Posted in: Disc Reviews by Gino Sassani on December 12th, 2011
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. And we finally have to say goodbye to the wonderful universe that this show has brought to the Superman mythology. With the show ending on its own terms we expected a lot from this season, and it was something just short of impossible for the cast and crew to deliver on those fans expectations. The season wasn't perfect, and I'm sure that each fan walked away disappointed in something that happened, or more likely didn't happen. It was a tall order, but I think that the show delivered quite handsomely. For me, it was important that Tom Welling get that chance to put on the suit and fly. I wouldn't think it was any kind of major spoiler to tell you that he does. Those last 12 minutes were payoff enough for me. There were also some rather emotional moments that brought back many past cast members including the much-anticipated return of Michael Rosenbaum as Lex.
There were certainly epic story-lines going on here. There's a Watchmen/X-Men-like story that deals with a law to force masked heroes to register with the government amid a surge of anti-hero public backlash. Of course, it's Lois's father played excellently by Michael Ironside who leads the anti-hero legislative push.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
"On every world wherever people are, in the deepest part of the winter, at the exact midpoint, everybody stops and turns and hugs. As if to say, "Well done! Well done, everyone! We're halfway out of the dark." Back on Earth, we call this Christmas, or the Winter Solstice. On this world, the first settlers called it the Crystal Feast. You know what I call it? I call it expecting something for nothing!"
In 2005 the BBC decided to bring back the gone-but-never-forgotten character. Christopher Eccleston would become the ninth Doctor, and a brand new series was started. The Doctor was revived in a more traditional hour long episodic format. Gone were the cheap f/x, and now with the use of CGI and a more respectable budget, Dr. Who could be given the high-end treatment it deserved. But would all this new slick production be able to retain the magic of the original? As it turns out, much of that charm remains, and a brand new generation has gained access to Dr. Who. Sadly, Eccleston would retain the part for only a year. In the second season David Tennant would take over the role. It is this tenth Doctor who has changed twice more to the one you’ll find in this sixth season (or series as the British like to call them). The old theme is back but far more modernized and performed by the National Orchestra of Wales.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
There have been a lot of films out that deal with the Iraq war and the various political situations that region of the world has had to deal with since that time. Most of these efforts are trying so hard to make some radical political point that they tend to serve their audiences poorly as entertaining films. Happily, that's not the case with Lee Tamahori's The Devil's Double. The film cuts through the polarizing political elements and provides a brutal view of the Hussein regime through the actions of one of Saddam's sons, Uday. Tamahori has created a modern Scarface by using those regime elements to paint the picture of a man overwhelmed with power and driven to excess. Unlike Scarface, Uday is not an outlaw; rather in this environment he is the law, and suddenly we have a film that delivers a unique take on the theme of the corruption of power.
Latif (Cooper) is a simple soldier in the Iraq army in the days before the Kuwait invasion. He has been called to the Royal Palace, summoned by Prince Uday (Cooper) whom he had known in his school days. The two share a remarkable resemblance that Uday intends to exploit. He wants a body double to help protect him from the various threats that his position elicits. Latif attempts to decline, but Uday threatens his entire family if he doesn't accept. Acceptance means that Latif is now dead, and he is to live in the palace with all of the luxury of a prince. Uday refers to him as his brother. But instead of having Latif take his place in public, he merely drags him around with him. It's a poor plan for a body double, because it soon becomes pretty much general knowledge that this look-alike exists. Latif finds himself more and more disgusted as he is drawn closer in toward this world. All he wants now is to escape.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
"Your mission, should you decide to accept it..."
Those words have certainly been a part of the American pop culture for almost 50 years. It all started with the Desilu television series that hit the airwaves in 1966. That first year is probably unfamiliar to most of us. It was in black & white and starred Steven Hill as the leader of the Impossible Mission Force. A year later the show jumped to color and Peter Graves took over the team as the indomitable Jim Phelps. The show lasted a good 7 seasons. The Impossible Mission Force was a black-ops team that worked under the "secretary" who would disavow their mission should any of the team be caught or killed. The show had a pretty good run before ending in 1973. Gone, but never forgotten.
