Posted in: Disc Reviews by Archive Authors on June 18th, 2004
Everyone’s favorite television psychiatrist is back for his third go around. Frasier and his emmy award winning cast return for one of the better seasons that the series produced. The third season sees more wackiness, more Eddie jokes, and more shenanigans at the radio station. The biggest story shift this year is Niles' (David Hyde Pierce) separation from the still unseen Maris, leaving him more free time to moon over Daphne (Jane Leeves). In a half-season arc, Frasier (Kelsey Grammer) finds himself at odds with, an... then in the arms of new station manager Kate Costas (Mercedes Ruehl). And along the way we meet gangsters, Diane Chambers returns (having written a hilarious play with a very familiar Boston setting), and the season finale gives us a look at Frasier's first week on the air - something we didn't get a good look at before, even in the pilot.
The outstanding writing that introduced us to these characters in the first 2 seasons returns with all guns a blazing for the third season, particularly showing some fine wit in the stories that centre around Nile’s separation from the mysterious Maris.
Posted in: Disc Reviews by Archive Authors on June 10th, 2004
Joe Queenan is one of my favorite writers. He is the author of wonderfully amusing essays and books dealing with the subject of film. In his book Confessions of a Cineplex Heckler, he is bold enough to take on the challenge of watching every Merchant Ivory film, back-to-back. At one point late in the narrative, he has this to say:
As I sat there in my reclining chair with my kids lighting matches to my feet, I realized that God had created Merchant and Ivory for only one reason: because otherwise ...he concept of death was too terrifying.
Posted in: Disc Reviews by Archive Authors on June 8th, 2004
Summer School is one of those films that I really enjoyed as a boy growing up in the 80’s. It had crazy characters, pretty girls, funny one-liners and cool people, like Mark Harmon. Watching the film today, I can honestly say that it is as good now as it was then. The only problem is, I have matured as a person and as a movie viewer. The characters are still crazy, but they are also largely annoying. The girls are still pretty, and the foreign exchange student is the same woman who played Allota Fagina in A...stin Powers, but Kirstie Alley is no longer the girl America once thought she was. There are still some great one-liners, but many of the attempts at humor fall painfully flat. And then there’s Mark Harmon. While he was cool at the time, I can now see that he most closely resembles the bastard offspring of Dave Coulier and Kevin Costner.
The film is certainly entertaining enough for a casual viewing. The premise is a simple one. Mark Harmon plays a coach who is tapped to teach remedial English in Summer School. Nobody wants to be there, but the mad cap band of misfits comes together to do what has to be done, while having fun along the way. It is a story that has been told on screen countless times, with similar results. If it weren’t for the excessive gore (provided by two students obsessed with The Texas Chainsaw Massacre) and one character dropping the “F” bomb, I’d think this was one of the never-ending stream of Disney flicks that follows this formula to mediocre glory.
Posted in: Disc Reviews by Archive Authors on May 27th, 2004
All too often, films with an ensemble cast are a dream for the studio’s marketing department, but end up being a nightmare for the moviegoer. They are the very definition of the phrase, “too many Chiefs and not enough Indians”. There are exceptions to this rule (such as Steven Soderberg’s re-make of Ocean’s 11), but more often than not, such films fall flat, as everybody leads in their own direction, and nobody follows.
Thankfully, this is one of those rare exceptions. Each member of the cast of T...e Great Escape understands their role in telling the story, and they fill it perfectly. No one actor is the star here (though it is clear that Steve McQueen is certainly the man); everyone sacrificed their personal glory for the good of the film.
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Easily the best animated series to hit the airwaves over the past decade, Gennedy Tartovsky’s Samurai Jack has developed a devoted following owing to it’s superior storytelling and cinematography (if you can call it cinematography when it’s on TV).
It follows the story of Samurai Jack – a time displaced samurai looking to restore order to the planet by destroying the demon responsible for his, and the earth’s predicament. Aku, a powerful demon attacked Jack’s village destroying his home and family. Jack sw...ars revenge and tracks down Aku. Following a vicious battle, Jack uses his magical sword to strike his nemesis down. But before he can deliver the killing blow, Aku flings Jack into the far future. Jack arrives disoriented only to find to his horror that Aku is now the absolute ruler of the planet. Jack’s mission is clear – to destroy Aku at any cost while sticking to his samurai code of conduct.
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Following what may be one of the best season finales ever (i.e. Buffy sacrifices herself for her sister Dawn) Buffy is raised from the dead by the ever increasing powers of Willow. She returns disoriented just in time to battle a horde of motorcycle riding demons hell-bent on turning Sunnyvale into their own personal property. It is during the opening two episodes that it becomes clear that secrets are going to play a major role in the sixth season.
Buffy’s friends believe that as a result of the events of...the climax of the fifth season that Buffy’s essence has been in a hell dimension and they are ‘saving her’ by bringing her back to life. Buffy doesn’t ‘thank’ them until midway through the second episode. Shortly thereafter in a touching moment with Spike she reveals that she was not in a hell dimension at all…in fact just the opposite. It sure sounded like she was in heaven – finally at peace with a sense of contentment.
Posted in: Disc Reviews by Archive Authors on May 19th, 2004
The time of being a teenager and self discovery can be a difficult one. We watch the life of Simon mainly through flashbacks as he is dealing with his drug addiction. We see a young man who doesn’t seem to fit in with his rich family friends. He finds friendship and comfort with a group who follows bands like Phish and The Dead around the country, getting high and having fun. Simon’s descends into drug addiction driven by the memory of his father betraying his mother just before she dies. The plot has the potential t... be interesting and instead becomes dry and thin. It just doesn’t hold together in the end.
Video
Posted in: Disc Reviews by Archive Authors on May 19th, 2004
A doctor looking to escape his past gets stuck in Purgatory Flats and drawn into a circle of deceit with the wild Sunny. Sunny is looking for a ticket out of the one horse town and will do anything to get out including killing her husband. The plot is as thin as one of Sunny’s little skirts and grates on you like the desert sand in a windstorm.
Video
Posted in: Disc Reviews by Archive Authors on May 19th, 2004
What do you when you are in your mid 20’s and are diagnosed with an inoperable brain tumor and only given a short amount of time to live. Do you move home and surround yourself with those who you love or do you enlist your friends to help you rob a bank and see if you can go out in a blaze of glory. This is an interesting film with a somewhat original storyline, there is a nice little twist at the end that you can see coming but overall it was an entertaining watch.
Video
Posted in: Disc Reviews by Archive Authors on May 18th, 2004
Love Nest is one of those films that has a great plot, but is unable to follow through on the script. The idea behind this film is simple; a man returns home from the war to find that his wife has purchased an apartment building, and they are now landlords. Every one of their tenants is crazy in their own way, and mad-cap adventures ensue.
After the first act, the story really settles in on one tenant in particular… a sneaky old Casanova who makes his money by pretending to fall in love with rich old...women. Unfortunately, his mannerisms and dialog are completely transparent, so while the characters in the film are fooled, his true nature is blatantly obvious to even the casual viewer. A much more interesting storyline deals with Marilyn Monroe’s role as an old Army buddy of the landlord. His wife is obviously quite jealous of this sexy young woman, and her suspicions about how well her husband knew her during the war are comedic fodder that could have carried this film much farther than it went otherwise.
