Archive for the ‘MGM’ Category
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Disc Reviews by Gino Sassani on August 3rd, 2010
For ten years we watched Jack O’Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff’a Tealc’ enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures.
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Disc Reviews by Gino Sassani on July 15th, 2010
The name says it all. With just those four words, you can pretty much figure out everything you need to know about Hot Tub Time Machine. This is very much a party film in the tradition of the Saturday Night Live alumni movies of the 70’s and 80’s. With the release of this movie, you no longer need to travel back in time to 1986 to watch a film that relies almost entirely on sex, drugs, and rock ‘n roll for most of its situational comedy. The rest gets filled in with your standard toilet humor. I’m not sure exactly when it happened, or who exactly I should blame
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Disc Reviews by Gino Sassani on April 16th, 2010
Remakes are a fact of life. It might seem now more than ever that we are plagued with this reality, but it’s been true for a very long time. It’s not so new, as you might expect. Even the lauded Cecil B. Demille The Ten Commandments was a remake of his own silent 1923 film. They’ve existed almost as long as the movies themselves and will continue to exist for the foreseeable future. So, the question should be: Why should a particular film be remade? Often technology catches up with the content in a film. The ability to create on the screen something that was simply impossible originally is a legitimate reason to tackle an older film. Sometimes the movie is so powerful that it bears retelling for a new generation.
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Disc Reviews by Gino Sassani on March 31st, 2010
An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore.
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Disc Reviews by Gino Sassani on February 22nd, 2010
For ten years we watched Jack O’Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff’a Tealc’ enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before
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Disc Reviews by Michael Durr on January 27th, 2010
The original movie production of Fame came out in 1980 and followed a group of students as they progressed four years through the New York High School of Performing Arts. It was gritty, it was harsh, but it was a very deep portrayal of budding students trying to get into the world of singing, dancing and acting. Nearly 30 years later, somebody gets the bright idea of doing a remake. Let’s find out if it is anywhere close to the original.
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Disc Reviews by William O'Donnell on January 23rd, 2010
Many of the original talents behind the popular Mel Brooks’ spoof Spaceballs have not returned for this sort-of sequel, but its spirit of relentless parody and often corny schtick lives on. While it may not hold a candle to the original source material, this animated series has a few shining moments that will hopefully keep the diehard fans from being too offended.
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Disc Reviews by Gino Sassani on November 24th, 2009
“You got everything money can buy, except what it can’t. It’s pride. Pride is what got you here. Losing is what brung you back. But, people like you, they need to be tested. They need a challenge.”
There have been a ton of boxing films. They’ve been popular going back to the Silent Era. Most of them have many of the same themes. But there was always something about Rocky that stood out above all of the rest. That “something” can’t really be described or defined. As the Supreme Court once said about the definition of obscenity: “I can’t define it, but I know it when I see it.” That’s all you can say about Rocky. Some might call it heart. That’s about as good a word for it as anything else.
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Disc Reviews by David Annandale on November 4th, 2009
Liam O’Leary (Brendan Gleeson) has done very well in the booming Irish economy. A successful developer, he is in the process of trying to get a massive project approved, one that the future of his firm is riding on. So things are actually rather tough for him right now at work. At home, meanwhile, he and his wife (Kim Cattrall) have reached a rather chilly stage of their marriage, and his son (Briain Gleeson, and yes, Brendan’s actual son) is feeling quite alienated, not to mention disgusted with the capitalist excesses that surround him. Stressful as all of this is, things are about to get much worse, as he starts seeing his double (Gleeson again). Is he hallucinating? Is it a supernatural visitation? The answer is both more earth-bound and wild, and before he knows it, his entire existence is turned upside down.
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Disc Reviews by Archive Authors on October 13th, 2009
Written by Adrienne Ambush
Before there was American Idol, before there was So, You Think You Can Dance and definitely before there was Dancing with the Stars, there was Fame.
Based on the 1980’s movie with the same title, Fame is a comedy/musical series about a group of gifted students and their faculty members, all of whose dream is to sing, dance, act, and play music.
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Disc Reviews by Tom Buller on October 7th, 2009
Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real.
Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.
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Disc Reviews by Gino Sassani on September 22nd, 2009
It’s nice to see some of these staple films starting to reach the Blu-ray high definition releases. Unfortunately there really isn’t anything new here at all. The picture is an upgrade but not as outstanding as you might expect. The audio doesn’t really get much better at all. Finally, all of the extras are merely ported over standard definition pieces from the most recent DVD release. It’s the best way to go if you don’t already own the film, but not remarkable enough to warrant an upgrade from any but the most die hard fans. And they didn’t need this review to talk them into it. For the rest of you, here’s what you can expect.
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Disc Reviews by Archive Authors on September 21st, 2009
He’s one of the most compelling villains of modern fiction. Disturbing, disgusting and absolutely captivating at the same time, Hannibal Lecter can really get inside your head.You may not have read the novels by Thomas Harris, or even seen all of the films, but I’m willing to bet you’re familiar with The Silence of the Lambs. One of the greatest thrillers in film history, the film in which Sir Anthony Hopkins became Dr. Lecter is the cornerstone of this three-movie set.
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Disc Reviews by Gino Sassani on August 7th, 2009
An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore. In their initial investigations they accidentally awaken the area’s top bad guys, The Wraith. These vampire-like beings suck the life-force out of humans.
