Posted in: Disc Reviews by Gino Sassani on April 30th, 2025
"I'm not feeling motivated to be valuable to anyone but myself."
When Alex Kurtzman took over the television side of Star Trek, he started with Star Trek: Discovery. Michelle Yeoh played one of the better characters on the series. She started as a ship's captain and was soon killed off. But then the ship heads into the Mirror Universe, where Yeoh's character of Philippa Georgiou wasn't a Starfleet officer. She was the emperor of the Terran Empire. She ended up on our side of the looking glass and had some rather interesting stories. It turns out that almost from the beginning Yeoh had some ideas of a spin-off she hoped to do. That series was Section 31, which involved a black-ops agency within the Federation, and she thought our kind of evil emperor might be a perfect fit. Section 31 was first explored on Deep Space Nine during the Dominion Wars and was left alone for decades. Now it's back in the form of a Star Trek feature film instead of the series. Why the drastic change, you may ask? A lot of things happened since the idea was first proposed.
Posted in: The Reel World by Gino Sassani on April 12th, 2025
"You lost the moment you walked into this restaurant"
Do you know why they serve peanuts on airplanes? Even with all of the allergies out there, it remains an airline staple, and for one very specific reason. Chewing gum is a big deal for the airlines. The little time given to clean a plane between flights makes those of you inclined to put your chewing gum under your seat a bit of a problem. So they serve you peanuts, because peanut oil causes the "sticky" element of gum to completely break down. Try it. Your gum falls apart if you add peanut oil to the equation, and that's exactly what director Christopher Landon has done with his latest Blumhouse thriller, Drop. Someone added a bit of peanut oil to the production, and it kind of never really sticks together. And that's too bad. Because there's a kind of clever and original element here that could have been a lot more interesting. Let's try to separate the gum from the peanut, shall we?
Posted in: Disc Reviews by Gino Sassani on April 8th, 2025
"The thing I love about Valentine's Day is the expectation of the unexpected. That something magical could happen, and maybe that special someone will come back into your life and change its course for the better."
Valentine's Day is one of those Hallmark holidays that leave us with a warm and fuzzy feeling inside. Unless, of course, you happen to be alone, or a member of the Bugs Moran gang in Chicago in 1929. So it really means a lot of things to a lot of people, but I really do question the use of that particular day for the setting for first-time director Jonathan Eusebio's action film Love Hurts. The Valentine's Day angle is pretty weak, and a think gimmick for what is basically a comic martial arts film that gives Vietnamese actor Ke Huy Quan his first starring role. The gimmick pretty much failed, and the film tanked after just a short time at the box office, bringing in a measly $15 million with a budget of over $18 million. Universal decided to give the movie a short turnaround, and it's now making its debut on UHD Blu-ray. If the film is going to pick up some extra cash, this is where it's going to happen, and arguably direct-to-video and streaming is likely where the film belonged all along.
Posted in: Expired Contests by Gino Sassani on April 2nd, 2025
Our pals over at Universal have given us a copy of Love Hurts on Blu-ray to give away. It's the Valentine's Day action film you won't soon forget. Remember Short Round from Indiana Jones & The Temple Of Doom? Now he's all grown up and kicking a little butt. Here's your chance to win a copy.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Gino Sassani on March 27th, 2025
"What my associate is trying say is our new brake pads are really cool. You're not even gonna believe it. Like, let's say you're driving along the road with your family. You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. Eeee. Whoa, that was close. Ha-ha. Now let's see what happens when you're driving with the "other guy's" brake pads. You're drivin' along, the kids start shouting from the back seat, "I gotta go to the bathroom, Daddy!" "Not now, damn it!" Truck tire. I can't stop! There's a cliff. Aaahh! And your family's screaming, oh my God, we're burning alive!" "No! I can't feel my legs!" Here comes the meat wagon. And the medic gets out and says, "Oh my God." New guy's around the corner puking his guts out. All because you want to save a couple extra pennies."
There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997. It's now the 30th anniversary for the film, and Paramount has released a nice steelbook UHD Blu-ray (4K) version of the film to celebrate.
Posted in: No Huddle Reviews by Gino Sassani on March 25th, 2025
"Space... the funniest frontier?"
Star Trek: The Animated Series first aired in September of 1973, four years after the three seasons of what is now referred to Star Trek: The Original Series. It was a straight sequel that continued the five-year mission of the starship Enterprise. All of the original cast lent their voices to the characters they played in the live-action series, with the notable exception of Walter Koenig. Chekov was replaced with an alien that had three arms and legs named Arex, who was voiced by James Doohan, as were many of the other guest characters throughout the two years the series ran. There were episodes that served as direct sequels, and so we were treated to the likes of Harry Mudd, tribbles, and the Guardian of Forever once again. Now Paramount and CBS have brought us a second animated series, and the first season of 10 episodes arrives on DVD straight from its run on the network's streaming service.
