On paper, Rendition looked good. Damn good. It had Reese Witherspoon, hot off her best actress win as June Carter in Walk the Line. It had “it boy” Jake Gyllenhaal from Brokeback Mountain and Zodiac. It also had stalwarts in Alan Arkin and Meryl Streep rounding out the cast. It was directed by acclaimed Tsotsi director Gavin Hood. And it was about post 9/11 hot-button issues such as torture and imprisonment without due process.
Teens seem to have a lot of angst. They like to have angst regarding what they wear or who they make friends or simply because their hair has a split end. In the middle of their angst, they form groups who share angst. These groups are more pseudo-families where they share experiences and care for each as if they resembled a sibling or a close relative. Enter Normal Adolescent Behavior: Havoc 2 where a group of 6 teenagers form a bond where only the 6 of them exists in each other’s hearts. But would this bond step over the line and create a situation that one or more could not bear to take?
What we’ve got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don’t get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film’s a walking, talking turd.
Back in the summer of ‘89, a popular action flick was calling my name from the shelves of the local video rental store. It was Young Guns, and I’d heard it was wild, gun-toting ride from start to finish. Problem was, I was eight years old and there was no way my folks were going let me see such a violent movie, for fear two hours with Billy the Kid would make me a career criminal.
Boy, have times changed. Granted, Young Guns wasn’t the baddest film on the block 18 years ago, but it was reflective of the then-current action standards. In 2007, we’ve got stuff like Shoot ‘Em Up, a film so over-the-top violent that the tables have turned — I wouldn’t let my parents anywhere near it, for fear they’d have simultaneous, massive myocardial infarctions.
Think you can handle a taste of the old ultraviolence? Read on.
A remake of writer/director John Waters’ 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it’s bigger and better than previous iterations, I can’t say, because this DVD release marks my first Hairspray experience. What I can say is if Waters’ original and the Broadway show are even half as good, they’re definitely worth your time.
If that doesn’t convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.
The main quote on this disc’s cover reads, “if you liked Bend it Like Beckham, you’ll love Gracie.” Baloney. OK! Magazine’s Karen Berg got me all excited with this raving tidbit, because I did like Bend it. A lot. Unfortunately for me and anyone else who pays attention to such quotes, Bergie either never watched Gracie or just doesn’t know movies and why people like them.
Here’s my new quote for the DVD case: “If you still like after-school specials, you’ll be delighted with Gracie, a half-baked TV movie in the guise of something more.”
Ted Crawford (Anthony Hopkins, The Silence of the Lambs) is a successful engineer who recently discovers his wife’s infidelity. He becomes aware that she has been sleeping with a police detective, which pushes Ted to the point of shooting his wife. Initially he confesses to the crime, and it looks to be an easy win for rising star district attorney Willy Beachum (Ryan Gosling, The Notebook). This is of course until Ted redacts his confession and engages in a battle of wits with Beachum.
Jim Carrey is an animal control officer whose wife (Virginia Madsen) gives him an odd crime novel for his birthday. The book is narrated by a police detective who becomes violently obsessed with the recurrence of the number 23 in all aspects of life. The book has plenty of strange similarities with Carrey’s life, and he becomes consumed with finding the author and knowing what it’s all about, not to mention descending into the 23 obsession himself.
Over the last decade or so, few fantasy films have been widely accepted by the mainstream audience. That’s probably because the genre was overdone in the 80’s with mostly lackluster results. Fantasy and fairy tale films have been considered something for kids and/or weirdoes who dress up like elves. It wasn’t until films like The Lord of the Rings trilogy and the Star Wars prequels had great success (deservedly or not) that we trolls, dwarves, and Sith Lords could come out in public again.
Let me tell you something about myself. I am surrounded by hundreds, sometimes thousands, of snakes every day. As I write this review, there are about 500 snakes just a couple hundred feet away. I’m not on a plane, of course, but snakes are a big part of my life. I’m a snake breeder. I’m also a musician who has just released an entire CD of reptile tracks (see footnote). So it was with more than the little bit of curiosity that I just had to see this film. I knew everybody would be asking me what I thought. So what did I think?
The Butterfly Effect 2 is a direct-to-video release, and for good reason. While the original film was a surprise hit back in 2004, this sequel is nothing more than a quick cash-in.
At least, that’s what I thought I’d be writing for this review. I definitely had low expectations for this film, especially since while I’ve heard good things about the original, I’ve yet to see it, and I still question its somewhat-acclaimed reputation. So surely this sequel must be a piece of junk, right? But it’s not.
Thankfully, some of the larger studios are beginning to produce films that are either good old-fashioned family films, or are films touting religious value and piety. Walden Media, who were behind such films as Holes and How to Eat Fried Worms, have produced and released another film with similar concepts behind them, a charming little piece of celluloid entitled Hoot.
