Archive for the ‘Image Entertainment’ Category
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Disc Reviews by John Ceballos on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
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Disc Reviews by John Ceballos on April 18th, 2013
“I want to visit a country of dreams, imagination and magic.”
Instead of “dreams, imagination and magic”, the Africa presented in this confounding, family-friendly offering from Spanish filmmaker Jordi Llompart is a place of trippy visuals, head-scratching dialogue and horrid CGI. Magic Journey to Africa — billed as a “giant screen spectacle” — is now available for home consumption, where the film’s dazzling 3D presentation is its only saving grace.
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Disc Reviews by Brent Lorentson on April 3rd, 2013
This is a review that I’ve been dreading. It’s been a while since a movie has gotten me so worked up over its thoughtless execution that I struggle to find something redeeming out of it. For those unfamiliar with non-linear storytelling, a simple definition would be a story told out of order, for instance Memento or Pulp Fiction. Those two examples are of films that execute non-linear storytelling and use the structural device as a means to further their story. As for the filmmakers involved with The Devil’s in the Details, they took a decent story and then tore it up into shreds, tossed it in the air, and pieced it together however they saw fit.
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Disc Reviews by John Ceballos on March 21st, 2013
Day of the Falcon is a photogenic, lavish reminder that violence and strife in the Middle East existed well before it could be broadcast on CNN. The film — set in the early part of the 20th century — also works as a throwback to the sort of rollicking, epic-scale adventure films David Lean was making at the height of his powers and that no one seems terribly interested in making anymore. Don’t get me wrong: Day of the Falcon is no Lawrence of Arabia or Bridge on the River Kwai, but it’s an accetable 21st century substitute.
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Disc Reviews by Jeremy Butler on January 30th, 2013
How exactly do you make a superhero movie without the powers? Answer: Have them wake up with their powers being stripped from them. All Superheroes Must Die is a superhero tale that from the title you can tell is fated not to end in the traditional way that superhero films end: with the righteous prospering and the wicked suffering. What the film title doesn’t let you know, however, is how underwhelming the film is. It does have an interesting startup, I’ll give it that.
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Disc Reviews by Brent Lorentson on January 7th, 2013
When it comes to writer/director Spike Lee, he seems to have a very polarizing effect on the people who watch his films. I’d like to consider myself a fan of most of his work. For me Clockers, Summer of Sam, and The 25 Hour rank at the top of my list of favorites. He’s a director with a very distinct style and voice that sets him apart from most filmmakers. But it’s that voice of his that often times gets him in trouble, whether it is in the message of his films or oftentimes comments he makes (most notably his comments on Tarantino and Django Unchained).
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Disc Reviews by William O'Donnell on November 17th, 2012
A wealthy mother of three has a secret revealed about her past when her well-meaning son brings a homeless man over for dinner. This production is a play that has been filmed (not adapted) with a laugh-track spliced in, making it resemble a television show. It’s meant to be inspirational but it’s really just a big mess.
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Disc Reviews by Brent Lorentson on October 17th, 2012
When I first learned that Adam Green (director of Hatchet and Frozen) would be creating a show to air on Fear Net, this seemed like a slice of heaven to me. I love horror, and with the exception of The Walking Dead and American Horror Story there just hasn’t been much to watch from the genre. So when I discovered that Green was going to be actually developing a sit-com instead, it would be fair to say I was more than a little disappointed by this news. But then I was given a glimmer of hope when I heard it would be about a pair of struggling horror filmmakers. As a film graduate and a lover of horror, this instantly became something relatable to me.
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Disc Reviews by John Ceballos on October 1st, 2012
Look, I don’t take pleasure in being the guy who slams a religious movie. It’s not that I’m afraid I’ll go to hell. (If someone can go to hell for writing a scathing movie review, then the system is broken.) I just don’t particularly enjoy tearing down any well-meaning movie with a positive message. However, when a film is as thoroughly inept as The Holy Roller, I’m afraid I have no choice.
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Disc Reviews by Brent Lorentson on October 1st, 2012
“800,000 children are reported missing each year in the USA. Most are found within a few days. 1000 children disappear without leaving a trace.”
After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan. It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience. He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project.
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Disc Reviews by John Ceballos on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
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Disc Reviews by Michael Durr on July 30th, 2012
Most people who read my reviews can realize that me and prison films just do not mix. Far too many of them are incredibly hokey and if I hear one more cliché about dropping the soap, I swear I might just go watch about a 12 hour Golden Girls marathon. However, our film today deals with a psychiatric hospital for criminals. It sounds a lot like a prison to me, but perhaps today’s review will take on a much gentler tone and provide us with something just a little different.
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Disc Reviews by John Ceballos on July 4th, 2012
Have found footage films jumped the shark? (If the answer is yes, someone’s going to have to hunt down the beast that ate the shark-jumping cameraman so we can retrieve the tape and see exactly what happened.) Though the genre dates all the way back to 1980′s Cannibal Holocaust, it saw a spike with 1999′s Blair Witch Project and has become the horror delivery vehicle du jour thanks to recent hits like The Devil Inside and the Paranormal Activity films. To be fair, The American Dream doesn’t completely qualify as a found footage film — as far as I can tell, no one finds the protagonist’s camera — but the movie is a sign that the genre may have already seen its best days.
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Disc Reviews by M. W. Phillips on June 29th, 2012
“Sometimes things happen in life that turn everybody silent. So silent that nobody dares to talk about it anymore. To no one. Not even themselves.”
