Posts by David Annandale

In 2176, the world is a grey, sterile place. All history has been lost. Four scientists (led by David Cassidy of Partridge Family infamy) travel back in time to recover the American Constitution, and revive history. Unfortunately, their time machine malfunctions, and they windup in 1976. Cue the stupidity. Unfortunately, the laughs are very few and far between. We already know that this period had many risible qualities. Just showing them to us isn’t enough.

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We first meet Holly and Michelle in the 70s, when they are 13 and already inseparable friends. They are very different already, though. Holly is bookish and shy. Michelle is beautiful and wild. Over the years, their relationship is tested as they clash, support and sabotage each other. The significant male characters are Kyle Maclachlan as a professor they both have an affair with, and Michelle’s brother, for whom Holly carries a torch through the years.

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Spanning a good thirty years, Giant tells the tale of the Benedicts, a Texas family on an immense cattle range. The patriarch is Rock Hudson, whom we first meet as a young man visiting Maryland to buy a horse. There he meets Elizabeth Taylor and falls in love. His new bride initially finds Texas difficult to adjust to, and Texas has difficulty adjusting to her, as she does not hold with the local attitudes towards women and, most especially, Mexicans. The third major player is James Dean, a rather sullen ranch hand who winds up changing everybody’s lives when he strikes oil on his small parcel of land.

This is a big film, with big scope, big stars, big performances, big virtues, and big flaws. It is at its best as it works out the family dynamics, with Hudson and Taylor bouncing off each other.James Dean, though he has comparatively little screen time, turns in a remarkable performance,and as the characters move into middle-age, his is the most convincing transformation. The film is at its weakest in its ham-fisted handling of the racial issues. These scenes play out in deeply predictable fashion, and the symbolism of the final scene is so obvious, yet takes itself so seriously, that the film ends on a note of high camp. But even these problems make up part of the charm, and its 201 minutes go by surprisingly quickly. They don’t make ‘em like this anymore,and nor should they, but thank God they did in 1956.

The film opens with the assassination of Jesse James (Kristofferson) and then flashes back tothe last years of the lives of the James brothers. Ostensibly retired from their outlaw ways, they can’t quite settle down. Jesse is the wilder of the two brothers, while Frank is much more of a homebody, and is frequently seeing cursing his stubborn animals. Imagine the kind of western you’d expect to catch on cable in the late 80s, and you’ve imagined this movie. Kristofferson is notably more convincing in his role than is Cash.

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