No Huddle Reviews

By Natasha Samreny

“You don’t choose a life Dad. You live one.”

The call no parent ever wants to get, “There’s been an accident. Your child is dead.” When his son Daniel (Emilio Estevez) dies unexpectedly in the Pyrenees, Tom (Martin Sheen) flies to France to claim his body. But instead of returning immediately, he stays to complete an 800-kilometer pilgrimage across the Spanish countryside that his son couldn’t.
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Catholic priests are used to hearing confessions, but for one particular pastor in Chicago, the usual confessions about using the Lord’s name in vain or stealing a couple of paperclips from the office just weren’t exciting enough. Father Dowling loved reading mystery books, and it appears to have sharpened his own powers of observation and deduction. As luck would have it, crimes and mysteries would simply fall into his lap. With the help of Sister Stephanie, better known as Sister Steve, he would step away from his pastoral duties to track down clues that were elusive to the Chicago Police Department.
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People — especially nerds like me, who have been writing about movies for years — often complain about the predictability and clichés that seem to be permanently embedded in certain types of movies. However, the not-so-dirty little secret is that we enjoy wrapping ourselves up in that comfortable blanket of familiarity more often than we’d like to admit. Horror movies and romantic comedies are certainly among the most notorious offenders, but I’d make the case that sports movies belong at the top of the list.
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It would be nice if we were to get films as good as The Graduate from time to time. That’s asking a lot, but it would be nice. Another Happy Day is no The Graduate, but nothing is. Nothing could make such a seismic hit to a generation again. At least, I don’t think so. Another Happy Day did win the Best Screenwriting award at the Sundance film festival, and it seems well deserved. The film has a great cast, and you usually only get that if you have a great script or you spend a billion dollars.
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“Check it out, someone is selling a ghost online at Ubid!”

You know those ghost story movies where the victims not only do incredibly stupid things which further endanger them, but they are so thick they refuse to believe in ghosts even after they have been physically thrown across the room by something invisible and people around them are dying in mysterious unexplained ways? Kill Katie Malone is one of those movies.
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Two more episodes from Elvira’s Movie Macabre. The two films have little in common, but they do have odd little claims to fame. Scared to Death (1947) is Bela Lugosi’s only colour film. Tormented (1960), meanwhile, is actually pretty good for a Bert I. Gordon film, and features no back-projection-enlarged insects or people!
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This particular double-bill of offerings (in the form of rather muddy, scratched prints) from Elvira’s Movie Macabre makes a certain odd kind of sense: each film features one of Victor Frankenstein’s female descendants up to no good: his daughter in Lady Frankenstein, and his granddaughter in the inaccurately titled Jesse James Meets Frankenstein’s Daughter.
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In the late-19^th Century, we find Elvira (Cassandra Peterson) as much in love with the idea of being a showgirl as she was in the original Elvira, Mistress of the Dark (1988). But given that Las Vegas doesn’t exist yet, she is on her way to Paris to be a can-can dancer. Elvira and her maid, Zou Zou (Mary Jo Smith) take a detour through the Carpathians (naturally), where they wind up at the castle of Lord Vladimere Hellsubus (Richard O’Brien). It transpires that Elvira is the spitting image of Lord Hellsubus’s deceased first wife, and all kinds of scheming and counter-plotting begins on the part of the various factions in the spooky old castle.
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A baby’s soft and contented voice is heard over a white screen as the credits begin. Two young teenage boys dote over the happy child. These are the opening  moments of Submarino, which quickly devolves into a story of total despair. It turns out the mother is a worthless and degenerate alcoholic. These two well-meaning boys are forced to be the parents. They wake up in the morning and the baby is blue and lifeless.
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If you try to look at the state of independent films in the modern age, it would be a huge undertaking.

Let’s look at a film called Bellflower. It just came out and is a good example of what the state of independent films is like in the year 2011. It is very low-budget project in which everyone sweats blood, especially the writer/director/star, to get the movie done. It has some novel ideas, some youthful energy, and way too many rough edges.
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By Natasha Samreny

Santa Claus is neither jolly elf with rosy cheeks nor heart of gold. He doesn’t reward the good kids and he tortures the bad ones.

When Young Pietari Kontio (Omni Tommila) and Juuso (Ilmari Järvenpää) stumble upon a mysterious excavation site inside reindeer country of their native Finland, Pietari catapults into his own dark uncovering of the original Kris Kringle.  
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