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Disc Reviews by Gino Sassani on July 6th, 2009
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry.
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Disc Reviews by Gino Sassani on July 2nd, 2009
“Let me bring you up to speed. We know nothing. You are now up to speed.”
The Pink Panther is one of those properties that has given several generations some wonderful memories. If you were a kid, of any age, in the 1970’s you remember watching the cartoon series on Saturday mornings. It was one of the more innovative cartoons in that it had almost no dialog. The titular cat was always trying to outwit the witless Inspector Clouseau, and in true comedic fashion would always manage to escape. If you were a little bit older, you remember the truly inspired comedy films by Blake Edwards.
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Disc Reviews by Gino Sassani on June 29th, 2009
“A long time ago in a land far, far away, way East of Chicago, in a place called Brooklyn, actually, a great man named Mel Brooks was born. And, that man begat this and that, and then some, and then he did this…”
This, was Spaceballs. Brooks had tackled pretty much every genre of film before Spaceballs. He took on horror films with Young Frankenstein. He tore up the old West and the Western with Blazing Saddles. He was bold enough to offer us a take up on the Silent Movie. On television he took on James Bond
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Disc Reviews by Dale Krawchuk on March 28th, 2009
Barbra Streisand’s 1983 Historical Epic/Fable/Musical/Vanity Project comes to DVD for the first time ever in this deluxe release. Exciting news for a large chunk of our population, though in this instance it’s a case of “good news/bad news” for rabid Barbra fans. With Yentl, Streisand is in full-on quadruple threat mode, as director, producer, co-writer, and Star (yes, the capital ‘s’ is necessary), and her Herculean labours in getting this film made are probably as well known as the film itself. Her obvious passion for the project and the fact that she had a hand in it at every level gives access to a wealth of incredibly detailed information in the special features, including “Materials from Barbra’s Archive”. However, there are some technical shortcomings in this volume that will lessen the experience, even for fans.
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Disc Reviews by Gino Sassani on March 26th, 2009
His name is Craig, Daniel Craig. Love him or hate him, we have to accept the fact that this blue-eyed rather rugged sculpture of a man is the face of James Bond, now and for the foreseeable future. I’ll admit to being more of a nostalgic Bond fan, and have the image of Sean Connery forever etched into my brain as the quintessential 007. But, it’s not only the drastic change in appearance and demeanor that makes this a hard film for me to embrace. For the first time in the franchise’s 22 film and 35 year history we have a Bond movie that is a direct sequel of the previous one.
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Disc Reviews by Archive Authors on March 10th, 2009
Posted by Ken Spivey
Based upon Toby Young’s 2001 memoir and pseudo-confessional, “How to Lose Friends and Alienate People” is the uproarious tale of journalist Sidney Young’s ascension from a hack to a successful hack. Young tracks the rich and famous, writes scathing stories about them, sleeps with many of them, all while reaping a whirlwind of trouble along the way. His career receives a major coup when he is offered a job at the prestigious “Sharps” magazine. Toting witty comments and salacious attempts to bed every beautiful actress he meets, the story of Sidney Young’s (Simon Pegg) rise to journalist nirvana is a laugh a minute and a sincere delight from inception to completion.
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Disc Reviews by Gino Sassani on December 20th, 2008
Since the dawn of The Animal Planet we’ve seen an entire genre created around using real animal footage and providing a human story to go with it. In Meerkat Manor we are provided with a dramatic narration substituting human motivations for the actual activities captured by the film crew. In other instances voice over techniques are used to make the animals appear to talk. Movies like the Buddies series utilize this technique. With the help of a little CG, the animals appear to be speaking. In the case of Elephant Tales, however, there isn’t any effort to match the dialog to lip movement;
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Disc Reviews by Gino Sassani on November 13th, 2008
Casino Royale was the only one of Ian Fleming’s James Bond novels that was not a part of the deal with Ion Productions. It was the only Fleming story that was off limits even though it was the first Bond story written. Until recently it was never filmed as part of the official Bond franchise. However, there was a version made back in 1967 that has been deservedly long forgotten. After 40 years it remains unclear who originally came up with the idea for this farce, and after watching the results, I’m not expecting anybody to stand up and take credit any time soon. This is a James Bond film, but in name only.
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Disc Reviews by Gino Sassani on September 19th, 2008
The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Today Chucky paces the sidelines here in Tampa as the head coach of the local NFL franchise
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Disc Reviews by Gino Sassani on May 13th, 2008
12 Angry Men is one of those rare films that appears to defy all the Hollywood constants and yet become one of the best films of its kind ever made. The setting is entirely too claustrophobic. With the exception of two bookend scenes the entire film takes place in the tight quarters of a jury deliberation room. The story had only a couple of years earlier been the subject of a live television drama, so the story was far from a fresh idea. The director was a complete unknown who had not at that point directed a major picture.
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Disc Reviews by Gino Sassani on March 30th, 2008
Stargate Atlantis went into its third season with a lot to prove. Its companion and older series SG-1 was winding down and preparing to take its show to the longer direct to video path. Atlantis rose to the challenge and had what was arguably its best season to date. The best decision the show runners could have made was the one to concentrate on their core characters and give us episodes that were obviously intended to help us learn more about them. We meet McKay’s sister and Ronon’s wife and family along the way.
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