Posted in
Disc Reviews by Archive Authors on April 26th, 2005
Synopsis
This is a film that delights in not being what it appears. The opening moments look like a period gangster film. Suddenly, the scene transforms into a musical. Then this turns out to be movie within the movie. And so it goes, as one scene after another turns out not to be what we thought it was. The plot has roguishly charming Jean-Louis Trintignant setting up a kidnapping scheme with two colleagues. I can’t say much more without giving away the whole plot and the strange circuit on which it…
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Posted in
Disc Reviews by David Annandale on June 22nd, 2003
Synopsis
We are in the final days of WWII. The Allies are liberating Italy, but the Nazis and holdoutFascists haven’t quite been beaten yet. They still hold sway in the town of San Martino. Whenthe villagers are ordered to gather in the cathedral, a large group decide to flee into thecountryside, hoping to find the Americans. The film is narrated by a woman who, at the time ofthe story, is six years old, and thinks the flight is a grand adventure. There are great momentsof tendernes…
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Posted in
Disc Reviews by David Annandale on June 11th, 2003
Melina Mercouri plays Illia, a character who makes prostitution seem like a carefree Utopia.She lives in a version of Greece where there only appear to be 5 women, and they are all ladies of the night. Into this extraordinarily male fantasy comes Jules Dassin, a deluded American idealist who wants to save Illia from herself. Naturally, he doesn’t have a hope, and Greek enthusiasm (think My Big Fat Greek Wedding on steroids) will inevitably overcome his anti-fun attitudes. Obviously, the picture has dated quite noticeably, and makes Pretty Woman look like a gritty expose.
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