Posted in: Disc Reviews by Gino Sassani on June 23rd, 2003
Converting Tom Wolfe’s classic book The Right Stuff was undoubtedly a difficult task. The original 7 Mercury astronauts were epic figures in American history. Perhaps the last of Earth’s true explorers, astronauts are the stuff that every kid’s fantasies are made of. It seems nearly impossible to capture such incredible bravery and charisma in the scope of even a 3 hour movie. Philip Kaufman somehow achieved the impossible. It starts with one of the most dynamic casts since The Godfather. Names like Jeff Goldblume, Dennis Quaid and Ed Harris were all relative unknowns at the time.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2003
Steven Seagal is certainly showing his age in Half Past Dead. To ardent fans of his tough-guy act, this might be a bad thing. To those of us just looking for a good film, I think it’s actually a good thing. With Seagal’s ass-kicking held more in check there appears more room for a story to grow. This one is above average. Seagal’s age also means a stronger supporting cast and this one has a nice one. Mia Peoples is stunning as one of the main villains. Ja Rule and Kurupt add the necessary urban reality and some comedy relief when called for.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2003
Writer Norman Mailer and director Lawrence Schiller can’t get enough of the nation’s most intriguing criminals. Best known for the critically acclaimed Executioner’s Song, the duo are at it again with this CBS mini-series spruced up to an R rating for DVD.
To anyone who has seen the 60 Minutes piece or kept up with the story in their local paper, the story is familiar enough. Robert Hanssen spied for the Soviet Union for 22 years while a top level FBI agent. William Hurt delivers a rather deadpan performance as Hanssen, a man rife with contradictions.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2003
Forget Lethal Weapon and Beverly Hills Cop; Midnight Run has got to be one of the funniest cop-buddy films of the genre. True, Midnight Run did not break any records at the box office and was actually panned by a few well-known critics of the time, but the comic action just never lets up. Robert DeNiro and Charles Grodin share a rare chemistry. The overkill plot developments just wouldn’t work with any other combination. In all fairness, I wasn’t too thrilled about this one when it first hit the theatres. My wife suggested it and I agreed more out of guilt for all the genre films I’ve inflicted on her.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2003
One of Ray Harryhausen’s earliest stop motion projects was a military training film on how to build a bridge. In It Came from Beneath the Sea he got to destroy a famous one and create yet another vivid memory for his legion of fans. It Came from Beneath the Sea was the second film I had the pleasure to discuss with Ray Harryhausen (stop motion pioneer) at the 2003 Wonderfest in Louisville. Again I was joined by Einsiders writer Rusty White. You can find the actual interview at: http://einsiders.com/features/interviews/harryhausen.php.
Certainly this could not be considered one of Harryhausen’s most imaginative films.
Posted in: Disc Reviews by Gino Sassani on June 12th, 2003
20 Million Miles To Earth has always been one of my favorite films. It was from this classic monster fest that I developed my long standing respect for stop motion pioneer Ray Harryhausen. In 1998, I got to meet Ray for the first time as his assistant for a horror convention (unfortunately run by a megalomaniac). It was there that I developed enough of a relationship with him and his lovely wife Diane that I was able to interview him at the 2003 Wonderfest in Louisville. Ray’s time was extremely limited, so I ...
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
Synopsis
For reasons never properly explained, a prehistoric tiger is cloned and, for reasons that areexplained but are dumb, escapes into the mountains. It is tracked by those responsible for itscreation (John Rhys-Davies and Vanessa Angel) and a big-game hunter (David Keith).Meanwhile, a group of hikers is about to run into trouble. The dialogue is hackneyed when itisn’t dumb, Angel’s accent fluctuates mysteriously, the characters are largely idiots, and themonster is created by b...
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
Synopsis
Waylon Jennings, in a brief cameo, is gunned down by a former acquaintance who hasreturned from prison consumed with thoughts of vengeance. Jennings’ son gets together withKris Kristofferson, Willie Nelson and Travis Tritt to track down the killer. Not unentertaining,but, flawed by both sentimentality and flip moments such as a saloon slaughter that, sinceUnforgiven, is difficult to take a face value any longer.
Audio
The audio is a 2.0 mix, but wit...
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
As Al Pacino constantly reminds us in The Recruit, nothing is ever as it seems. This film, while not a great effort, is vintage Pacino. Strong performances are also to be found from Colin Farrell and Bridget Moynahan, but as usual it is Pacino who steals the show. The Recruit is actually two different films in one. The first half is an intruding look at CIA training at the fabled “farm”. Once the training ends, an effective spy/counterspy plot takes over that won’t lose momentum. You’ll find enough surprises to keep even the most irritating “I knew it” viewers quiet for much of the film.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2003
If ever there was a film that was badly misunderstood it is Star Trek: Nemesis. The most common complaint I’ve heard is it was too much like an episode. Excuse me, but isn’t it supposed to be? Nemesis has everything a good Star Trek film should have. The character chemistry, space battles, a morality tale, and terrific f/x. If the film suffers at all it is from poor editing, as the collection of deleted scenes clearly shows (more on that in the special features section). As many politicians are fond of saying, “mistakes were made,” but this is a far better film than the critics or fans have given it credit for being.
