The Reel World

Having never played the game and having no frame of reference for this adaptation, I had to rely heavily on reinforcements to let me know if the movie was true to the game. According to my nephew, there were some deviations, such as the final boss, but for the most part, he said the movie was true to the game. From my perspective, A Minecraft Movie was an entertaining movie that doesn’t take itself seriously at all, which is to be expected with Jack Black cast as Steve, the only original character from the game. Black delivers in the fashion that he is famous for, a bit of overacting and breaking out into song in the oddest moments. Adding to the silliness is Jason Momoa, who fully embraced his goofy side that we usually only get to see when he is doing interviews. Jack Black and Jason Momoa being given free rein to crack jokes and overact; what more can you ask for? Along for the ride are Danielle Brooks (Orange is the New Black), Sebastian Hansen in his second film role, and Emmer Meyer of Wednesday and A Good Girl’s Guide to Murder, which explains why I’m still waiting on season two of Wednesday.

Fan of lava chicken? Well, don’t worry, you will see it, which was actually my nephew’s favorite part. Personally, I favored the bromance between Black’s Steve and Momoa’s Garret “The Garbage Man” Garrison. As I mentioned, I don’t usually see Momoa going the comedic route, so when he does, I find myself really enjoying it. Specifically, what I really enjoyed was the role reversal for Black and Momoa, where Black was the brave and selfless hero, while Momoa, despite all his muscle, finds himself having to be rescued rather than the rescuing. However, their dynamic did pull focus from the rest of the cast. At first blush, one would assume that the main focus of the plot would be on Hansen’s Henry and his relationship with his older sister/guardian Meyer’s Natalie. As Henry is misunderstood in his world, it would make sense that he would find comfort in a world where anything is possible. I expected that Black and Momoa would act in mentor-like roles and take a back seat to the dynamic between Hanson and Meyer. However, it turned out to be the other way around. While Black and Momoa both do somewhat mentor Henry, there isn’t a lot of attention dedicated to the relationship between brother and sister. In fact, they spend a great deal of the film apart. While I would have liked to have seen more time dedicated to the brother and sister dynamic, I can’t say that I hated the Black-Momoa bromance, especially when the two rocked out.

“When you can lie about everything, when you can deny everything, how do you tell the truth about anything?”

That is essentially the theme of Black Bag. When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband -- also a legendary agent -- faces the ultimate test of whether to be loyal to his marriage or his country. With a plot like that, you are most definitely going to need some top-shelf actors to convey the nuance and tension of a married couple that can’t fully trust one another. Enter Cate Blanchett and Miachel Fassbender on the heels of his espionage series The Agency. Toss in Steven Soderbergh as the director, and you get yourself a party. Or at least you should; however, the pacing has to be just right. Naturally, a suspense movie such as this needs to build suspense. However, if I’m being perfectly honest, this slow burn burned just a little too long. Outside that little detail, the film hit all its marks. The film was aided in this endeavor by a cast of consummate professionals such as Pierce Brosnan, Rege-Jean Page, Naomi Harris, Tom Burke, and Marisa Abela of Industry fame.

“Magic mirror on the wall, who's the fairest one of all?”

“My queen, your beauty is beyond compare, but there is one -- her beauty grows -- from deep within ... Snow White. She is as pure as snow.”

"We share the same world, don't we? This world you would die to save. It's coming. I've seen it in the probability. Seen it plain as day. All you heroes protecting this world. Do you think you're the only ones? Do you think this the only world? We'll see what happens when you have to protect this place from the others."

The Marvel Cinematic Universe is truly at a crossroads. Since the last Avengers film the studio has released one disappointing film after another. The big tentpole stars and characters have been lost along the way, and that star power has seriously damaged the franchise since that time. Certainly there have been some bright spots. Spider-Man No Way Home was the lone exceptional outing, and the recent Deadpool & Wolverine film was just plain fun.  With Robert Downy, Jr.'s Iron Man. Gone. Chris Evans Captain America. Gone. Scarlet Johanson's Black Widow. Gone. The films just haven't been quite so epic. There hasn't been the heroic heart. And the box office numbers have been reflecting the decay. There are big plans in motion and Captain America: Brave New World is Marvel's attempt to get back on track. We have The Fantastic Four: First Steps coming this summer and another pair of Avengers films to top off this latest stage. The stakes couldn't be higher, and this film really has to perform. Marvel has pushed all of their chips to the center of the table, and these next couple of films will be all or nothing. With James Gunn rebooting the DC universe, will Marvel be forced to hand over box office domination? This film is the best Marvel film in recent years, but it's still a bit of a shaky start.

I’ve never been much for Will Ferrell. His brand of comedy never really resonated with me. I always just found it too ridiculous and outlandish.  I suppose You’re Cordially Invited will be the exception to that rule. While the film does play right into Ferrell’s wheelhouse with the over-the-top antics such as wrestling an alligator, it is actually the dynamic, should I say the rivalry, between Ferrell and Reese Witherspoon that is the highlight of the movie. The film is similar to Bride Wars and the Neighbors, which makes a measure of sense as the director of the latter film is actually the director of this film as well. Further aiding the film’s success is that, like Ferrell and Witherspoon, a majority of the cast all have established comedy backgrounds. Joining Ferrell and Witherspoon was Geraldine Viswanathan (Blockers) as Ferrell daughter and one of the brides-to-be, Meredith Hagner (Vacation Friends) as Witherspoon’s sister and the other bride-to-be, Stony Blyden (Hunter Street) as one of the grooms-to-be, and Jimmy Tatro (Home Economics) as the other groom-to-be.

