Posts by Gino Sassani

When people reminisce about the great match-ups of all time, talk will inevitably hone in on Ali vs. Frazier, Tunney vs. Dempsey, or, for boxing non-enthusiasts, Eckersley vs. Gibson. For film fans, talk will likely drift to Godzilla vs. Mothra, McClane vs. Gruber, or even Feddy vs. Jason. Well folks, a new movie has thrown its hat into the ring, and it is called Carny. What potentially legendary match-up does Carny feature, you ask? Why, nothing less than Lou Diamond Phillips vs. the Jersey Devil. Will these two foes unseat any of the classic brawlers mentioned above? Read on and see.

If you are a regular reader here, you know I'm not much for the romantic comedy department. I tried to pass this one off on the rest of the staff but couldn't find a taker. We finally got a woman to review this stuff, but not even she was enthused enough about this title to take it on. This experience is pretty typical when it comes to Did You Hear About The Morgans. With a $58 million budget and a $30 million gross at the box office, it would seem that a lot of folks took a pass on the movie. In less than 4 weeks it dropped from nearly 3000 screens across the fruited plain to just about 500.

"It killed 102 people, brutally mauling its human prey. Its victims are all women and children. The worst attack by an unknown beast in history; and, the basis for the legend of the werewolf. Two investigators set out to solve the mystery. Applying modern day forensics, they hunt to uncover the real wolf man."

With the Universal remake of one of its classic monsters you can expect to see a lot of related material come out of the woodwork to capitalize on the buzz. Unfortunately, the remake of The Wolf Man pretty much tanked, plagued more by too many internal problems than the full moon. Still, the legends and stories are out there, and it might be fun to check some of this stuff out.

"If the glass is half empty, at least you can't drown."

When I looked at the title and description of this film I couldn't help but think of that Jimmy Stewart classic It's A Wonderful Life. I'm not sure if it is the close title or the idea of a cynical man finding some kind of epiphany about his life and how he interacts with others. So, maybe it was that connection and inevitable comparison and expectation that caused me to dislike this film as much as I did. It's not fair, you might say, but it is the filmmakers themselves who invite this comparison and apparently welcome it. I'm sure the idea was that it would bring in that particularly large audience of viewers.

It's back to the 1950's with its telltale alien invasion science fiction matinees. There's Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That's right. This is 1950's Americana. Well ... almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they're rounded, and instead of wheels they ride on a cushion of air. And then there's the "people". They're green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, "Give me a high four"?

"There's two kinds of people in this world when you boil it all down. You've got your talkers and you've got your doers. Most people are just talkers. All they got is talk. But, when all is said and done, it's the doers who change the world. And, when they do that, they change us. And, that's why we never forget them."

And while The Boondock Saints never did bring in box office gold (heck, it didn't even bring in Box Office aluminum) like the characters in the film, they were not forgotten.

While Scarecrow And Mrs. King first aired in 1983, this show is really one of the last of the 1970's crime dramas. It was an early attempt to bring in more of the female audiences that seemed reluctant to join the popular detective shows of the era. While not really a "detective" show (they were spies), it employed a lot of the 1970's conventions. Even the film footage has that distinct style from those days and type of shows. The idea worked, and the series did bring in a sizeable female audience, but it never really caught on with the guy crowd who found it a bit too relationship-heavy

If any studio out there knows princesses, it has to be Disney. Uncle Walt has brought us so many memorably magical moments in the realms of fairy godmothers and the rags to riches tradition. A list of such Disney characters would serve as a rather complete roll call of such familiar animated ladies: Snow White, Cinderella, Ariel, Sleeping Beauty, Jasmine, and now you can add yet another name to the growing list. The studio that invented the animated fairy tale returns to its hand-drawn animation roots with The Princess And The Frog.

I'm sure that somewhere inside of Jared Hess's mind all of this makes perfect sense. I get the feeling that after he completed Gentlemen Broncos the writer/director/producer sat down to a screening with a group of his friends and the congregation rolled in the aisles with laughter. I'm equally sure that when his friends went home they were left scratching their heads. Somewhere in Hollywood a corner drugstore made a killing in aspirin or something stronger. In his own private world, where they all get the joke, Gentlemen Broncos might not be so bad.

I have to admit that I approached Old Dogs as cautiously as I'd approach a rabid junkyard dog. With a story that sounds like another retelling of Three Men And A Baby and the setup, and director, of Disney's Wild Hogs, it seemed pretty apparent that this film was not going to offer anything terribly new or exciting. When I started watching the film I discovered that I was pretty much right. This is very much Three Men And A Baby meets Wild Hogs. More importantly, I was also correct in believing the film wouldn't offer up anything all that original or new. What I didn't expect, and what will make this a film worth watching for you anyway, is that the delivery here is actually pretty special.