Posted in: Disc Reviews by Gino Sassani on March 20th, 2025
"Ever since I was a young boy, I played the silver ball, From Soho down to Brighton, I must have played them all, But I ain't seen nothin' like him, In any amusement hall, That deaf, dumb and blind kid, Sure plays a mean pinball."
I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townsend and Roger Daltrey. They would reunite and perform the rock opera live celebrating the release's 50th anniversary. Now the film is also celebrating 50 years. I sure feel old. But watching Tommy again sure brought a childhood of memories flooding back in. Shout Factory delivered.
Posted in: No Huddle Reviews by Gino Sassani on March 17th, 2025
"Nothing resolves conflict like a good smack in the chops."
Sylvester Stallone plays mob guy Dwight "The General" Manfredi. It's his first television role, and he couldn't have chosen better than to appear in a Taylor Sheridan show on Paramount+. Sheridan pretty much owns the streaming service, all of it except maybe the Star Trek shows. He knows how to create characters and to then put the right actor in that role. I've seen it happen a thousand times now, from Yellowstone to Mayor of Kingstown and a couple of Yellowstone spin-offs. The part appears made just for Sly, and he makes it worth everything he has, all the while making it look effortless. That's Sheridan's magic, of course. Create and cast well, and no one has to really work at all. Yeah, that's a bit of an oversimplification, but it sure looks that way, doesn't it? Dwight finally got out of prison last season. He'd been loyal to the mob, and now he's looking to see that loyalty rewarded. He's in for a bit of a surprise. The old boss was sick and now gone thanks to his son Chickie, played by The Wire veteran Domenick Lomardozzi. Dwight and Chickie were kind of close, and Chickie referred to Dwight as Uncle Dwight. But now he's a bit envious of the fact that his dad considered Dwight more of a son, and the planned exile to Tulsa kind of backfired on him.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2025
"We work 364 days a year because on that one day we deliver presents to several billion individual domiciles across 37 time zones without ever being detected by a single human being. We prep, we rehearse every moment, every stop down to the last chimney. So yeah, it's a lot of work."
At first glance, it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from Director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spinoff Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson's spinoff black hole Black Adam. It's a working environment friendly to the actor. But the rumors from this set are loaded with tales of Johnson blowing off work and/or showing up late and unprepared. It's honestly not his usual vibe, and consider his divorce from Fast And The Furious's Vin Diesel revolved around Johnson throwing the same kind of shade on that actor's behavior. I was curious if the on-set issues and also word of a ballooning budget would show up on the finished product. I'm happy to report there doesn't appear to be any disrupted chemistry on the film, and it became easy to dismiss all of that with just a few minutes on the Red One ride. Every year a film or two vies for that potential future classic position that I don't honestly think has been achieved since the 1980's and A Christmas Story. I'd say the next most recent might be the Dickens romp The Man Who Invented Christmas. In any case, I won't be adjusting my traditional holiday viewing to accommodate Red One. That doesn't mean there isn't some fun to be had.
Posted in: No Huddle Reviews by Gino Sassani on February 19th, 2025
"I have seen things in this world that would make Isaac Newton crawl back into his mother's womb! We are not so enlightened as we are blinded by the gaseous light of science. I have wrestled with the Devil as Jacob wrestled the Angel in Penuel, and I tell you that if we are to tame darkness, we must first face that it exists!"
In 1922 during the final decade of the Silent Era director F.W. Murnau conspired with screenwriter Henrik Galeen to do a film based on the novel Dracula by Bram Stoker. The problem was that the work was copyrighted and a protected work. They decided to change the name of the vampire to Count Orlok and do the film anyway as Nosferatu: A Symphony Of Horror. The case ended up in court when the Stoker estate sued the filmmakers for copyright infringement. The court agreed and ordered all copies of the film to be destroyed. Of course, everyone complied, and no one ever saw or heard about the film today. Yeah, well ... not exactly. Eventually copies of the film turned up, and film historians managed to piece the film back together. The only issue was that various translations of the original title cards were missing. An East German collector finally discovered the copy most of us have seen today. From a picture ordered destroyed, it has become one of the most important horror films in the history of the industry. By strange coincidence, the actor who played the wonderfully designed vampire creature was named Max Schreck. He wasn't terribly known, and that last name translates to terror. All kinds of myths and urban myths have floated around since then, some claiming Murnau found an actual vampire to play the role. Shadow Of The Vampire was released in 2000 with none other than Willem Defoe as the actor/vampire. It treated the myth as if it were true. It's a wonderful film, and there have been literally hundreds of films remade from Nosferatu: A Symphony Of Horror since then. There was even a Nosferatu remake made as recently as 2023, with Doug Jones playing Count Orlok. Dracula has long since entered public domain, and anyone is free to interpret the material today. So it's kind of nice that filmmakers are still doing the Nosferatu version of a film that isn't supposed to exist at all. Isn't life strange?
