Posts by Gino Sassani

"What do you think evil is? I'll tell you what I think evil is..."

It's sequels/reboots made by filmmakers who haven't got one single clue what made the original such a classic. The Exorcist was a masterpiece of filmmaking and is truly one of the most compelling horror films even 50 years later. There are a lot of reasons for that. Unfortunately, David Gordon Green couldn't name a single one if you gave him a cheat sheet in one hand and William Friedkin's complete notes in the other. Blum House took a huge risk after they finished their Halloween trilogy. The films were hit and miss with some good moments. But most fans of the original never could completely bond with the films. So Blum House decided they liked this 3 film reboot/sequel idea and took a chance on committing $400 million for a trilogy of The Exorcist. Like the Halloween trilogy it would ignore all but the original film and take it's story directly from that moment onward. On paper it's a pretty solid plan. Both Halloween and The Exorcist have been followed by some pretty bad follow-up films and there's no reason to overcomplicate the mythology by bogging yourself down with all the bad that might have followed. The problem is that you must also avoid BEING the bad that follows. With The Exorcist: Believer David Gordon Green now rules the bad that follows The Exorcist. Believe it or not (pun intended), that's the good news. The bad news is no matter how bad this film is received we're going to get two more. It's part of the commitment and both Blum House and audiences everywhere are stuck with it. And while they have to make the films we don't have to pay our 20 bucks to see films. All I can say is Green should be grateful for streaming because it's the only thing he has left after a film that could use a good exorcism of its own.

"My Mamma told me to pick the right one."

In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson. For crying out loud, even their first names were the same. It wasn't hard for us to believe the two Woodys were one and the same. I know I did. It was an act, sure, but I didn't know it was that good an act. We all found out just how good of an actor Woody Harrelson was when he stripped away kind, innocent Woody the bartender and took on the vicious role of Mickey Knox in in Oliver Stone's brutal film Natural Born Killers. Later we found out that the actor's father was a convicted hitman for the mob and was busted trying to take out a judge. Today Harrelson has proven his awesome range over and over again in dozens of impressive performances. But in 1994, I wasn't prepared for Natural Born Killers or Mickey Knox, and so it's a film that has remained seared in my brain since that day.

"Here comes Gordy."

In the 1950's Gordon McLendon owned a series of radio stations throughout Texas along with a string of drive-in movie locations. Those drive-ins needed films to draw crowds, and Gordy wasn't happy with the cost of some of the distribution deals that came to him. So he decided to team up with a couple of guys and try his hand at making his own movies. The first guy he teamed with would become well known to television audiences, but not for the movies he helped produce with Gordy. Ken Curtis would become the beloved Gunsmoke character Festus, a deputy who had more in common with Don Knotts than Marshal Dillon. He may not have been the sharpest point on a tin star, but America loved him. They might have thought twice if they knew about this partnership. The third leg of this tripod was Gordy’s father, B.R. McLendon. Together they would make Hollywood history, or is that Hollywood infamy? That's for you to decide. They made three movies in total, but the first two are where that history was made.

"That's the most important thing. Just have fun."

You shouldn't need a primer on the NCIS franchise by now. Unless you've been living under a rock for the last decade or longer, you're up to speed on these guys. If not, you still could have some fun and enjoy the CBS DVD release of NCIS: L.A., but NCIS has been around for over 20 years, and this particular version has been around for 14 seasons now. That's a lot of characterizations under the bridge and a ton of character evolution and stories that can't help but give you maximum mileage out of the release. If you aren't up to speed, you can check out over 30 seasons of various NCIS reviews by just banging it here: NCIS Reviews. That should keep you busy long enough to get you to the point that we're here talking about Season 13. So hopefully you are up to speed, and we can get on with it. Shall we?

"Have you ever heard of exorcism? It's a stylized ritual in which rabbis or priests try to drive out the so-called invading spirit. It's pretty much discarded these days, except by the Catholics who keep it in the closet as a sort of embarrassment. It has worked, in fact, although not for the reason they think, of course. It was purely the force of suggestion. The victim's belief in possession helped cause it. And just in the same way, this belief in the power of exorcism can make it disappear." 

