Posted in: Disc Reviews by Gino Sassani on July 29th, 2002
Synopsis
Colin Farrell plays the Hart of the title, a callow youth kept from the front lines of WWII by his senator father. Fate puts him in a prison camp, however, where he meets McNamara (Bruce Willis), who is determined to continue to fight (echoes here of William Holden in The Bridge On the River Kwai).
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
There have been so many “buddy cop” films that it has become its own genre of sorts. Still, no pairing has yet matched the chemistry of Danny Glover and Mel Gibson in the Lethal Weapon franchise. Even with four films now under their belts, the duo is capable of delivering a relationship that is worn and comfortable while still remaining fresh and exciting. Some of the franchise’s running gags begin in this first film, like Riggs and his dislocated shoulder and Murtaugh’s familiar “I’m getting to old for this shit.” If you are more used to the later films, this one will strike you as a bit grittier and certainly darker.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
H. G. Wells is often considered the father of science fiction. Tales like The Invisible Man, War of the Worlds, and, of course, The Time Machine, have become classics both in literature and cinematography. The latest version of The Time Machine attempts to satisfy both fans of the George Pal film and readers of the original novel. Having Simon Wells, grandson of the writer, direct the film was no accident. What you end up with is a pretty nice film, but one that might not satisfy fans of the earlier works. The device itself is certainly in homage to the Pal machine. Enough liberties are taken with the story to warrant criticism from the novel’s fans. I rather enjoyed this film for what it was: simply a wonderful time travel story.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 19th, 2002
Synopsis
Jodie Foster, victim of a gang rape, stumbles out of a bar called The Mill. Immediately before she appears, a young man also comes running out, and phones the police. Kelly McGillis is the prosecuting attorney on the case. She arranges a plea bargain with the assailants, which enrages Foster. McGillis then agrees to prosecute the men who stood by, watched, and did nothing. That young man at the beginning of the film will obviously have a crucial role to play.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2002
Synopsis
Jennifer Saunders and Joanna Lumley star as Edina and Patsy, terminal fashion victims and loathsome relics from the sixties. Edina is a psychopathically narcissistic motormouth (conveniently, writer Saunders gives herself the lion's share of lines), and Patsy is a vaguely sinister man-eater. She spends most of the time lurking about on the edges while Edina makes life miserable for her long-suffering daughter. The sum total of the series' humour is graspable within five minutes, but that did...'t get in the way of its popularity going through the roof.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2002
Hard Cash wants very much to be a smart movie, with not one but three separate heists that are thought out and executed in complicated style much like the far superior films, Heist and The Score. The problem with Hard Cash is that it can’t resist being campy as well. Hard Cash also wants to be funny. The end result is a movie that does both adequately but neither very well. Val Kilmer looks so uncomfortable in his role, you wonder if his shoes are on too tight. Slater is accually quite convincing, but he can’t get any of the other actors to come along for the ride. One of the true bright elements of the film is the “contingency plan” played by Verne Troyer, best known as Austin Powers’ Mini-Me. There is also a very amusing subplot involving a fellow crook who wants to be a tailor and likes to make “alterations”.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 11th, 2002
Sins of the Father is an emotional film. It is overflowing with disturbing images of both racial and domestic violence. The cast is quite convincing. This film is not for everyone. The portrayal of the racial tensions of 1960’s Alabama closely resembles the historic footage interwoven in the film for realism. The film often switches from 1998 to 1963 and the transitions are often confusing.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 6th, 2002
Film
Walking With Dinosaurs plays out like a National Geographic special, tracking dinosaurs and their kin in the field. Wonderful CGI recreations of some of the more obscure beasts set this special apart from all other dinodocumentaries.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2002
Film
Criterion has done it again! Along with Buena Vista, Criterion has transformed this flawlessly executed film into a masterpiece on DVD. For you Rushmore fans out there, you will absolutely love this film… I actually liked this film more then Rushmore. If you have not seen any works by Wes Anderson (director), you should really check this film out.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2002
Synopsis
The second season still shows a strong connection to the Robert Altman film, with the movie's closing credits narration, for instance, still being used, and the first episode still finding it necessary to let us know who the characters are. At the same time, while still following traditional sitcom patterns, the series is also clearly pushing against that envelope.
