The Reel World

From the moment I saw the first trailer for Sinners, I was totally sold on this film, it looked like it was going to be From Dusk Till Dawn, only set in the Jim Crow era, and I was absolutely excited for it. As an added cherry on top, the film was shot on film and with large-format cameras. This was a film that easily was one of the films I was most looking forward to seeing this year, and it broke my heart having to miss out on seeing it opening weekend because I was sick. Now that I’ve finally seen it, did it live up to my expectations? The hype surrounding this film is insane, especially when you see the box office numbers this film is bringing in and people already wanting to call this the best horror film of the year, and despite it only being May, people are talking about this getting some awards nominations. It’s not surprising when you consider the writer and director is Ryan Coogler, who managed to get Black Panther an Oscar nomination.

The film takes place in the early 1930s and follows Smoke and Stack, (Michael B. Jordan does double duty playing the twins). They are brothers who have fled Chicago to return to their home in the south in the Mississippi Delta to open up a juke-joint. They come to town with cash and purchase an old mill from a man they suspect is a member of the Klan but hope that their money is good enough to not cause any trouble. Too bad it seems trouble seems to always find Smoke and Stack, as we discover that the brothers don’t exactly have a squeaky-clean reputation.

"Good evening, Ethan. This is your President. Since you won't reply to anyone else, I thought I'd reach out directly. First, I want to thank you for a lifetime of devoted and unrelenting service; were it not for the tireless dedication of you and your team, the earth would be a very different place. It might not even be here at all. Every risk you've taken, every comrade you've lost in the field, every personal sacrifice you made, has brought this world another sunrise. It's been 35 years since circumstances brought you to us and you were given the choice -- since the IMF saved you from a life in prison. And though you never followed orders, you never let us down. You were always the best of men in the worst of times. I need you to be that man now."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a pair of Mission Impossible films that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in five seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone. And that was just for the first movie.

“Ohana means family. Family means no one gets left behind.”

So, the thing I’ve noticed works best for these live action adaptation of Disney movies is continuity, which is something that Lilo and Stitch adheres to very well. I suppose that it wasn’t hard to do when the live action is written and directed by Chris Sanders, the person responsible for the writing and directing of the original beloved animated movie on which this adaptation is based. I should also mention that Sanders voiced the Stitch character himself, something he repeats for this film. So, as I said, continuity is key for this movie. It helps to have the right person at the wheel, and I can’t imagine a better person to be at the wheel than the person ultimately responsible for Lilo and Stitch’s initial creation.

"We can find you some good guy material."

The Marvel Cinematic Universe (MCU) has been in a transition. Transitions are OK, but for Marvel this one appears to have lasted several years. There have been more misses than hits. Last I checked we were in the fifth phase of the MCU, and so far the results have been underwhelming. I mean, when even a Captain America movie with Harrison Ford turning into a Red Hulk doesn't capture the box office numbers that were once considered automatic, something is wrong. The fifth phase is now coming to an end with the release of Thunderbolts*. Honestly, my expectations were low, and it appeared that even Marvel was already training us to ignore the last five years and get ready for big things with the launch this summer of The Fantastic Four: First Steps and Robert Downey Jr.'s return as Doom in the next series of Avengers films. I got the feeling that Thunderbolts* was really just filling time until the "real" stuff starts and was quite ready and willing to ignore it. I'll bet there are many of you who have been having that same feeling. Well ... it's time for a reality check. Thunderbolts* is not anything close to a great movie, but I haven't had this much fun at a comics film for literally years (OK, check that; I loved the Deadpool/Wolverine film). They say America loves an underdog, and Thunderbolts* is the Rocky of the MCU.

“If a grudge is self-inflicted poison, then the person who invited you to this wedding is the most poisoned person that I have ever met. She doesn’t let go, and you are the biggest grudge of her life.”

I was a skeptic about this film. I didn’t think lightning could strike twice. A Simple Favor was a unique black comedy mystery film, and I expected that any follow-ups would fall victim to the law of diminishing returns. As it turns out, despite being seven years removed from these characters, for Anna Kendrick and Blake Lively, it is as if no time has passed. Both Kendrick and Lively easily slipped back into their roles as well as their chemistry, which was vital to the success of the first film. I should have known that the film would be something special, given that it is the first sequel of director Paul Feig’s 22-film directorial career. Unlike the first film, Another Simple Favor is not based on a novel but an original story, which makes sense given where the first film left off. Returning alongside Kendrick and Lively is much of the cast from the first film, to include Henry Golding and Andrew Rannells.

"You lost the moment you walked into this restaurant"

Do you know why they serve peanuts on airplanes? Even with all of the allergies out there, it remains an airline staple, and for one very specific reason. Chewing gum is a big deal for the airlines. The little time given to clean a plane between flights makes those of you inclined to put your chewing gum under your seat a bit of a problem. So they serve you peanuts, because peanut oil causes the "sticky" element of gum to completely break down. Try it. Your gum falls apart if you add peanut oil to the equation, and that's exactly what director Christopher Landon has done with his latest Blumhouse thriller, Drop. Someone added a bit of peanut oil to the production, and it kind of never really sticks together. And that's too bad. Because there's a kind of clever and original element here that could have been a lot more interesting. Let's try to separate the gum from the peanut, shall we?

