effects and a much more logical plot than the campy 60’s show, Lost In Space had promise. What New Line failed to understand was the cheese cardboard effects and zipper-toting aliens spun around a totally ridiculous plot was the true charm of Lost In Space.
Time travel stories and their inevitable paradoxes have been with us since Twain’s Connecticut Yankee in King Arthur’s Court. This film takes a fresh approach to the subject. Instead of the characters moving through time, they are afforded the chance to communicate through time. Frequency is both engaging and often emotional. There is an amazing chemistry between father and son even though for most of the film they are never actually together. The baseball theme, for me, adds warmth that makes the relationship play out like a common memory.
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Rush Hour 3 (Platinum Series) 
Pan’s Labyrinth 
Snakes on a Plane 
Hoot 
Lord of the Rings: The Return of the King - Extended Edition 
