Posted in: Disc Reviews by Michael Durr on October 20th, 2011
There are some things in life I will never be able to relate to. Famous sports athlete, sorry missed out on that boat when I walked off the baseball team in high school. President of the United States, I need more than the votes of my wife and parents. But there are other things on a smaller scale I can’t relate to either. Like children. I will never how it is to have my own children. While I have certainly accepted this fact and I am okay with it, sometimes movies come along with themes that are foreign to me. Enter Beautiful Boy.
We open up to some home videos at the beach. A family can be seen in what would be their last vacation together before the son would eventually go off to college. We slowly pan in to Sam (played by Kyle Gallner) who is reading his essay to a very disinterested class. Dejected, Sam finishes and sits back down. Life is difficult at the new college and Sam is finding it hard to adapt.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2011
"Now children, are you sitting comfortably? Then I'll begin..."
A good ghost story is actually pretty hard to pull off. Unlike a typical slasher or monster movie, ghost stories can't really depend on visual elements to carry the burden. Certainly, there have been those films where apparitions take on some pretty creepy forms, and that can go a long way. The Asian horror market has explored that world often enough. Still, some of the best ghost stories make their impact on what you can't really see. It's the tale and the telling that makes a film like The Others come to life. It's a film that hasn't really gotten the attention or credit it has deserved over the years. Perhaps with Lionsgate's new Blu-ray release of the 2001 film some of that can be corrected.
Posted in: Disc Reviews by M. W. Phillips on October 20th, 2011
“I'm just a hard working man trying to get by.”
HBO has a way of making series that feature cities like one of the major characters, and How to Make it in America showcases New York City. Not the NYC of Sex and the City, which was all uptown preppie, How to Make it in America takes it to the streets. Not since Woody Allen have the boroughs been so lovingly represented. Much like the hustle of the NYC, How to Make it in America crackles with street-savvy vigor and style.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2011
"This is not the opening of a TV show. This is real life."
If you had to describe the fourth season of Chuck in one word it would be Mother. This season Chuck learns that his mother was also a spy and that she didn't really just abandon her family. She went deep undercover and now may or may not be one of the bad guys. It helps that Momma is played by genera favorite Linda Hamilton who makes some sweet references to her earlier works on Terminator and Beauty And The Beast. The man she went undercover to get was Alexei Volkoff, played by one of my favorite and incredibly underrated James Bonds, Timothy Dalton. This is the story that really dominates the season, but there are some other events of note to be found:
Posted in: Disc Reviews by Gino Sassani on October 20th, 2011
"In May 1980, Fidel Castro opened the harbor at Mariel, Cuba with the apparent intention of letting some of his people join their relatives in the United States. Within seventy-two hours, 3,000 U.S. boats were headed for Cuba. It soon became evident that Castro was forcing the boat owners to carry back with them not only their relatives, but the dregs of his jails. Of the 125,000 refugees that landed in Florida an estimated 25,000 had criminal records."
One of those refugees was Tony Montana.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2011
Just look at the title, A Horrible Way To Die, and I'll bet you pretty much know what you're in for. You could very well be expecting a gore-fest that borders on the torture-porn genre, and you might be preparing yourself for some imaginative and bloody kills. Looking at the title you'd have every reason to believe that's what you were going to get. You might expect it, but that's not really what you're going to get. The title is quite misleading, in fact. Yes, it's a horror tale about a brutal serial killer. No, it's not the kind of film that lingers on mutilated victims or covers the surroundings in blood and guts. Instead, this is a surprisingly good tension boiler with tons of atmosphere and a few clever twists and turns. Your disappointment could turn into a rather pleasant surprise if you give this one a chance.
There are two stories going on here that are heading toward a climactic collision. The first involves incarcerated serial killer Garrick Turrell (Bowen). He's about to be released for bad behavior. Okay, so "released" isn't quite the word I was looking for. He kills a few guards and manages to escape. He attempts to change his appearance, but he can't quite shake the habit of killing people. Habit is exactly the word I'm looking for here. Garrick doesn't appear to kill in some passionate rage. He's actually quite polite and even-tempered, for the most part, except for the ....you know... killing part. He's working his way back home and leaving bodies along the way.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2011
In case you were not already aware, the makers of Cinema Paradiso wanted you to know just how acclaimed their film happens to be. So, before the film itself starts there's something akin to a credit roll with a long list of awards and acclaims the film has received since its release in 1988. To say that it is a film held in high regard would be a terribly unfair understatement. The movie is an undisputed classic and for good reason.
The film tells the story of one Salvatore "Toto" Di Vita, played by three different actors representing three stages of his life. Salvatore Cascio plays the young boy. Marco Leonardi plays the teenage years. And Jacques Perrin plays the elder version of Toto.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2011
"This is a simple story, but not an easy one to tell. Like a fable, there is sorrow. And, like a fable, it is full of wonder and happiness."
Roberto Benigni has been somewhat of a staple in Italian cinema for nearly 40 years. He has a solid reputation not only as a talented actor but as a writer and director, as well. He has been known mostly for his comedy, and that's exactly how many people see Life Is Beautiful. On first glance you might read the description and be somewhat skeptical about watching a comedy about the Jewish Concentration Camps during World War II. But Benigni manages to mix just the right amount of whimsical comedy into a very serious backdrop. It isn't very easy, and I know of only a handful of cases where serious material has successfully translated into comedy. Hogan's Heroes and M*A*S*H stand out as notable examples.
Posted in: Disc Reviews by M. W. Phillips on October 15th, 2011
“I find that the only way to get through life is to picture myself in an entirely disconnected reality.”
15 year old Welsh schoolboy Oliver Tate (Craig Roberts) has an amazing amount of self esteem for a kid his age. He fantasizes about his own funeral and the tragic impact it would have on his community and Wales in general. In reality, Oliver is severely socially retarded and unpopular. His mother, Jill (Sally Hawkins) is a neurotic, frustrated housewife, and his father, Lloyd (Noah Taylor) a bipolar marine biologist. His two goals for the summer are to lose his virginity (while it is still illegal) and save his parents’ marriage from reintroduction of one of his mum’s former flames, Graham (Paddy Considine), a lecherous, self-help scam artist. Somehow, against his best efforts to sabotage the courtship, he meets and falls for fellow quirky class mate, Jordana (Yasmin Paige). She quickly takes control and leads him on his coming of age summer tour.
Posted in: Disc Reviews by M. W. Phillips on October 14th, 2011
“You have the right to remain silent... forever!”
Maniac Cop is a movie that has all the elements of being a cult classic.
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