By now we've all heard of The Exorcist. The film was based on a best-selling novel by William Peter Blatty. Blatty himself based the story on a real exorcism of a young boy many years earlier. And that's where the true power of the film begins. The monsters of horror movies often allow us a sense of unreality that protects our inner selves from being truly terrified. Yes, they may frighten us, but it's fun to be frightened, isn't it? It's rare that a horror film touches on something inside of us and delivers an experience that is truly terrifying. It's arguable that The Exorcist has done this in a way that has rarely, if ever, been repeated in horror movie history. Whatever your religious beliefs might be, there is that little voice deep in our minds that fears what we call evil and can't deal with the possibility that we can be taken over by such evil. Devil. Demon. Mental illness. It doesn't matter. We're all afraid of losing control of who we are to some invading force within our minds. Within our very souls.

The first Paw Patrol movie opened up in August of 2021 during the pandemic era where barely anyone wanted to go anywhere that wasn't a grocery store (because somehow that was safe).  It still managed to pull in forty million domestic and another hundred million internationally.  With the built in audience from the television series, a sequel was almost a no-brainer.  I remember taking my family to go see the first Paw Patrol (the theater was quite bare) and actually enjoying it quite a bit.  It certainly helped to bring all of the key elements from the television series and produce something that wasn't nauseating and over-the-top.  However, sequels of movies based on popular properties often go the wrong direction.  Let's see what the Mighty Pups have in store for us in their second outing.

As is the case with many Nickelodeon films, we get a cartoon short to start off the show.  This one has Dora the Explorer, who is apparently getting a new CGI series in 2024.  This short is entitled Dora and the Fantastical Creatures.  Dora (voiced by Diana Zermeno) and her companion, Boots (voiced by Asher Spence) the monkey are going on an adventure to the land of Alebrijes, where they have the most colorful and magical creatures in the rain forest.  It appears that someone has taken the glowey.  We later find out that it was Swiper (voiced by Marc Weiner).  Swiper is taken down by making him realize that he did a bad thing, and he gives back the glowey.  So it's a totally realistic cartoon.  Much eye-rolling did occur, and I realized that I'm glad that my son never picked up on this show.  However, he might have momentarily picked up the phrase, "Swiper, no swiping."  Curses!  Let's get on to the feature presentation.

"You mean to say you don't miss this?"

Season 20 brings us to several milestones in the NCIS run. It has now become the longest running procedural in CBS history. It lags behind only the Law & Order franchise in sheer number of episodes. This season gets us to and beyond the 450th. This is also the first complete season that does not include the man who pretty much started it all. Yes, Mark Harmon has left the building, and Leroy Gibbs does not appear at all in this 20th season. Mark Harmon does indeed remain one of the show's executive producers, but to what extent he is actually still involved I can't speak to. I can tell you that he doesn't show up on any of the production features, nor is he mentioned for any particular contribution or involvement. So this must have been a scary season for the cast and crew of NCIS. I'm not sure how they felt going into the year, but I suspect they were feeling pretty good for themselves and the show by the time it was over. After 20 years of being in production, after 450 stories having been told, somehow the show continues to get better with every year. Don't ask me how they do it. All I can tell you is that you can catch the entire season on DVD with CBS Home Entertainment's release of NCIS The Complete 20th Season on DVD.

“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”

Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller. Whatever connection Pollack might have been making, he managed to direct a film that was timeless while being very much a product of its time. We are reminded of that long-gone era of the 1970’s with generous shots of the just-built World Trade Center towers. Ads and shots of Eastern Airlines planes bring back some memories. These images securely place the action in a specific time. Still, it works maybe even more today than it did in 1975.

"This is The Batman we're talkin' about here."

In 1992 Batman: The Animated Series hit television sets all over the country. It was perhaps the biggest comeback for the Dark Knight since Adam West went camp with the cowl in the 1960's. Yes, the Tim Burton film and its sequels went a long way to bringing the bat back into the popular culture, but the series is what took the fans by storm. Kevin Conroy became, for many, the definitive Batman when he was hired to voice the series, and Mark Hamill finally got out of the shadow of Luke Skywalker with his voice rendition of the Joker. The show was a hit, and around the early years it was decided to do a direct-to-video movie called Batman: Mask Of The Phantasm. Somewhere in the production Warner Brothers had a change of heart. They decided to roll the dice on a theatrical release of the animated feature, likely assuming the series fans would flock to their multiplexes in droves. That didn't happen, and the film lost money even on a modest budget. But in video release it did become a hit. The studio didn't understand that the generation that loved the show would appreciate it more in that setting. It also doesn't help that the mid-production change meant changes to aspect ratios and other animation work that had already begun production. The end might have been a mess at the box office, but it's a solid film that now enjoys a modest upgrade to UHD/4K. The results are admittedly mixed.

“Space … the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.”

Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover whether he could catch lightning in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time The Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn’t quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.