Rob Zombie’s enthusiastic but terminally misguided remake scores yet another DVD release. This one is identical to the previous unrated edition, apart from the fact that there’s an extra disc. More on that later. But in the meantime, as everything else is the same, that will also be true for this review. What follows is what I said about the last version.
Hagar Shipley (Ellen Burstyn) is in her twilight years, and her son (Dylan Baker) is trying to get her into a home. Fiercely independent, possessed of a will that has been both a strength and a weakness (making life miserable for herself and all around her), Hagar fights back. She also looks back on her life, and in the flashbacks (where the young Hagar is played by Christine Horne) we see the tragic relationships that have brought us to the fractious family we see now.
Standup comedians live interesting lives. The typical stand-up comic performs for fifteen to thirty minutes, two or three times a week. For many their sole purpose in life is to make people laugh. Many often suffer from depression when their acts bomb or they go through dry spells where they can’t get gigs or write new material. However, the best ones make their own breaks and find their way into their audience’s heart. Sometimes that can be accomplished through a MC. This MC or master of ceremonies can often take a grand event such as a tour that lasts 30 days & 30 nights and turn four men into superstars.
The day that Bruce Lee left us was truly a tragedy. The Game of Death was Lee’s pet project, the one where he could truly show off his skills for the world to see. He never finished it. Even though there was ninety minutes of footage, it was never completely restored to make a complete film. Instead, a mere eleven minutes and seven seconds was used in a 1978 movie called Game of Death. The plot was revised and every camera & stand-in trick was used in the book to finish the movie. The rest of the footage was either lost or found its way into the documentary, Bruce Lee: A Warrior’s Journey. One has to often wonder what the casting process behind casting a body double & stand-ins were like for somebody as unique as Bruce Lee. One also has to wonder how easy it would be to make fun of it.
Denys Arcand’s conclusion to the loose trilogy whose first two parts were The Decline of the American Empire and The Barbarian Invasions takes place in a near-future Quebec of soulless bureaucracy and nonexistent human relations. Our hero (Marck Labrèche) is a civil servant with a wife whose job leaves no time for him, two iPod-dependent teenage daughters, and a giant suburban house that is not a home. He retreats from his dead-end life into a series of fantasies which see him as hero, shiek, rock star, celebrated novelist, and so on, always with women rushing to have sex with him.
Current indie It-girl Ellen Page stars in this pre-Juno effort as a similarly headstrong teenager but whose life is far, far worse simply being pregnant. Here she comes from a dysfunctional home, her high school would be called a snake pit if that weren’t disrespectful to snakes, and her baby brother has disappeared while she was supposed to be taking care of him. She plunges into the underbelly of Toronto in a quest to find him, and an unending picaresque nightmare ensues.
In recent years, there has been only one group of parody movies that were considered really good. The Scary Movies. Started off by the Wayans Brothers, the first two movies were very mature but also very funny. The third & fourth films were taken over by David Zucker who did a fine job of making it more family friendly while keeping the zany humor. In September of 07, production started on a spoof movie that went after Superhero movies. David Zucker took on the producer role while Craig Mazin stepped into the writer/director chair. Craig had also worked in the third & fourth installments of Scary Movie and was obviously talented. The question remained. Was this act tired or did it still have some life to produce a quality spoof film?
My earliest recollection of VCR’s was when I was just a little boy and my parents went down to the local TV shop and purchased a Zenith for about $600. At the time, it was a wondrous machine and I can still remember fondly my copies of Ghostbusters or Die Hard and how many times I would watch them. I didn’t care whether the tapes had a case or which edition of the tape I had. As long as it was the original movie and the tape wasn’t beat to heck I was a happy camper. Times change. I don’t think I own a single VHS tape that isn’t exercise related and my dvds, more than 400 of them are cataloged and cared for to the utmost degree. In truth, I sometimes miss the VHS days when things were simpler & films sold on the film alone, not on how many extras the dvd has or how fantastic the Dolby Digital 5.1 sound is. Be Kind Rewind goes back to that simpler time and gives a movie that is more about substance than the tiny snap case it comes contained in.
There’s much ado on the case’s copy that this was a major inspiration for Crouching Tiger, Hidden Dragon, and the similarities are hard to miss. Like Ang Lee’s film, this 1966 effort is a lush period piece with gorgeous, rich colours and elaborate wire work. And, as in the later film, the central character is a female warrior, in this case an officer of the law sent to rescue a kidnapped victim from a clan of ruthless (but not always terribly bright) bandits. There’s a male aid here, too, in the form of an apparent drunken bum who is, of course, in reality a martial arts master.
According to Wikipedia, Bruges is the capital of Belgium and home to the college of Europe. Much of the architecture from the 12th and 13th centuries is in good shape and preserved fairly well. The Church of Our Lady is one of the tallest brick buildings in the world. The Basilica of the Holy Blood purports to be a church that houses some blood from Christ. It also serves as the backdrop for a couple of hitmen who have to find comfort in the town for awhile in the film set in Bruges, called In Bruges.
Tang Wei plays a student who is a member of a radical theatre troupe during the Sino-Japanese War. She and her cohorts determine to assassinate a prominent collaborator (Tony Leung). In order to get create the opportunity for the killing, our heroine must infiltrate Leung’s household. She is on the threshold of becoming his mistress when he leaves Hong Kong for Shanghai. Three years later, now backed by the Resistance, she makes a new attempt. But she hasn’t counted on the entanglements of passion in the affair she has embarked on.