Who knew there was a hormone mafia in Flanders (not Homer Simpson’s neighbor, but Flanders is part of Belgium, but unique with its own dialect and culture)? Evidently, shady criminals sell illegal experimental hormones to farmers so they can fatten up their livestock. In Bullhead these are brooding crooks that sit and talk about their problems a lot and seem to resent cows a great deal. The one with the biggest problems happens to be the biggest man among them, Jacky Vanmarsenille (Matthias Schoenaerts)
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Disc Reviews by Michael Durr on June 14th, 2012
Cult movies are some of my favorite kinds of movies. I am a complete sucker for Rocky Horror Picture Show and films like the Warriors or Duel. These movies are often a product of their time but are not fully appreciated until many years later. Today, I am reviewing The FP, a film that attempts to be a cult classic but without going through the usual hoops of society. As we go to the film, one has to wonder if that is even remotely possible.
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Disc Reviews by John Ceballos on May 28th, 2012
“It’s Memorial Day. What am I supposed to remember?”
Happy Memorial Day, everyone! When I saw that I would be reviewing a movie called Memorial Day, I was afraid Garry Marshall had made another one of his awful ensemble romantic comedies — ala Valentine’s Day and New Year’s Eve — that stars everyone in Hollywood…and Hector Elizondo. Thankfully, this film is simply an (overly) earnest dedication to the men and women who have served in the Armed Forces, as well as their families.
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Disc Reviews by Michael Durr on April 24th, 2012
I am not sure about others, but I often I think I daydream more than most. Perhaps it is about being a published author, perhaps it is about being an adventurer in mythic times. When I watch movies, I want to travel to a New World, whether scary or magical where I can let my fantasies wander in any direction I wish. Today, I review Witches of Oz which sounds like it might involve the magical land of Oz. In reality, it only involves the world of New York City. Wicked witches indeed.
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Disc Reviews by John Ceballos on April 4th, 2012
Nine college friends are reunited by the death of a beloved former classmate. While attending his funeral, they learn their wealthy friend has left behind a will stipulating that each of them will receive a big chunk of his fortune if they can stay at his mansion for five days without a single person leaving. So basically, this terrible movie is an unholy mash-up of The Big Chill and The House on Haunted Hill. Come to think of it, I would’ve liked this flick a lot more if everyone had been murdered by ghosts.
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Disc Reviews by William O'Donnell on February 6th, 2012
Evidence has revealed the possibility that a Soviet Assassin code-named “Cassius,” thought to be long dead, is still at large after a US Senator is murdered. A veteran CIA operative (played by Richard Gere) is teamed up with an enthusiastic young FBI agent (played by Topher Grace) who has studied and obsessed over Cassius’ actions since his days at Harvard.
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Disc Reviews by William O'Donnell on February 2nd, 2012
Curtis “50 Cent” Jackson plays a hotshot college football player is at the cusp of making a big move to the NFL and riches when he collapses in the locker room due to a tumor growing in his chest, near his heart. Having to undergo cancer treatments, he loses his ability to play and must start again without all the advantages being a star came with.
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Disc Reviews by M. W. Phillips on December 13th, 2011
“It’s impossible, but it would appear that the Spermupermine has had an adverse effect on your system. It’s not only strengthening your spermatozoa, but it’s causing it to grow to gargantuan proportions.”
I definitely have a soft spot for the horror anthologies; they’re the equivalent of cinema short stories. Some of the best horror anthology movies were Creepshow, Tales from the Crypt, Tales from the Darkside: The Movie, The House That Dripped Blood, Trick ‘R Treat, Asylum, Body Bags, Dead of Night and Black Sabbath.
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Disc Reviews by Michael Durr on November 23rd, 2011
Fishing is fairly foreign to me I admit it. The idea that you have to get up at the crack of dawn just to sit in a rusted over boat without saying a word to only catch not a darn thing seems like a waste of time if nothing else. The television fishing shows on TBS do not make it sound any better either. The only thing appealing to me about it is if you can find some beautiful scenery to fish in. Perhaps a place like Oregon, which is the setting for our new review: The River Why.
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Disc Reviews by Gino Sassani on November 11th, 2011
“The 1920′s in America: jazz music, girls who smoke, and the wing walkers. Like a giant party, only without the booze. Change was in the air. Skyscrapers displaced family farms, and revolutionary ideas challenged time-honored traditions.”
Of course, one of those “revolutionary ideas” was the theories of Charles Darwin with the publication of his book On The Origin Of Species.
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Disc Reviews by Michael Durr on November 2nd, 2011
Everybody needs a little help in their life but many are afraid to ask for it. Perhaps they need to know how to ask for a raise, or perhaps help with their geometry homework. One does not exactly gain knowledge of how to ask out a beautiful redhead supermodel unless they get a little help from somewhere. But I digress. Today, we explore the life of Laura who apparently needs a little help when her cheating husband dies right in front of her. Things are not as easy as they seem.
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Disc Reviews by Gino Sassani on October 28th, 2011
Italian writer and director Giuseppe Tornatore was born in the small village of Bagheria on the island of Sicily in 1956. The life and culture of his home village has had a tremendous influence on his work. Many of his films have an autobiographical nature to them that he takes no pains to disguise. Earlier we reviewed his love letter to movies with Cinema Paradiso, which also took place in Bagheria. This time we explore five decades of life in that same village, known here by its nickname and the title of the film: Baaria.
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