Posts by Archive Authors

Honestly, I wasn't expecting too much from The Virgin Spring. I know that it's Bergman, but it's based on an ancient Swedish medieval ballad. If your source material is hundreds of years old and only two pages long, surely there can't be much to see from the film, can there?

I could not have been more wrong. Though this may be just under an hour-and-a-half in length, the film is filled with subtext, imagery and several powerful messages. Spring tells the story of a fair maiden who is brutally ...aped and murdered on her way to church, and her father's revenge on those responsible. Bergman has managed to make his morality tale into a complex commentary on both human nature and the nature of Christian faith. By setting his story in the period in Swedish history between paganism and Christianity, he is able to masterfully illustrate the struggle of both the first Christians and Christians today between denying basic impulses and focusing on the will of God.

American Women is a difficult film to write about because it evokes such little passion from its viewer. By no standards is it a good film, but pinpointing its frailties becomes quite the daunting task. Set in a small Irish village, the story centers on a group of sexist men, who want to import girls from America because the ones accessible to them do not meet up to the appropriate standards. The plot is farfetched, even as goofball comedies go, and none of the male characters are likeable. Also, with so many ...torylines going at once, the scope of American Women wanders aimlessly, like a small child with ADD roaming about the countryside.

It’s the worst kind of comedy – the kind that, while well-made, never manages a single chuckle from its viewers, and presents us with a cast of characters that have no arc. When the happy endings do come, they do not feel deserved, and the concept of everyone falling in love at once feels too forced, like the filmmakers are trying to resolve as much as possible at one time with no eye for plot or character development. It does not even succeed at being bad, and thus becomes the cinematic equivalent to the buzzing fly that won’t go away, despite its short running time. Though not an incompetent travesty of filmmaking and acting, I can’t help but feel American Women would have been more entertaining if it were.

Disney’s Timeless Tales is a collection of six classic cartoons, each running about ten minutes long. It’s a lightweight release with not much to speak of, but it will please the kids, and includes some annoyingly catchy little tunes that are hard to shake. The most famous inclusion here is that of “Casey at the Bat.” One nice add-on worth noting is the small insert which includes the short “Casey” tale in its entirety, so you can follow along as you watch. The classic tale of Casey, which deals with overconfi...ence and its repercussions, could have been executed at a better pace, and, believe it or not, is not the best short featured, despite having one of the most memorable stories.

I would give “best” nods to “The Wise Little Hen,” which features the first appearance of Donald Duck, and carries a message of its own. Donald and Peter Pig play a couple of freeloading friends, who refuse to help with the corn harvest for the Hen, whom they live with. She is forced to harvest the corn by herself with only her baby chicks to help, and remembers Donald and Pig’s refusal come mealtime. Other shorts include the following: “The Golden Touch,” “Morris the Midget Moose,” “Brave Little Hiawatha,” and “Ben and Me.”

It's great to see Scorsese return to his love and respect of music in documentary form. Of course, the first time he did a music documentary, the result was what many consider to be the best musical performance film of all time; The Last Waltz. He has always paid special attention to rock and roll music in his films, from using Cream in a gangster film (Goodfellas) to The Moody Blues in a film about old Las Vegas (Casino). Music has played an interesting and important role in all of Scorsese's fi...ms, no matter the theme.

No Direction Home is more than just a documentary about Bob Dylan. It approaches The Beatles Anthology in both its superior style and its importance as a historical record. This is not just a film about a rock musician, this is a film about the consummate rock musician. Uncle Bob is an entire generation all wrapped up into one man. In the Southern part of the United States, the importance of getting the stories of the eldest generation onto tape is often discussed, as so much of their lives are still passed down today through the oral tradition. This 2-disc documentary is a very similar idea, as so much of it is made up of Dylan discussing his childhood, his early days in music and on into his career. The result is a record of a life that is both important and utterly captivating.

Oliver Stone has developed a well-deserved reputation for injecting conspiracy tales into his films. A veteran of Vietnam, he has developed quite a case of drug-induced paranoia over the years. While this probably makes him a real drag at parties, it makes for some really interesting films... especially when said films are based on actual events. Audiences can drive themselves crazy trying to separate fact-from-speculation-from-rumor-from-flat-out-fiction, and that kind of thing is great fun for somebody like me.

