Posted in: Random Fun by Gino Sassani on November 2nd, 2011
Anyone who is a fan of horror or science fiction knows who Forry Ackerman was. He gave more to the industry than anyone else. He coined the term sci-fi and inspired the likes of Stephen King, John Landis, Steven Spielberg, and many others. He was the editor of Famous Monsters Of Filmland and held the largest collection of movie memorabilia anywhere in his famed Ackermuseum.
I’ve been lucky enough to have counted Uncle Forry as a friend since 1991, when I first visited the Ackermuseum. I’ve spent many hours and meals with him and miss him greatly.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2011
"You lose. You die."
In 2005 Russian-born writer director Gela Babluani had a bit of an Eastern Europe success with his film 13 Tzameti. The film took the Grand Prize Jury at Sundance and a few other film festivals, winning also in places like Venice and Transylvania. The film made quite a splash, and it wasn't long before it attracted the attention of American distributors. An English-language version was inevitable at this point. Thankfully Babluani was able to work out a deal where he got to direct his own remake. Babluani has received more than a little heat for essentially remaking the exact same film with only a few changes to cater to the American audience. I never saw the original film, but now I have seen his remake. It would become his first American film and what a film it has turned out to be.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2011
Every generation has had its Christmas classics, films that have become as much a part of the holiday family traditions as Christmas trees and candy canes. For me it has been the more modern A Christmas Story with ol’ Carl Kolchak himself, Darren McGavin. Kids today have taken more of a shine to even more recent films, but for more than one generation, Christmas wouldn’t be the same without Frank Capra’s It’s A Wonderful Life. Since 1947 the film became a seasonal fixture in neighborhood movie houses across the fruited plain. In the 1970’s the film temporarily fell into the public domain and was played relentlessly on local television stations as each holiday came and went. Unfortunately, these were usually prints in horrible condition, so that scratches and splice marks became a part of the experience, not to mention ads for department stores touting their early bird specials. It is with that experience that I as did most from my generation become acquainted with Jimmy Stewart's George Bailey. When the home video market began to bloom with VHS in the mid 1980’s a better print resurfaced, so that the experience improved dramatically, along with the loss of those commercials. Of course, this new resource of home entertainment created a fight for the rights to the film to once again be restored to a single owner. It ended up being the film’s score that would allow the rights to be enforced once again. The crappy television prints disappeared, and by the early 1990’s efforts to restore the film began.
These restoration efforts invariably turned to the controversial subject of colorization. If anyone remembers Ted Turner’s push to colorize RKO films, including King Kong, you will also remember how bad those films looked. The color was an added texture of hue covering the picture so that the subject’s textures and subtleties were obliterated. It was almost as if some child decided to finger paint all over the negative. There was nothing magical or at all realistic about the process. It’s A Wonderful Life has been colorized no less than three times. In both 1986 and 1989 the film got the colorized treatment, both failures. Now in 2007 It’s A Wonderful Life has been colorized by a new process developed by Legend Films. This new process allows films to be colorized naturally, retaining all of the detail and texture of the original print. These are the guys who are working with legendary Ray Harryhausen to colorize and restore many of his classics. The new process uses a 16-bit grayscale which offers over 64,000 shades of just gray. The process, called “Photo-Real”, can reproduce HD quality pictures with stunning life-like color. I was a very cynical skeptic of the process and was prepared to rip this color print to shreds in my review. I was blown away by how natural the color looks. You will be hard pressed to believe this wasn’t an original color print. Not only are the colors realistic, but the print retains the particular color palette of the 1940’s, so that the film still looks like one from the correct era. I know you’ve seen incredibly bad colorization before, and it likely has made you unwilling to even give this one a chance, but you owe it to yourself to check it out.
Posted in: Random Fun by Gino Sassani on October 28th, 2011
Director Declan O’Brien created the right recipe for the gut wrenching blood-oozing tale that follows a group of friends that decide to go snowboarding during their winter break.
They make the ‘Wrong Turn’ and end up getting lost in a deadly storm with killers in their midst.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
In the world of Marvel comics Captain America was indeed the first Avenger, and as the full title implies we're going quite a way into the past to create this hero. But the first shall be last, and it's certainly true on this long road to the May 2012 release of The Avengers on film. You see, this is the final piece to the puzzle for that great assembly of heroes. We've had two chances to witness both The Hulk and Iron Man and a recent film introduction to Thor. Other characters like Black Widow and Hawk Eye came as guests on the other films. But the introductions are now complete.
