“Have we heard from the devil yet?” 

Perhaps we have, given the cunning deception of the DVD’s front cover. I take joy in walking into films relatively blind, only having seen the attention-grabbing image that prompted me to pick it up. Let it be known that the cover of the DVD I received differs greatly from the one that is advertised on Amazon; however, both covers are severely misleading as to what the film actually entails. That being said, knowing absolutely nothing about this film may not be the best way to approach it.
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“When you have a formula, you work it. You work it to death.”

Cue obnoxious New York bar expert who reminds me of a Mafia hit man, insert a cute mixologist, an experienced chef, and four different sets of confrontational failing bar owners being gifted with five days with Jon Taffer and his longevity in the industry, experience with over 800 bars, and you have Bar Rescue – Toughest Rescues.
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I will be the first to admit that I never watched a horse race prior this film. Just never interested me; however, it did not take long to see that 50 to 1 is more of a story about unwavering friendship; friendship between two men who had a chance encounter years before becoming a team and a friendship between a trainer and a horse that everyone has all but given up on. As cheesy as that may sound in theory, it was actually a very warm concept, and the production team manages to unfold the story in a way that makes it easy to watch.
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Who was John Evans? That is one of the many questions that American Interior addresses that you never knew you wanted to be answered. The more you learn about John Evans and his story, the more you will come to appreciate the beautiful intricacies woven into the tapestry that is our country’s history. In addition to a unique history lesson, the film also treats you to very stylized images and color schemes, keeping spectators engaged in both story and screen. Part narrative documentary, part concert film, part animation, and part music video: this charming film is a surprisingly pleasant ride with a Welsh musician and a dead-eyed puppet. 
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“You will be severely punished for your disobedience.”

Yeah, there is plenty of that going on in this film. What a fragile construct the mind can be, or at least that is how it appears in Bedlam. As the movie progresses, it becomes harder to tell who is more mad, the patients or the people in charge. However, the film does teeter between the line of real insanity and comical insanity.
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“When history looks back, I want people to know the Nazis weren’t able to kill millions of people and get away with it.”

Those words were spoken by Simon Wiesenthal. Wiesenthal was an architect living in Poland in the 1930’s. He was witness to the systematic persecution, isolation and eventual slaughter of the Jewish population of which he was a member when Germany’s Nazi troops invaded Poland. He and his family ended up in a concentration camp and into forced labor. When Hitler instituted his “Final Solution” most of his family members were killed. He barely survived after an unsuccessful escape attempt; he would have surely been killed if not for a sudden turn in the Nazi forces
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Well, it looks like Comedy Central is still searching for a viable replacement for the loss of The Chappelle Show almost a decade ago. The newest attempt to recapture the former fan base has to be Inside Amy Schumer. I must confess a blissful ignorance to Mrs. Schumer’s rise to fame; I had no knowledge of her existence in recent years, never glimpsing a cameo of her in a television series or movie (or least one that I was aware of), and then all of a sudden it was like she was everywhere.
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If I were to tell you The Comedian is a dramatic character study, you would expect it to have some comedic elements, right? Unfortunately, that is the exact mindset I entered the film with. While the film does provide characters and concepts, it left me feeling disappointed. Written and directed by Tom Shkolnik, The Comedian tells the story of Ed (Edward Hogg), a middle-aged man who feels himself slipping away at his dead-end job. In order to cope with his unfulfilling lifestyle, he performs stand-up comedy at his local nightclub.
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The Mentalist was once the highest rated drama on television. There was a lot to like here, as I’ll discuss throughout this review. But I think most of us had gotten a little sick and tired of the Red John story. The show milked the single case for over five years, and the fan base had dissolved to the point that the once #1 show has been on the bubble for the last two seasons. Fans’ patience had worn thin, but at long last the show’s producers discovered what we’ve known since the second season.
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Beware The Ides Of March! For Julius Caesar it was a dire prophesy of death. For Bob Bergland (bass), Mike Borch (drums), Larry Millas (keys/guitars) and Jim Peterik, it was more like a harbinger of 50 years of rock and roll fame. The band started out as the Shon-Dels in Berwyn just outside of Chicago. The name turned out to be a conflict with another group, and it was changed to BattMann And The Boy Wonders. Of course, that didn’t stick, but Bergland’s penchant for paying attention in literature classes led them to The Ides Of March
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“That’s exactly what a zombie would say.”

It has been some time since I’ve been able to watch a parody film and speak about it fondly afterwards. If memory serves, the last time that occurred was A Haunted House. (The sequel was an obvious money grab.) Now, I wouldn’t quite put The Walking Deceased in the same caliber of that film, but it does manage to deliver enough crowd-pleasing hijinks to entertain.
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When picking up a copy of Jonathan King’s Black Sheep, you know exactly what you are getting into: a lot of bloodthirsty sheep. For about 83 minutes, the film delivers exactly what is promised on the front cover. That being said, the film is definitely catered to a rather specific audience, consisting of people who would actually want to watch Black Sheep. However, hiding under the implied lunacy, is a rather intelligent pastiche of the genre tropes put forth by its many predecessors.
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This film did not hold my interest at all. I know, I know…kind of a crude way to start off a review. However, I just don’t see the point in sugarcoating my feelings about this film. I had envisioned a completely different movie in my head before popping the disc into the Blu-ray player, and the idea in my head and what was displayed did not match up in the slightest. Perhaps that is my fault; I know better than to go into a film with expectations. And on that front, I will accept my role in my displeasure with the overall product. However, Housekeeping did nothing to help its case, in my opinion.
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