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Synopsis

The murderous, cannibalistic Sawyer family is at it again, carving up yuppies and winning chili contests. Obsessed Texas Ranger Dennis Hopper is tracking them down, hoping for a final chainsaw duel. DJ Caroline Williams tries to help out, attracting the attention of the Sawyers, and, as it turns out, the puppy love of Leatherface.

Conviction: The Complete Series ran thirteen episodes, a run of such brevity that one might ask as he looks at the tag, “From the Creator of Law and Order,” why Dick Wolf finds it necessary to add one more courtroom-based show to his laundry list of similarly themed projects. I was prepared for another simulation of the basic L&O format, and that did not excite me. And who knows? Perhaps Conviction is a needless clone of Wolf’s other more successful ventures. As someone, who has never...seen an episode of his previous material, I really couldn’t say one way or the other. What I can say is that Conviction enjoys the benefits of solid writing, a talented cast, and compelling character development.

While the series can sometimes stretch too far across that line of realism that a good courtroom drama straddles so well, the outlandish idea that all these young attorneys could exist under one roof and get involved in so many perilous physical and emotional ventures never ceases to entertain. Remember, it’s still a fictional series, realistic or not, and while the plots seem like a little much for one core group’s experiences, they have a way of baiting hooks that no unsuspecting viewer with a pulse can fail to bite. The finale goes for the throat and exemplifies this everything-but-the-kitchen-sink mentality of the show, but still layers on enough suspense to quench viewers’ doubts. I wish there had been more than thirteen episodes, but after seeing all the other like-minded shows (most of which were dreamed up by the same creator) that just go on and on and on, it’s refreshing to know we have an example of courtroom drama with a clear beginning, middle, and end.

There are so many sub-genres of horror these days. There is the ever-popular teen slasher flick, there is Japanese horror, gore, zombie, thrillers and even the recent popularity of the 70's throwback. This one falls into the dramatic slow-burn category. The plot here sounds like something out of one of the better Steven King short stories. Someone in the federal government discovers that the population of little Rockford Falls seems to have remained steady for over a hundred years. An official is sent to investigate this anomaly, and what he finds is a mixture of small-town life, strong religious beliefs and some eerily strange goings-on.

This is actually not a bad little film. From the cover, I was expecting yet-another week low-budget horror film full of bad jump scares and overly-predictable plot developments. Well, there are some pretty lame jump scares here, and the plot is about as transparent as a sliding glass door, but the film has a certain charm nonetheless. Plus, you get Fred Durst in a surprisingly effective role as the town Sheriff. This may not be a film that is ready for the multiplex, but it is most definitely worth a rental.

Looking For Kitty is an interesting, witty and somewhat slow-moving film. I enjoyed the understated story up until the last 20 minutes, when I lost interest because I thought the film should have been over.

The story is straightforward. A sad-sack little league baseball coach, Abe Fiannico (David Krumholtz), hires Jack Stanton (Edward Burns), a down-on-his-luck private investigator, to find his missing wife, Kitty (Ari Meyers). Working together, they look for Kitty, who has apparently run off with a moderately successful rock singer named Ron Stewart (Max Baker) – not to be confused with the more famous Rod Stewart. Slowly, a friendship develops between Fiannico and Stanton, as they realize they have more in common than they first thought, and the two end up helping each other come to terms with lost relationships.

Synopsis

Hot on the heels of the success of the Martin Scorsese film The Departed, I figured why not take a look back at the Hong Kong crime film that inspired it. Better yet, why not explore the trilogy that is the Infernal Affairs crime films, and how they hold up now. And I’ll try to minimize on the redundant stuff.

NBC pulled the plug on The Book of Daniel after just four episodes. That explains why this 2006 mid-season replacement show came and went so fast I never even knew it existed. Now that I’ve watched all eight episodes, I’m disappointed that there won’t be more.

Apparently, the show was canceled for being too controversial. Christian organizations like Focus on the Family protested the series’ portrayal of Jesus, the church and homosexuality, and yet more groups were offended by such things as perceivednegative Catholic and Italian stereotypes (one of the supporting characters is a Catholic priest with ties to the mob). NBC had trouble selling advertising spots for the series, even after offering significant discounts, and network affiliates were bowing to pressure from special interest groups.

Ice Age – The Meltdown is a short, funny, well-animated sequel that offers up a new adventure for the memorable characters from the original Ice Age film. As a great bonus, it’s nicely balanced for audiences young and old.

20th Century Fox Animation is still a poor second cousin to Disney’s Pixar Animation Studios, but for sheer entertainment value, Ice Age – The Meltdown doesn’t get knocked completely out of the water by top-shelf blockbusters like The Incredibles. Sure, the animation is weaker, and story is less inspired, but the voice work is excellent, with the talent of Ray Romano, John Leguizamo, Queen Latifah, Denis Leary, Jay Leno, and the list goes on.

Synopsis

A student radical, wanted for the murder of a police officer, is also being held for rape. In the interrogation room, the woman he attacked refuses to press charges. Neither speaks. The rest of the film is a flashback. Fleeing custody, the man encounters the suicidal woman on a deserted island. He assaults her repeatedly, but also falls in love with her, and she with him. It’s all very tormenting for the two of them. The end.

I have to be honest. An HBO series about a fake reality series starring Lisa Kudrow hot-off-the-heels of Friends did not appeal to me as a worthy expenditure of time. And it does take a bit for the show to get started. However, as with other HBO comedies that deal in quirkiness and irritability (see Curb Your Enthusiasm), The Comeback – The Complete Only Season manages to press just the right amount of buttons to keep you watching. Now on DVD, and featuring all thirteen episodes, this show’s ...umor succeeds in its ability to create mock reality, which plays scarily like the real thing.

The strength of the show is on its realization that the best thing it has going for it is the negative relationship fun-loving Valerie (Kudrow) has with a hideous slug writer, who routinely goes out of his way to humiliate her. The dislike shown for Valerie fuels the show, and Kudrow’s ability to play off each new sign of disrespect with smiling cheer accentuates every positive this on-screen dynamic has to offer. It’s where the show truly creates its magic moments. Everything else comes off as filler for the main event.

Synopsis

Bill Paxton is a polygamist. He and his three wives (Jeanne Tripplehorn, Chloë Sevigny and Ginnifer Goodwin) and their children live in three adjoined houses, and must constantly be careful not to let the secret of their lifestyle be revealed. That might be stress enough, but Paxton is having trouble keeping up on the sexual front, there is tension and competition between the wives (Tripplehorn is the alpha, Sevigny is manipulative and a shopaholic, Goodwin is insecure), and one of his fathe...s-in-law, the inimitable Harry Dean Stanton, is creating business hell for him as he opens up another hardware store.