Posts by Gino Sassani

"The following is based on true events. The events depicted were transcribed by Father Joseph Steiger. The story represents the most thoroughly documented case of demonic possession in American history." 

Of course, the exorcism that we're all talking about is the same event that The Exorcist was based upon. I don't know what possesses filmmakers to keep chasing that lightning in a bottle, but I doubt it will ever be done. And I think that is something I like about The Ritual, directed by David Midell and starring Al Pacino and Dan Stevens. It's not trying to be The Exorcist. Instead they are trying to do something more faithful to the original story, and I think that is one of several elements which led me to appreciate this film more than I have much of any horror out in the last handful of years.

"Everybody deserves a second chance."

In some parts of the country there's a saying. If you don't like the weather, wait a few minutes. It'll change. That's exactly how I felt by the time my two hours watching M3GAN 2.0 was through. It was entertaining, to be sure, but I felt like I had been through about five movies before it was finally over. It's hard to imagine that is has been three years since we first met the robot/children's toy gone berserk, but it really has. It was my hope that everyone was just waiting until they had a great new idea before they trotted the killer doll out again. Most of the characters and actors who survived their first encounter with M3GAN returned for the sequel, with at least one of them being somewhat of a surprise appearance, and just like that first movie, you really have to be careful who you trust here, because killer dolls aren't the only things that are dangerous here.

"You're going to regret that."

Did you know that those windup monkeys that clash the cymbals are called jolly monkeys? I did not .. .that was until I came across a low-budget slasher film called The Jolly Monkey. It's the feature film debut of writer/director Ryan Ebert. The film was obviously put together fast to capitalize on Stephen King and Osgood Perkins' The Monkey, which hit theatres early this year. It doesn't really share anything other than having a monkey in the title. Put together fast, it was. They shot this film in six days with a budget somewhere just under a hundred grand. I found the film also takes a little bit from last year's Imaginary by Jeff Ladlow. You really have many of the same story beats but with much less money than either of the other two films. That's going to be a problem. Let me tell you about it.

"The foxes have holes, and the birds of the air have nests. The son of man hath nowhere to lay his head." I couldn't remember if it was from Luke or John, but it looked like I'd just joined a very exclusive club. It was Matthew, and reading the rest of the chapter before I fell asleep helped me get over the feeling I had when I watched almost everything I own go up in smoke. I tried to drown the rest of my thoughts in beer; that never really works. And the alcohol in my blood didn't make an August night in Boston any cooler. Actually I was being urban-renewed out of my office. I had to move uptown. Of course, uptown for me is still downtown for most people. My new place was at 357 Mass Avenue over a cheap cigar store and a florist specializing in day-old flowers at an office that used to belong to Madam Martino, a psychic."

If that psychic had still been in business, I wonder if she could have predicted the life of television icon Robert Urich.

"I'm telling you, it's empty nest syndrome. First Jess leaves for California. Then Torres volunteers to go deep under cover. And now McGee is applying for the Deputy Director position. Poor Parker. The man is alone." 

Mark Harmon as Gibbs was the soul of the NCIS franchise. When he finally called it quits after nearly 20 years, I have to admit I wasn't sure how much longer the show could go on. I mean, there has to be a reason for this kind of longevity. All of the spin-offs have now come and gone. NCIS: Hawaii has now ended.  NCIS: New Orleans shuttered its doors three years ago now after a mere seven years. The longest-running of the spin-offs was L.A., but even they have gone now after only 10 years.

"It takes a heavy sack to sign up for this contest. I'm not gonna go through the whole rule book, but it boils down to this. If you fall below the speed of three miles per hour, you get your ticket. Walk until there's only one of you left."

Stephen King has been America's most renowned writer for about 50 years. That's a long time to stay on top. He does it by giving audiences something they want but are not always willing to admit that they want. Of course, he's the master of horror, but he doesn't always write specifically about horror. The reason King is able to scare us so well is because he understands the human condition. He has an innate ability to touch our emotions. The truth is that the best of his film adaptations have tended to be the films less related to horror. The Shawshank Redemption remains the best Stephen King film ever made.

"I can guarantee your safety ... more or less." 

Some things cannot be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby." And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will.

"My dad used to say, wherever you go, there you are. I guess he was right. No matter how hard you try, or in my case, how far you go, you can't leave it all behind. There is no such thing as a clean slate. They're always there. They're always with you, the stories you've told. Hell, even worse, the ones you never could. This is a story I never tell."

Mark Harmon as Gibbs was the soul of the NCIS franchise. When he finally called it quits after nearly 20 years, I have to admit I wasn't sure how much longer the show could go on. I mean, there has to be a reason for this kind of longevity. All of the spin-offs have now come and gone. NCIS: Hawaii has now ended.  NCIS: New Orleans shuttered its doors years ago after a mere seven years. The longest-running of the spin-offs was L.A., but even they have gone now after only 10 years. I say only 10 years. For most shows a 10-year run is rarefied air.

"I can see the future. It's full of pals helping pals, and being a boss. I'm on the edge of life, and the view is gorgeous." 

Andrew DeYoung has actually been around for quite a little while. He's been directing television episodes a short features since around 2008. And so into every working director a feature film must eventually fall. For Andrew DeYoung it turns out to be the self-written feature film for A24, Friendship. He took a pretty safe route, choosing to work with an actor who has shown a pretty similar shade of dark comedy as Tim Robinson, who plays the lead and very tragic figure. If you've seen episodes of The Office, there's a lot of that kind of humor here. Of course it goes off the rails quite beyond anything you might have seen from the show or Tim Robinson.

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman who started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.