Having never played the game and having no frame of reference for this adaptation, I had to rely heavily on reinforcements to let me know if the movie was true to the game. According to my nephew, there were some deviations, such as the final boss, but for the most part, he said the movie was true to the game. From my perspective, A Minecraft Movie was an entertaining movie that doesn’t take itself seriously at all, which is to be expected with Jack Black cast as Steve, the only original character from the game. Black delivers in the fashion that he is famous for, a bit of overacting and breaking out into song in the oddest moments. Adding to the silliness is Jason Momoa, who fully embraced his goofy side that we usually only get to see when he is doing interviews. Jack Black and Jason Momoa being given free rein to crack jokes and overact; what more can you ask for? Along for the ride are Danielle Brooks (Orange is the New Black), Sebastian Hansen in his second film role, and Emmer Meyer of Wednesday and A Good Girl’s Guide to Murder, which explains why I’m still waiting on season two of Wednesday.

Fan of lava chicken? Well, don’t worry, you will see it, which was actually my nephew’s favorite part. Personally, I favored the bromance between Black’s Steve and Momoa’s Garret “The Garbage Man” Garrison. As I mentioned, I don’t usually see Momoa going the comedic route, so when he does, I find myself really enjoying it. Specifically, what I really enjoyed was the role reversal for Black and Momoa, where Black was the brave and selfless hero, while Momoa, despite all his muscle, finds himself having to be rescued rather than the rescuing. However, their dynamic did pull focus from the rest of the cast. At first blush, one would assume that the main focus of the plot would be on Hansen’s Henry and his relationship with his older sister/guardian Meyer’s Natalie. As Henry is misunderstood in his world, it would make sense that he would find comfort in a world where anything is possible. I expected that Black and Momoa would act in mentor-like roles and take a back seat to the dynamic between Hanson and Meyer. However, it turned out to be the other way around. While Black and Momoa both do somewhat mentor Henry, there isn’t a lot of attention dedicated to the relationship between brother and sister. In fact, they spend a great deal of the film apart. While I would have liked to have seen more time dedicated to the brother and sister dynamic, I can’t say that I hated the Black-Momoa bromance, especially when the two rocked out.

“When you can lie about everything, when you can deny everything, how do you tell the truth about anything?”

That is essentially the theme of Black Bag. When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband -- also a legendary agent -- faces the ultimate test of whether to be loyal to his marriage or his country. With a plot like that, you are most definitely going to need some top-shelf actors to convey the nuance and tension of a married couple that can’t fully trust one another. Enter Cate Blanchett and Miachel Fassbender on the heels of his espionage series The Agency. Toss in Steven Soderbergh as the director, and you get yourself a party. Or at least you should; however, the pacing has to be just right. Naturally, a suspense movie such as this needs to build suspense. However, if I’m being perfectly honest, this slow burn burned just a little too long. Outside that little detail, the film hit all its marks. The film was aided in this endeavor by a cast of consummate professionals such as Pierce Brosnan, Rege-Jean Page, Naomi Harris, Tom Burke, and Marisa Abela of Industry fame.

“Magic mirror on the wall, who's the fairest one of all?”

“My queen, your beauty is beyond compare, but there is one -- her beauty grows -- from deep within ... Snow White. She is as pure as snow.”

"We share the same world, don't we? This world you would die to save. It's coming. I've seen it in the probability. Seen it plain as day. All you heroes protecting this world. Do you think you're the only ones? Do you think this the only world? We'll see what happens when you have to protect this place from the others."

The Marvel Cinematic Universe is truly at a crossroads. Since the last Avengers film the studio has released one disappointing film after another. The big tentpole stars and characters have been lost along the way, and that star power has seriously damaged the franchise since that time. Certainly there have been some bright spots. Spider-Man No Way Home was the lone exceptional outing, and the recent Deadpool & Wolverine film was just plain fun.  With Robert Downy, Jr.'s Iron Man. Gone. Chris Evans Captain America. Gone. Scarlet Johanson's Black Widow. Gone. The films just haven't been quite so epic. There hasn't been the heroic heart. And the box office numbers have been reflecting the decay. There are big plans in motion and Captain America: Brave New World is Marvel's attempt to get back on track. We have The Fantastic Four: First Steps coming this summer and another pair of Avengers films to top off this latest stage. The stakes couldn't be higher, and this film really has to perform. Marvel has pushed all of their chips to the center of the table, and these next couple of films will be all or nothing. With James Gunn rebooting the DC universe, will Marvel be forced to hand over box office domination? This film is the best Marvel film in recent years, but it's still a bit of a shaky start.