Romantic comedies make most men put their body in the fetal position and pray that the bad people will make it stop until they are shown the newest incantation of a Vin Diesel action flic. This just in, Vin Diesel doesn’t really make action films anymore. Crap, how about Mel Gibson, no? Hey, Sly Stallone still does action movies. Yeah, but we are also pretending he’s still relevant. Anyhow, most people have negative connotations about romantic comedies. That way too much syrupy dialog mixed in with corny humor about two people on the opposite side of the tracks establishing that common ground and coming together. Dedication, at the core is a story of a children’s writer finding love with his new illustrator. However, getting there is one strange animal indeed.
A government project goes badly awry, as all government projects do, and, just as inevitably, a plague of zombies is loosed upon the local community. A group of high school students are the only ones able to mount any kind of defense against the flesh-eating ghouls. Sounds reasonable to me.
Guy Pierce fascinates me. He first broke on the scene in a big way in LA Confidential, which just happens to be one of my favorite films. Instead of taking the path of his co-star Russell Crow and chasing the big Hollywood dollar, however, Pierce chose to explore smaller, more interesting fringe films. Sometimes, this decision pays off for him, as was the case in the amazing Memento, or the recent The Proposition. Other times, however, the gamble falls flat, as was the case with The Hard Word. Pierce is consistently excellent, but the films he picks are hit and miss. That’s the problem with interesting projects, they either turn into surprise hits, or predictable failures. So the big question is, is First Snow a hit or a miss?
It’s not often that a review starts with the final score, but I’m going to break that rule. Go out and buy this DVD set. Stop reading this review, leave your residence, and go directly to your nearest DVD retailer for a copy of the 3-disc version of Hot Fuzz. When I first watched Shaun of the Dead, I was absolutely blown away at how deftly creators Simon Pegg and Edgar Wright were able to mix the comedy, spoof and horror genres into one of the most entertaining and original films of the decade. While I had high hopes for the follow up project, deep down I was expecting to find a case of the sophomore slump; a good film that manages to fall short of the success of the debut. Not only was my gut feeling dead wrong, but I am of the opinion that the two have actually been able to surpass their previous success. Shaun of the Dead was not a fluke, but merely a warm-up to the amazing success of Hot Fuzz.
What we’ve got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don’t get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film’s a walking, talking turd.
Two of my favorite comedies are Dodgeball: A True Underdog Story and the first Mortal Kombat(well perhaps it wasn’t meant to be a comedy). Films that have slapstick humor with a good sporting event of where the underdog wins in the end over their lavishly dressed opponents. Balls of Fury was to take that one step further by going into the dangerous underworld of Ping Pong and parody old kungfu tournament stories in the process. With an array of famous character actors including Christopher Walken; how could one not enjoy the game the Chinese call “Peing Poong”?
The trailer trash Myers family (inexplicably living in a pretty big house) is a powder keg waiting to go off, what with the rampaging abuse and a young Michael (the admittedly creepy Daeg Faerch) butchering small animals and looking like he’s mad as hell and soon not going to take it anymore. Snap he does, going on a killing spree, before he is captured and locked up for years, while eccetric shrink Dr. Loomis (a shameless Malcolm McDowell) making a career out of trying to learn what makes him tick. Growing to Godzilla proportions, Michael makes his escape, and proceeds to pick up his spree where he left off in his home town of Haddonfield.
Back in the summer of ‘89, a popular action flick was calling my name from the shelves of the local video rental store. It was Young Guns, and I’d heard it was wild, gun-toting ride from start to finish. Problem was, I was eight years old and there was no way my folks were going let me see such a violent movie, for fear two hours with Billy the Kid would make me a career criminal.
Boy, have times changed. Granted, Young Guns wasn’t the baddest film on the block 18 years ago, but it was reflective of the then-current action standards. In 2007, we’ve got stuff like Shoot ‘Em Up, a film so over-the-top violent that the tables have turned — I wouldn’t let my parents anywhere near it, for fear they’d have simultaneous, massive myocardial infarctions.
Think you can handle a taste of the old ultraviolence? Read on.
Every two years, the Wo Shing Society, an ancient Triad, elects its chairman. The two candidates this year are Lok, an amiable, level-headed, managerial type, and Big D, a flashy hothead cut from the same cloth as Tybalt. Big D throws bribes and around in an effort to win, but to no avail. Refusing to accept defeat, he resorts to violence, threatening to tear the Society apart. The question is whether Lok is made of the necessary stuff to make good his victory.
A remake of writer/director John Waters’ 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it’s bigger and better than previous iterations, I can’t say, because this DVD release marks my first Hairspray experience. What I can say is if Waters’ original and the Broadway show are even half as good, they’re definitely worth your time.
If that doesn’t convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.
There are plenty of reasons to be grateful for public domain rules, as they make plenty of movies easily available that wouldn’t be otherwise. But there are pitfalls as well, and there is no clearer example of this than what has befallen George A. Romero’s classic film. The great man barely saw a dime from his work, but all and sundry can fiddle with Night of the Living Dead as they see fit, and here is a textbook case. The basic premise is intact: young woman and her brother visit cemetery, are attacked by zombies, and heroine winds up part of a besieged group. Sid Haig lends his presence to liven things up a bit, but he have any real role to play until the movie is almost half-over, by which point many viewers will be sunk in boredom. The zombie attacks are tediously realized, and this is easily the most gore-free version of the story.
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Halloween 3-Disc Unrated Collector’s Edition 
The Tracey Fragments 
Dedication 
Hot Fuzz (3-Disc Collector’s Edition) 
Rush Hour 3 (Platinum Series) 
Hairspray (Shake & Shimmy Edition) 
Night of the Living Dead 3D 