Steve Rogers (Evans) is a 98-pound weakling. He's the guy you see in the comics all right. The guy getting sand kicked in his face on those old Charles Atlas ads we used to read on the comic back pages. But he has a heart of solid gold, and he doesn't like bullies. So when Hitler and his boys begin to goosestep over Europe, he tries desperately to enlist. Each time he's shot down and denied his chance to contribute to the cause. That is, until he comes under the eye of Professor Abraham Erskin (Tucci). He has been tasked with reproducing a Nazi experiment to create a supersoldier. He admires Steve's heart and decides to make him the test subject. The experiment works, and Steve receives super strength and agility. But he can't seem to win the respect of Colonel Phillips (Jones). And when Erskin is killed in a Nazi invasion, not even a brave performance to get the bad guy convinces Phillips to give him a chance. He remarks: "I was promised an Army, and all I got is you". But the papers noticed his performance, and soon the country was shouting for Captain America.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
"That be the cold hand of fate I feel down my nape."
With each of the previous Pirates Of Caribbean films pulling in over a billion dollars in total revenue, it was indeed the cold hand of fate that determined the franchise would not end. Like Captain Jack Sparrow himself, this franchise isn't going to be easy to kill. It's true that the last two films, the third in particular, were rather universally scorned by the critics. But they still pulled in a boatload of money and quite honestly weren't near as bad as all of that. Like the theme park attraction that the franchise was named after, you have to consider these movies as rides. The only intention is to entertain. And by all accounts they've been doing a pretty good job of that for several years now. Even when the rest of the supporting cast bowed out of the franchise, it isn't finished yet, and there's no indication that the voyage is nearing its end any time soon.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2011
Italian writer and director Giuseppe Tornatore was born in the small village of Bagheria on the island of Sicily in 1956. The life and culture of his home village has had a tremendous influence on his work. Many of his films have an autobiographical nature to them that he takes no pains to disguise. Earlier we reviewed his love letter to movies with Cinema Paradiso, which also took place in Bagheria. This time we explore five decades of life in that same village, known here by its nickname and the title of the film: Baaria.
The journey begins in the 1920's Peppino ("Giuseppe") Tornatore is a young boy whose services have been sold to a local shepherd to feed the family. He learns the trade but discovers it's not what he wishes to make of his life. When the Communist Party begins to make inroads in his village, Peppino is attracted to the message and soon works his way to becoming an important leader of the party. He falls in love with Mannina (Made), and the two must elope because he has no personal fortune and her parents are against the relationship. It is up to Peppino's father to take the ostracized couple into his own home when her family rejects them both. While there is no real plot here, the film follows the young boy through 50 years of life in the village and beyond, taking in the various historical events that effected Sicily at the time. Fascism and eventual World War take their toll. Peppino has a front-row seat to the land riots that rocked the country. His party loyalties cause serious trouble for the man as he goes up against both the established government and even the Mafia.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2011
"The punishment's gotta fit the crime."
Believe all of the hype and controversy. In the language of the day The Exterminator was one bad mother. And when I say one bad mother, we're not talking Casey Anthony. The Exterminator came at the tail end of the era of grindhouse, exploitation, and revenge films. So, how do you close out a memorable era like that? You do a movie with all three. You put the violence and the grit out there for all to see, and you don't make any apologies about any of it. That's exactly the attitude that writer/director James Glickenhaus plays it, and the result is... well... one bad mother.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2011
"Boldly go where no man has gone before."
Is there anyone out there who hasn't noticed that William Shatner the actor has become William Shatner the character over the years? Give the man some credit for finding ways to reinvent himself. After Star Trek he was the only actor to find himself another regular television character and shakes the typecasting that most actors in the franchise have been victimized by. When TJ Hooker was gone he found a few other shows and ways to take advantage of what could have been fleeting fame. By the time he did Boston Legal he had completely reinvented himself as a somewhat humorous character and wonderful mate for James Spader. But all along there was and always will be more than a little Captain Kirk in the actor. And over time the two began to meld into a being that has been the fodder for jokes for most of the world. Shatner's laughing, too, but not in the way you might think. Shatner's been laughing all the way to the bank.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2011
"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."
![13 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/13-blu-ray-large.jpg)
![Wrong Turn 4: Bloody Beginnings (Unrated) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/wrong-turn-4-bloody-beginnings-un-large.jpg)
![Baarìa [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/baara-blu-ray-large.jpg)