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Obviously, the idea of making a film about mixing races in 1949 was a topic that was quite taboo. Nobody can fault Pinky for being groundbreaking in its subject matter. However, this is the very definition of a timely film. Being viewed almost 60 years later, it comes across as silly, almost like a midnight viewing of Refer Madness. Just as the kids in Reefer are obviously not under the spell of some horrible mind-altering herb, so Jeanne Crain is about as convincingly “colored” as Bill Gates on ...now skis. Not only does she not have a single black feature, but her very mannerisms betray her, making her a figurative outcast even among the other black characters in the film.

This is not a film that would change the mind of any pre-existing racist, as it is just too absurd for rational thought. No, this is most certainly not To Kill A Mockingbird. Sure, Kazan went on to direct some amazing films, such as A Streetcar Named Desire, On The Waterfront and East of Eden, but Pinky was clearly just a warm-up to his later directorial achievements.

Last year, Warner Brothers put out a great ten-disc set of all of the Hitchcock films in their catalog. While not the ultimate Hitchcock collection, it was still an excellent representation of the Master's work, including many films that have received a well-deserved second look as a result of their inclusion in the set. It was especially rewarding to be given the opportunity to see Montgomery Clift's amazing portrayal of a Priest caught in the middle of a murder scandal in I Confess.

Not to be outdo...e, Universal has now decided to showcase its Hitchcock films as well. After all, nobody can out-Hitchcock Universal's deep catalog, and they hit back hard at Warner's with a staggering fifteen disc set of their own. While the WB set set is well worth purchasing, as the saying goes, "if you only buy one Hitchcock boxed set this year... make Universal's The Masterpiece Collection be it." These are the classics. The films that Hitch is known for. The hit list is as follows; Saboteur, Rear Window, Psycho, Vertigo, The Birds, Rope, Shadow of a Doubt, Marnie, Frenzy, The Trouble With Harry, Family Plot, Torn Curtain, Topaz and The Man Who Knew Too Much. While pieces like Topaz and The Trouble With Harry may not be well known films, there is no denying the important place in cinema history that so many of the others possess. This is an instant film school in a box, and thanks to packaging multiple discs in each case, Universal has kept the cost relatively low. If you order through Amazon, this set can be picked up for about $6 per film, and that doesn't even include the book or the bonus disc.

Synopsis

Based on the novel by Helen Cross, and adapted for the screen and directed by Pawel Pawlikowski, My Summer of Love is an interesting story about two girls in Ireland (or England) who find friendship in each other’s company among a sea of desolation.

When news of a sequel to 1998’s The Mask of Zorro was first announced, I was very excited as I really enjoyed The Mask of Zorro. The film had an interesting story and great acting from Banderas and Hopkins. But as I learned more and more about the sequel, I became extremely worried as neither of the two screenwriters (Ted Elliot or Terry Rossio) were returning. Also, we would be introduced to their cute little child (and EVERYONE knows how much adding little children to sequels can do for a film’s likea...ility). Could The Legend of Zorro take all these usual negatives and make a positive sequel? Unfortunately, the answer is no.

The first big problem with this film is the character of Elena (Catherine Zeta-Jones). Elena, in the first film, was delight. She was funny and Zeta Jones’ performance was a joy. In this film, possibly because Zeta-Jones has blown up since then, it seems like the screenwriters don’t have anything better for Elena to do than nag her husband. This scenario results in Elena becoming the type of wife that says “NO!---YOU still need Zorro!” to her husband. To sum up her role in the film, she wants Zorro to stop ‘Zorroing’ because he is neglecting their only son. She threatens to leave Zorro if he puts the mask back on again. Naturally, Zorro promises not to.

Synopsis

Mission Hill was left with the unfortunate task of initially airing on a network that wasn’t capable enough to nature it (Arrested Development fans can empathize with that scenario). The good news for fans of the show was that after its short run of episodes on the WB network, the Cartoon Network picked up and aired the remaining finished episodes, and put them on their Adult Swim broadcasting format before they went away. The good part of the deal is that Warner Brothers were good en...ugh to release these episodes on a two disc DVD set.