Posts by Gino Sassani

When I first started watching the new comedy concert by Kathleen Madigan, I grew somewhat fearful. She was introduced by Lewis Black, who appears to be one of her closest friends. That scared me more than a little. Lewis Black is nothing but an angry old man who preaches tolerance of anyone who agrees with him. If you don't agree with him, you are subject to the most venomous of attacks of hatred I've ever seen from a stand-up. If Kathleen Madigan was going to be a female Lewis Black, this was going to be a long hour, indeed.

I was pleasantly surprised. I suppose I shouldn't have been. It seems the lady has been around the block for over 20 years. Somehow her name has escaped my particular notice. If I had been familiar with her work, I would have known that she doesn't roll anything like Lewis Black. Darth Vader, he rolls more like Lewis Black. Check that. Vader did have a couple of lucid moments where he wasn't pure evil. No one rolls like Lewis Black.

"You have conquered and I yield. Yet, henceforward art though also dead - dead to the world, to Heaven, and to hope. In me did thou exist - and, in my death, see by this image, which is thy own, how utterly thou hast murdered thyself." - Edgar Allan Poe

The last of the Lionsgate / AfterDark double features covers the middle of the road. The films both deal more in science fiction or alternate realities than they do in any form of horror, one with the idea of a menacing world of doppelgangers and the other with changing the past through time travel. Both of these themes have been played to death before. Do they offer anything more here? Let's examine the evidence, shall we?

"Between 1954 and 1976 nearly 600 children were voluntarily submitted for participation in a number of behavioral studies. These experimental facilities were privately funded and tucked away in secluded regions of the South. Families were paid a fee for their involvement and were told the studies were harmless. Most of the children were never heard from again."

What we have heard from again are these little independent films from Lionsgate and After Dark. You might remember them as the 8 Films To Die For. They were usually around Halloween on DVD. Now, for the first time, a wave of these films is being re-released on high-definition Blu-ray. It's kind of a nice Halloween treat, and it isn't even Halloween.

"O joyful. O delightful. O fortunate one. Weep no more, this departed son. Read these words. Sound thy voice. Revel and sing. Rejoice! Rejoice! Life's for the living, not for the dead. Forget tomorrow. Live now instead. This night you breathe, while they cannot. So dance ye soul on their resting spot."

It's another double feature from Lionsgate and AfterDark. This one offers one of the best of the series with a rather flat companion. Of course, it's that two-for-one thing that makes it so attractive anyway. Consider Gravedancers the main feature and Wicked Little Things that budget extra feature you used to get when you went to the old drive-in shows.

This is one of the biggest prizes we've ever offered. Our friends at A&E Home Entertainment have given us a copy of Zorro: The Complete Series to give away. This collection features 15 discs. That's 88 episodes. You get over 35 hours of stuff to watch here. This release includes a special bonus disc. To win a copy of this exciting 1990's television show, follow these instructions.

Contest is now closed Winner was Leanne shellington

We have a copy of Kathleen Madigan Gone Madigan on Blu-ray to give away.
To enter to win a copy of this stand-up concert, just follow these two steps...

Contest is now closed Winner was Aidan Louis

Our very good friends over at Synapse have given us a diabolically wonderful prize for all of you horror fans out there. They've given us 2 copiies of Hammer's classic Vampire Circus high definition Blu-ray to give away. With Hammer's triumphant return this year in the release of Let Me In, here's your chance to relive some of the glory days. This release is loaded with incredible extras. To win a copy of this exciting vintage horror masterpiece, follow these instructions.

Contest is now closed Winners are Garnet & Daniel M

In 1970 the British duo of Doctor Who's Terry Nation and The Avengers' Robert Fuest collaborated on a British film called And Soon The Darkness. The film stared then-popular Pamela Franklin. It wasn't a huge success by any standards. It's practically unheard of here in the States. But, there was something special about the little film. It developed one of those classic cult followings over the years and eventually gained the notice of people like Marcos Efron. With the popular trend of remaking pretty much every horror film ever made, it's no surprise that someone decided to tackle this lesser-known movie.

Stephanie (Heard) and Ellie (Yustman) were part of a South American bike tour. Somewhere along the way they got bored with the travelogue version of the tour and decided to sneak away and explore the rural country on their own. Yeah, I know what you're thinking. You've seen this movie before. But this one doesn't immediately go where you expect it to go. The girls spend a night partying at a local club. Ellie is a bit of a wild party girl and makes a huge show of herself at the club. Her antics culminate with a rather droll display of touching herself to the jukebox music. Stephanie is the more tame girl who had just caught her boyfriend cheating; there are indications that he cheated with Ellie, but I never was completely clear on that one. That night Ellie is stalked by a horny guy from the club but saved by Michael (Urban) who has the room next door. The next day they miss the only bus. So they head out to what was once a popular beach resort, even though they are ominously warned that it is desolate and dangerous now. Plus there are all of those missing-persons flyers. Of course, they decide to go anyway. There they have a fight about Stephanie's ex and Stephanie bikes away in anger. Once she calms down, she tries to hook back up with Ellie only to find she's disappeared and dropped her phone on the beach. She can't convince the local sheriff Calvo (Vianco) that she met with foul play. The dirty-dancing pictures on her cell phone don't help to convince anyone she isn't off on some wild ride somewhere.

I have to admit that I had not heard about Gabriel Iglesias before I got this Blu-ray concert film in the mail. From the first look at the cover you notice the obvious. Gabriel is a rather rotund comic. For him, it's not a liability at all. Honestly, he's turned it into a cash cow, of sorts. It's a huge, pun intended, part of his routine. In fact, to understand the titles of the release you have to be clued into one of his signature routines. He identifies six levels of obesity. They range from Big, Healthy, Husky, Fluffy, Damn, and the latest level Oh Hell No. As you might guess, Gabriel considers himself in the Fluffy category. Still, for all of his pounds he has quite a bit of energy, and he moves along the stage quite well for his weight. His body and child-like face make him disarming and more than a little bit charming on stage.

Gabriel has a pretty solid repertoire of routines. The show actually starts off slow as he appears to name-drop. He goes endlessly on and on about his encounters with the more famous Paul Rodriquez. Fortunately, the show gets a lot better as soon as he's used up every bit he can ride on that subject. While his bits often cover a lot of the familiar stand-up fodder, he tends to be cleaner than most comedians. He does resort to the occasional toilet joke but doesn't appear to be stuck there. His best material is when he's delivering short rapid-fire bits. When he slows down for a longer story, the funny factor drops considerably.

"The Giants who formed this world and now seem to live in it in chains are actually the cause of its life and the source of all activity. But the chains are the cunning of the weak and tame minds..."

Confused yet? That's how Bitter Feast opens, and while it does have a witty premise, the film continues to confound and confuse throughout. The opening poem is the backdrop for a game that turns violent between two brothers in a wooded area. I have to be honest. It made my brain literally hurt trying to figure out what director Joe Maggio was trying to say.