Based on the novel by Carl Hiaasen and adapted to film and directed by Wil Shriner (Peggy Sue Got…
On Jerry Seinfeld’s first comedy CD after his run on Seinfeld ended, he does a joke where he talks about why he hasn’t done a movie yet. He talks about what a huge commitment it is to do a movie, and how he fears that when it is all over, he will be on the screen looking out at the audience saying, “this sucks, doesn’t it? I didn’t know. I really meant well.”
This movie is that punchline. Catching Ray Romano after his show’s run and Kevin James just before the end of his sitcom, the two pair up as a co…
Jack Nicholson can make a convincing case for being one of the greatest actors of all time. He’s had his share of memorable moments in movies, with quoted lines etched in our brains. It took a while for me to get “You can’t handle the truth!” out of my head. He has also turned in outstanding performances in lesser known movies that have shown his range and dramatic ability. Alternate viewing recommendations to see Jack in action include Hoffa and The Pledge, among a variety of others….In About Schmidt, the follow-up effort by Alexander Payne (Election), Jack strips away the sunglasses, the eyebrow and the devilish grin, puts on 20 pounds, and gives us a performance that some have labeled as career defining.
In Wayne Kramer’s latest film, Paul Walker stars as Joey Gazelle, a man who seems to be a part of the mob and has a ten year old son named Nick. The film then zooms back to 18 hrs earlier where Joey and his Perello boys are ambushed and are nearly killed. Turns out these men who they just killed are big time cops. Joey is told to get rid of the murder weapons, which seems to be his main goal in this mob group. Instead, as we soon learn, Joey never does this instead he hides the weapons. Unfortunately for Joey, Nick a…
Virginia, 1607. English ships arrive and a colony is set up, but with considerable difficulty. Famine and disease take their toll. Captain John Smith (Colin Farrell) heads off to seek help from the Powhatan. He is captured, sentenced to death, but saved by Pocahontas (Q’orianka Kilcher, whose character is never actually given that name). So begins a fateful relationship.
Terence Malick has something of the Stanley Kubrick around him: he only puts out a movie about once a decade, hi…
Adam Sandler plays Robbie Hart, wedding singer in 1985, making a living covering other people’s songs, but happy with his life, until he is dumped at the altar. Total professional meltdown then ensues (in the big money scene that everyone saw in the trailers). Hope for romance still exists, however, in the person of Drew Barrymore, a waitress about to be married to a total jerk.
This is the film that demonstrated that Sandler was more than a one-trick pony, that the man could act i…
As I see more and more film’s from 2005, I realize that a majority of the best films are those that aren’t huge financial successes. Films like Capote, Munich and now David Cronenberg’s latest film A History of Violence weren’t huge successes but have earned praise due to the themes and stories they present. Containing a well crafted story, with interesting characters, A History of Violence is one of those rare films that you see that has a latest impact on you.
This is a portrait of the rookie year of Yao Ming, a Chinese basketball superstar who is imported to play for the Houston Rockets. He arrives not just with the expectations associated with being a first-draft pick, but also with the hopes of (we are told) one billion countrymen on his shoulders. His debut is a disaster, but he soon establishes himself as a force to be reckoned with, as well as charming American fans with his self-effacing personality and humour.
Inspired, rather than based, on the life of bounty hunter Domino Harvey, this exercise in monumentally brain-dead excess sees Keira Knightley in the title role. The daughter of Manchurian Candidate star Laurence Harvey, she rebels against the posh Beverly Hills life of her mother (Jacqueline Bisset) to become the bounty hunting partner of Mickey Rourke and Edgar Ramirez, working for Delroy Lindo. Christopher Walken is the TV producer who designs a reality show around the trio and two …
I was amazed that a film starring three Academy Award winners (Robert De Niro (Raging Bull), Kathy Bates (Misery), F. Murray Abraham (Amadeus) would be so ignored and passed over by the movie going public. Based on a novel by Thornton Wilder and adapted for the screen and directed by relative unknown Mary McGuckian, the film recounts a tragic incident where several people fell to their death from a bridge collapse. A monk by the name of Brother Juniper (Gabriel Byrne, The Us…
John(Owen Wilson) and Jeremy(Vince Vaughn) are divorce mediators faced with the daily struggle of attempting to reconcile fractured partners for long enough to enable them to reach some kind of settlement. But let’s not worry about that too much because it’s nearly wedding season, a time when their entire agenda shifts focus. Why? Because John and Jeremy are wedding crashers. We’re not talking about anything half-hearted either. These two are professional wedding crashers. They have rules, game-plans, and even fake f…
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Rendition 
Normal Adolescent Behavior: Havoc 2 
Shoot ‘Em Up 
Hairspray (Shake & Shimmy Edition) 
Grilled 
50 Cent: Refuse to Die 