Posted in: Disc Reviews by David Annandale on September 17th, 2004
Synopsis
When sinister businessman George Sanders offers to produce a film starring Sonny and Cher,Sonny can’t wait to get started, though Cher has severe doubts. It turns out the shooting scriptis impossibly bad, and Sonny has ten days to come up with an alternative. We see his fantasiesof various film possibilities (western, mystery, jungle adventure), each one clearly a catastrophein its own right.
This was the directorial debut of William Friedkin. Of course it was! Obvi...
Posted in: Disc Reviews by David Annandale on September 17th, 2004
Synopsis
Chastity (Cher) is a runaway, careening from one encounter to the other in a desperate searchfor herself and an attempt to escape the nightmare of her past. Mostly this means wanderingaround in an extremely sullen mood and treating everyone around her like dirt. How verysympathetic. This 1969 effort pretty much encapsulates everything that could make a sixties filmintolerable. Precious and portentous, it achieves a certain degree of unintentional comedy. SEE!The endless ope...
Posted in: Disc Reviews by David Annandale on September 17th, 2004
Synopsis
Mario Van Peebles plays his father Melvin, and the film charts the making of Melvin VanPeebles’ landmark 1971 film Sweet Sweetback’s Baadasssss Song. Obsessed withmaking a film by and about his community, and expressing all the built-up anger of his peopleand his time, Melvin will stop at nothing in the fulfilment of his dream. The economic, personaland health costs are very high.
Sweet Sweetback’s Baadasssss Song is arguably where Black cinema begins,...
Posted in: Disc Reviews by David Annandale on September 16th, 2004
Synopsis
Based on true events (or at least on tales told by the Inuit), The White Dawn is setin 1896, when three whalers are stranded on Baffin Island, and are rescued by an Inuitcommunity. The three men are Timothy Bottoms (who is instantly converted to this way of life),Lou Gossett (who is skeptical) and Warren Oates (who’s just plain trouble). The meeting ofcultures is not an easy one.
The film is leisurely, but never dull, and much of the running time is spent sho...
Posted in: Disc Reviews by David Annandale on September 15th, 2004
Synopsis
Psychologist Dina Meyer has a device that, all jargon put aside, permits one to literally seeinto the mind of a subject. Since it has no legal standing, this machine is of no help to aninnocent death-row inmate. Nor, for that matter, is the warden (Dennis Hopper), a fundamentalisttyrant, nor the governor (Jeff Fahey), a greasy political operator who, behind his Family Valuesimage, once got an underage Meyer pregnant. Into the prison comes serial killer Pavan Grover,who is n...
Posted in: Disc Reviews by David Annandale on September 15th, 2004
Synopsis
Into Transylvania come a doddering and incompetent Van Helsing figure (Jack MacGowran)and his timorous, clumsy assistant (Roman Polanski). When Sharon Tate, the daughter of thelocal innkeeper, is abducted by vampire Count Von Krolock (Ferdy Mayne), MacGowran andPolanski travel to the vampire’s castle, where plenty of misadventures ensue.
Polanski’s affection for the films he is parodying is evident, and this is a much better filmthan, say, Dracula: Dead and Lovin...
Posted in: Disc Reviews by David Annandale on September 15th, 2004
Synopsis
Naked in New York follows the ups and downs of the relationship between EricStoltz and Mary-Louise Parker. Stoltz is our narrator. He is raised by deeply neurotic singlemother Jill Clayburgh, and he works out his conflicted feelings about his family in some(apparently) promising plays during his college years. It is hear that he meets Parker, who hashuge talent as a photographer, but is very insecure and self-deprecating about her own talent.Their relationship is put...
Posted in: Disc Reviews by David Annandale on September 15th, 2004
Synopsis
Very much an allegory, the film moves through the seasons of the title, each one representinga season in a man’s life. In Spring, then, he is a little boy. In Summer, an adolescent. And so on(young man, middle-aged man, older man). The scene remains the same: a Buddhist templefloating on a lake, surrounded by mountains. The other characters are the elderly monk who israising the boy, and the young girl who enters his life in adolescence. The story is told with aminimum of d...
Posted in: Disc Reviews by David Annandale on September 14th, 2004
Synopsis
Lola (Anna Ammirati) delights in turning heads in her village, engaging in such antics as riding her bike with her skirt billowing up behind her. The men all think she's great, while the women aren't so fond of her (though the woman working on her wedding dress would clearly like to get to know her better, if you catch my drift). Her main problem is her fiance, who, much to her frustration, refuses to have sex before their marriage. Then there's her stepfather, who seems more than appro...
Posted in: Disc Reviews by David Annandale on September 13th, 2004
Synopsis
Welcome to Austin, Texas. Here, in a series of short, interconnected vignettes, we will meeta huge diversity of characters, who are variously eccentric, insane, disaffected, apathetic,coasting, and so on. Director/writer/producer Richard Linklater’s approach is not unlike RobertAltman taken to the next level. Plot, as such, finally disappears completely. Instead, the camerafollows one character (or set of characters) for a minute or two, then leaves them to trail someonewho...