"What F&#k is a shark doing on a plane?" 

You remember Samuel Jackson back a few years was fighting off Snakes On A Plane, yeah? Well, now we've got sharks on a plane. So how in the heck did they do that? Well, it requires going back to the 1970's when Irwin Allen was the master of the disaster film, and he had a legion of followers. Writer Andy Mason and Director Claudio Fah found themselves a TARDIS and took their behinds to those golden days of movie mayhem. If you are willing to totally throw logic out the window and just hang with these guys for about 90 minutes, you'll have a bit of fun, and likely you'll forget it by the next day. I happened to catch the film yesterday, and ... let me see ... Someone was doing something, and there were sharks on an aircraft of some kind. Let me go and watch it again. Hold on ...

With the end of the year upon us, I felt this was the best time to talk about what I feel was the best film of 2024. First I want to start by saying that this hasn’t been my favorite year for cinema, especially when you look at the kind of films you see at award shows, mostly all those films were forgettable and not anything I feel will become cinematic classics. That being said, when it comes to the horror genre, this has been a pretty great year. For a while I would have said Late Night with the Devil was going to be my favorite horror film of the year, but then The Substance came out, and that just floored me, and I’ve kind of become a bit obsessed with the film. It’s the only film this year that has stuck with me for days and just had me wanting to watch it again so I could savor its visuals, whether they be beautiful or grotesque.

It’s no secret that Hollywood is obsessed with beauty and youth with many of the aging stars performing surgeries and injecting themselves with chemicals to remain “beautiful” so their status can continue to shine. This has spilled over into social media and has fostered this notion of needing to attain unreasonable levels of beauty. This is exactly what The Substance is shining a light upon, and though many things are exaggerated in the film, it does come from a place of truth, and that’s only one of the elements of horror in this film: just how far people are willing to go to hold onto their youth.

" Well, you can forget what you've learned at training college. Because at the end of the day, there's just one thing that matters in this job - a copper's gut." 

Wallace and Gromit is the brainchild of animator Nick Park. The British filmmaker tried for years to bring his clay creations alive, but on his own finished a mere 10 minutes in a little over 2 years. When he met up with Aardman Animations, he was teamed up with the creative talents he needed to make his dream come alive, and come alive these two characters did indeed. They’ve become an overnight sensation in the UK and now all over the world. I was introduced to the characters with the full length feature Wallace And Gromit In The Curse Of The Were-Rabbit. I have to admit that I was completely won over by the magic of this creation. It’s so simple looking that it almost appears to be child’s play. The truth could not be further from the perception. Stop motion animation goes back to the beginning of the cinema itself. Pioneered by the genius Willis O’Brian and perfected by Ray Harryhausen, it is one of the most painstakingly tedious tasks in the film industry today. It has been all but abandoned except for a select few who still follow in the footsteps of greatness. Give Nick Park credit for keeping the art alive and making it look effortless.

Not sure if this has ever happened to me before: to like the movie adaptation as much as I like the book itself. Naturally much of this feeling is due to the inclusion of Peter Dinklage into the cast of this film, but that said, I found The Thicket to be among my favorite movie adaptations of this year, which is interesting given the amount of creative license taken with the material. Based on the Joe R. Lansdale western novel of the same name,the film follows Jack Parker, a boy who, after his sister is kidnapped by a violent killer known only as Cut Throat Bill, enlists a fierce bounty hunter named Reginald Jones, who becomes the leader of the group of outcasts searching for the stolen girl. Joining Dinklage is Juliette Lewis as Cut Throat Bill, Hanna’s Esmé Creed-Miles as Lula Parker, Jack's sister, and The Old Man’s Gbenga Akinnagbe as Eustace Howard, an ex-slave who assists Jack.

I should preface this by saying that I am a huge fan of Joe R. Landsdale and an avid reader of his novels, especially his long-running Hap and Leonard series, which I’ve read at least a dozen times. I say that to say that Lansdale falls into the same category as Elmore Leonard for me; if they are making an adaptation of his work, better believe I will be among the first to watch it. The Thicket is no exception; as soon as I learned about it, I anxiously awaited its release. And now having seen it, I can say I was not disappointed. As I previously mentioned, a lot of my admiration for the film comes from Peter Dinklage’s portrayal of Reginal Johnson, more aptly known as Shorty, a dwarf bounty hunter. Much like his character in Game of Thrones, Dinklage’s character is among the smartest in the room. However, unlike in Game of Thrones, this character is not afraid to get his hands dirty, which is shown from the character’s first scene when he is forced to teach an indignant and entitled city official a lesson when dares to take issue with his size. This film was reportedly a longtime passion project for Dinklage, and it shows in his portrayal as the character of Shorty who, at least for me, practically leapt off the page and became fully formed.

“Killing is bad. Like, unacceptably bad.”

I had such high hopes for this romantic comedy. I didn’t expect that it would raise the level of the genre, but I figured that it would be some lighthearted fun like in The Ugly Truth or Sex Tape. The unfortunate part is that I feel like it had that potential; it just required better story development. A shame; this really could have been a win for Kaley Cuoco. Not that she needs one; of the big three of The Big Bang Theory, I’d say she’s the one with the fullest dance card. It’s like she hasn’t taken a breath since the series ended. But then again one could argue that she’s always been on the go since her days on 8 Simple Rules. Even so, I really wanted to like this film, and while it had a couple of good moments, the lackluster story development really diminished any traction that the film gained.