Posted in: Disc Reviews by David Annandale on September 24th, 2002
During my years at college in Philadelphia, there was a guy who lived at the end of the freshman hall whom had been around far longer than any other freshman. He gathered a following and essentially coached his young ones, myself included, on how to have fun on and off campus. As National Lampoon’s Van Wilder began to spin, I couldn’t help but remember those glorious days and revere Van as he celebrated his life at Coolidge College.
Van Wilder, played perfectly by Ryan Reynolds, returns to Coolidge for y...
Posted in: Disc Reviews by David Annandale on September 24th, 2002
Changing Lanes never appealed to me during its theatrical run and I blame that entirely on Paramount’s marketing department. The commercials were not enticing in the least and quite frankly made me forget the film in a matter of minutes after viewing them. With the release of the DVD, I was willing to give Changing Lanes a try and am I glad I did. Propelled by a dynamic script and stellar performances, Changing Lanes gives life to an urban drama which tests the ideals of two men on the brink of insanity.
T...
Posted in: Disc Reviews by David Annandale on September 15th, 2002
Synopsis
Disney’s villains converge on Mickey’s House of Mouse (his variety theatre). They plan totake it over, but along the way we get to see a bunch of Halloween themed cartoons. The superbanimation in the classics does tend to show up the more limited stuff in the new segments(though this is still better than the Saturday morning variety).
Audio
The soundtrack is technically fine, but you should be aware of something regarding the 5.1mix. The new segment...
Posted in: Disc Reviews by David Annandale on September 15th, 2002
Miranda flits between four men, trying to find the right lover and husband (to replace the onewho died in during WWII). And so we move from one nicely dressed set to another, for onebadly dubbed sexual encounter after another. Pretty, but dull.Audio
The sound is mono, and gets off to a rocky start, with a lot of hiss and static in thebackground as the credit music plays. The hiss diminishes afterwards, but you will have to put upwith the dubbing and wildly anachronistic dialogue.
Posted in: Disc Reviews by David Annandale on September 11th, 2002
Synopsis
I'll confess, I saw Maiden myself, lo these many years ago on their Powerslave tour, so I was sort of partial to this disc. The big favourites ("Number of the Beast" and "Run to the Hills" among them) are present and correct. As with all concert films, there are only so many ways of filming largely motionless people and making them look interesting, but the main point is the sound, when you get down to it.
Audio
The sound is BIG. A hugely powerful mix. I was suspic...
Posted in: Disc Reviews by David Annandale on September 10th, 2002
Synopsis
Young Alex O'Connel accidentally brings the Mummy back to life, and has the manacle of Osiris stuck to his wrist. With the help of his parents, and wielding the power of the manacle, he must find the lost scrolls (scattered hither and yon around the world) in order to defeat the Mummy. The animation is strictly Saturday-morning level, and calling these three episodes a feature at 65 minutes is stretching it a bit.
Audio
The sound is nice and clear, with no distorti...
Posted in: Disc Reviews by David Annandale on September 4th, 2002
Synopsis
The film is basically about the four manic days of a Punjabi wedding. We have a plethora of characters, all involved in different kinds of relationships. At the centre we have the reluctant bride (still carrying on an affair with a married man). Sharp, clever, warm, this one's a keeper.
Audio
What happened to the sound? For a good chunk of the film, the audio experience is deeply uninspiring: the sound effects have barely any rear speaker presence (lots of missed o...
Posted in: Disc Reviews by David Annandale on September 3rd, 2002
Synopsis
It is World War II, and Wendy's daughter Jane, living in a constantly bombed London, has given up on childhood dreams. Her disillusion ends when she is kidnapped by Captain Hook and brought to Never Land. The animation is in no way up to Disney's current theatrical standard, but is leaps and bounds beyond other direct-to-video fare. The problem is, this WAS released theatrically. Anyway, the London sequences are nicely atmospheric, but things go rather flat and ordinary once we reach Never L...
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Pam Grier, in a superb performance that sadly did not revitalize her career to the same degree as happened with co-star Robert Forster (and with John Travolta in Pulp Fiction), plays a flight attendant who is being used as a pawn by both bad guy Samuel L. Jackson and FBI guy Michael Keaton. Grier, with the help of bail bondsman Forster, sets up an elaborate counterattack. While Jackie Brown lacks the propulsive intensity of Reservoir Dogs, and Tarantino's reliance on 70s-dominated soundtracks is getting annoying, the...
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Synopsis
If you've seen the movie, you know the premise: Earth's military has found an alien artifact that permits instantaneous travel over vast light years. At the other end of one of the portals, however, is the Goa'uld, a hostile alien race. The special effects are impressive by TV standards, and the characterizations are pretty standard fare.
Audio
The sound is pretty solid stuff, again for TV material. The mix is in 5.1, and while I wasn't struck by a whole heck of a ...