Posted in: Contests by Gino Sassani on December 4th, 2011
Lifetime has given us 3 copies of Magic Beyond Words: The J.K. Rowling Story to give away to you Harry Potter fans here at Upcomingdiscs. The film stars Poppy Montgomery as the famous writer and creator of the Harry Potter Universe. To win a copy of this unauthorized biography just follow these instructions.
Posted in: Contests by Gino Sassani on December 4th, 2011
Holiday time is here and we're all going to have a bit too much to eat. Lionsgate has the answer to your holiday pounds. In the first of four great "get into shape" contests, they're giving us a copy of two of Jane Fonda's latest workout videos. We have Jane Fonda Prime Time Firm & Burn and Trim Tone & Flex. To win these two DVD's just follow these instructions.
Contest is now closed Winner was Anne-Marie T.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
"You have been activated."
You've got to hand it to Robert Rodriguez. Since he came onto the film scene in 1992 he has earned a reputation for delivering some very innovative films. His specialty appears to run toward more adult fare with such cult hits as Dusk To Dawn, Sin City, and his recent splashes into grindhouse territory. Anyone who has seen those films might find it strange that the writer/director is also responsible for a somewhat beloved children's franchise with the Spy Kids films. First introduced in 2001 the film pulled in a respectable box office and became a hit for the younger crowd who have fantasies of being James Bond spies with all of the terrific gadgets and the extra benefit of making evil adults look bad.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
John Bonito has had very little experience in filmmaking. He's done a few wrestling tidbits and one earlier film called The Marine, and that was nearly six years ago. Chances are you haven't heard of either. If Carjack is any indication of his limited ability, the new film out on Blu-ray isn't going to help with that name recognition. So, with a no-name director and a direct-to-video release, the film really left small expectations. We might go into a film like this expecting a rather dull, "been there, done that" feel to it. In that sense Bonito doesn't disappoint at all. But take a closer look at the cast and hope emerges for something perhaps a little better than that. The only response I can offer for that is that a car wasn't the only thing jacked here. Someone made off with nearly a couple hours of my life. In that Bonito is guilty of grand theft, while some of you might plead it down to petty larceny.
Lorraine (Bello) is trying to put together the pieces of a broken life. Her husband has left her and is threatening to take her son away. She was once negligent and he wondered off into the night alone. She's in group therapy trying to work out those kinks in her life. Her therapist tells her she needs to take control more, and that aspect of her development is about to be tested.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
The Disney magic faded for a little while during the 1980s. There were still animated features, but they weren’t the groundbreaking triumphs of the studio’s golden age. All of that changed as we entered the 1990s. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast, everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
With that much importance, is it any wonder that the folks at Disney kept the theme going for as long as they could? There was a television series that featured a live-action Belle who would sing stories to children and teach valuable lessons along the way. There were also some direct-to-video follow-up stories that took us back to the days in the middle of the original animated feature. That in and of itself isn't all too extraordinary. Disney, like any other studio, knows how to milk a cash cow. What is quite extraordinary in this business, even for Disney, is that they kept the original voice cast pretty much intact. It was a bold move that likely cost a few more dollars but was well worth the extra effort. With the return of Jerry Orbach, David Ogden Stiers, Jim Cummings, Robby Benson, and Paige O'Hara, the connection between this holiday film and the original material is unmistakable.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
"The party is most definitely on."
This direct to video sequel of Disney's Beauty And The Beast is a much more low-budget affair than The Enchanted Christmas was to become. While the film did use the voices of many of the original cast including Jerry Orbach, Robbie Benson, Paige O'Hara, and David Ogden Stiers, the production values show the economy of the project.
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