Some people may think I’m crazy, but as a lifelong horror fan, I feel right now we are in the Golden Age of horror cinema. When you look at the box office this year and last, horror has simply been a dominate force, and I’m loving it. What’s even better is that it is new material that is raking in the money rather than seeing tired retreads of IPs that have been exhausted over and over again. Sinners, though it wasn’t my cup of tea, dominated the box office, and even though I’m not the film’s biggest fan, I still like seeing horror rake in the money. I’m loving that we’re getting all kinds of horror lately, where an indie slasher like Terrifier is going to be featured at Halloween Horror Nights, and we’re getting all sorts of experimental horror. For instance, later this year we’ll get Goodboy, a paranormal story told through the perspective of a dog. (Sure, it sounds silly, but I’m all for it.) This brings me to Barbarian. For me this has been my favorite horror film in the past five years, and that’s saying a lot, because there has been A LOT of good horror lately. From the moment I heard about Zach Cregger’s next film, Weapons, it immediately shot to the top of my list of most anticipated films.

I originally watched Predator: Killer of Killers (2025) as suggested by my boyfriend, which was released on Hulu in June. To be candid, I stopped following the Predator franchise after its cultural peak with the iconic crossover Aliens versus Predator (2004) and its respective sequel in 2007. Once franchises start to feel more like money grabs, like with the Jurassic World franchise (2015-2025), the magic becomes evanescent, and the cinematic experience is severely diminished for me. That said, this movie is so creatively gory, with such a stellar story, you can’t help but be impressed! This film acts as a standalone animated anthology, which serves as the eighth installment for the franchise, released after Prey (2022) and preceding Badlands (Nov 2025). Both the style of animation and the creative use of vantage points distinguished this production from the rest in the franchise and amazingly keeps you invested in the story, despite it initially seeming disconnected.

The simplest way I can think to sum up this movie is as such: If you saw the first film (Freaky Friday), then you have essentially already seen the second film already, Freakier Friday. This is due to there being very little difference between the two films beyond the passage of time. Yes, Lindsay Lohan now finds herself in the adult role, but the film’s themes are very much the same. In the interest of fairness, I will admit that there is very little room for deviation given the film’s premise. This is a “walk a mile in another person’s shoes” type movie, and the film delivers on that, so when push comes to shove, the film delivered on what it was supposed to. However, I feel like this kind of movie was the reason that Disney created Disney+ for. As nice as it was to see Lohan return to the silver screen, this film marks Lindsay Lohan's first theatrically released leading role in 18 years. However, it just felt like the film would have been better suited on the streaming service. I will give this legacy sequel credit for its continuity, as it found a way to bring back nearly every character from the first film, which was something that I did not expect.

The Naked Gun (2025) is a beautifully absurd film that had me and everyone in the theater laughing in tears. It is both a continuation and reboot to the original franchise that introduces a new generation of characters, which still honors the classic formula of deadpan delivery, absurd plotlines, and visual gags that gave the original its significance. It was like a breath of fresh air in a lackluster era of Hollywood which felt seriously rich in soul. I can’t even joke; my face was hurting from laughing and smiling throughout the entire movie! Initially, I was apprehensive about the movie because it starred faces I’ve honestly grown tired of seeing in Hollywood, notably Neeson and Huston. It is a star-studded cast with Liam Neeson as Lt. Frank Drebin, Jr. and Pamela Anderson as Beth Davenport. Additionally, Seth MacFarlane is part of the production with Fuzzy Door Productions in partnership with Paramount Pictures. Even though I didn’t care for Neeson having the main role, his acting wasn’t washed up at all and was far better seeing him in a comedy—same with Huston.

I have to admit it is hard to believe that Happy Gilmore came out nearly 30 yeas ago. It’s a hard pill to swallow, because I remember seeing it in the theater with my friends, and, well, that pretty much reminds me that I’m getting old. I’ve been a fan of Adam Sandler since his time on SNL, and it’s been interesting seeing how his career has grown. For me, I’ve remained a loyal fan not because I feel his films are great; honestly, he’s had quite a few duds along the way, but it’s because he seems to be one of the few guys in Hollywood who hasn’t changed with fame. You never hear about scandals. He just seems like a down-to-earth guy who really isn’t so different from his fans. When it comes to Happy Gilmore 2, this film has been something fans have been wanting for a while, though many of us just really didn’t think it was going to happen. After 30 years, was it worth the wait? Well, I’ll say this much: this film was certainly made for the fans.

"I'm not giving up. We will face this together. We will fight it together... as a family."

In November of 1961 I wasn't quite five months old when Stan Lee and Jack Kirby created the first team of superheroes. Long before a Justice League or Avengers team was created, The Fantastic Four delivered a family of superheroes, and while it would be a few years before I would read my first issue, they created an impression along with Spider-Man, that has given me the love of comics and this kind of entertainment for the remainder of my life. The team first found themselves on film via a cheap Roger Corman film that was never released but found itself on the sci-fi convention circuit for decades.