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There is hardly any differentiation between the Jackass series and its films, aside from a few more celebrity cameos and bigger budget stunts as the years have gone by. A testament to this is the “.5” editions of each film, which are literally cobbled together using rejected sketches and stunts from the original release. Unlike when such films as X-Men or Spiderman put out a DVD called 1.5 or some such, this is not simply an expanded version of the original release, but a whole new film. Saying that the Jackass series has X amount of seasons on TV or X amount of movies is relatively useless because that would suggested there is a more defined time line in their history, and we'd have to exclude the copy-cats and offshoots such as Viva La Bam and Wildboyz in the canon. These boys have been filming for over a decade and whenever they get 3 hours worth of usable footage, they put out two movies (one to theatres, one straight-to video), that's the basic gist of it.

There is honestly not that can be criticized because, at this point, audiences know exactly what they're in for when it comes to Jackass. Mind you, those that are fans will notice that the stunts have become tamer. In some backwards way, some of the older stunts had either a way of being entertaining for being clever or cute in perfectly harmless ways, or even slightly educational when it came to becoming human guinea pigs for tazers, rubber bullets or other devices that are being used to harm humans on purpose. The stars of Jackass have become just that: “stars.” They have invested many injuries and humiliations to get to where they are today, and are not as willing to take chances these days. There was an interesting bit about paranoia and just how miserable being on a Jackass set can be because pranks can happen at any point. Perhaps some of the stars' hesitation comes from being exhausted of being victimized whenever they turn their backs or attempt to nap.

I never had a big momma growing up. My mother and each of my grandmothers were never what I would call big. My mom and her mom barely cleared 5 feet tall and my grandma on my dad’s side while pretty tall was very wiry and thin. So I never had the huge momma experience and it was probably for the best. However, I am not foreign to the concept of Martin Lawrence playing a Big Momma as I saw the first movie. Two movies later, does it still have its magic?

Malcolm Turner (played by Martin Lawrence) is a FBI agent who specializes in the art of disguise and witness protection. But today, he is threatening his local mailman (played by Ken Jeong) to pull the postal vehicle over. Eventually he does and then the two get into a fight because the mailman has to deliver the mail. Malcolm gets the letter he was looking for. His son has just been accepted to go to the school he went as young adult, Duke University.

When my webmaster asked if I would like to rehash my dvd review for Priscilla: Queen of the Desert for the new blu-ray edition, I jumped at the chance. After all, I did love the movie. But in this blu-ray era, this was strangely the first time I had to do this. I wrote that review almost four years ago to the day. As many would argue, my writing has changed considerably in that time. But without further adieu, let us take a look back at the review.

From the DVD:

Most film-goers could identify a Michael Bay film just by the techniques he uses — quick edits, sun drenched color palette, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high-concept films. In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode — resulting in a lopsided film. The first hour was a tedious love story; the last 90 minutes were better — including an excellent recreation of the surprise attack.

The same is true in The Island. Bay can’t wait to make things explode, and once they do — Bay is very much at home. Though while the explosions are very well choreographed, The Island becomes another action movie that would have worked better had the concept been given more thought.

The second version of Cornell Woolrich’s novel “Waltz Into Darkness” (previously filmed as François Truffaut’s Mississippi Mermaid), this is a decidedly steamier version, especially here, in its unrated form.

Cuban plantation owner Antonio Banderas advertises for a wife, and the woman who answers his ad is, he believes, plain but pure. Who shows up, however, is the beautiful but duplicitous Angelina Jolie, who has larceny rather than matrimony on her mind. Her scam runs smoothly at first … but she hasn’t counted on the depth of Banderas’ obsession with her.

"There was a time in baseball when there were only eight teams in each major league. They played an orderly balanced schedule visiting each city four times. A trip out West meant St. Louis or Chicago. There was a comfortable rhythm to the season... That time is gone now."

I might be from the last generation who understands exactly what that means. Some of the best memories of my life were of the lazy afternoons I spent with my grandfather at Veterans Memorial Stadium in Philadelphia. Over the course of a decade or so we must have attended a hundred games. Mike Schmidt became my idol, outside of my grandfather, of course, who made it all possible. In those days players didn't get into a ton of legal troubles. It would have shocked my young life to hear that one of my Philly players had been arrested for beating his wife or carrying a gun into a nightclub. Players didn't argue about contracts, at least not publicly. It was the 1970's, perhaps the end of that era when baseball really was a game. I treasure those memories. My grandfather is gone now, but he gave me something that will always be a part of who I am. And while this HBO series deals with the years before 1970, I can relate to those earlier generations who felt the same way about their sport and their heroes. Obviously, my grandfather was a part of those generations. And now HBO brings to high-definition Blu-ray a safe place to store those memories.

"In America we give our lives to our jobs. It's time to take them back."

It was only a matter of time before the current economic situation made its way into our theaters and finally our homes with a movie like The Company Men. Certainly the economy has influenced many films in the last five years. There have even been other movies to explore many of the current issues. But it's this film that makes those issues, particularly corporate raiding and downsizing, its sole reason for being.

It is that time again boys and girls for the movie of the week. This week, we visit a genre that is staler than your grandmother Edna’s cookies: the romantic comedy. *boo* *hiss*. Okay, okay before you start throwing those almond cookies, I think I need to let you know that there is a $5 bill in it for each of you. *whisper from editor* “Do we have that in our budget?” “No silly, just go with it.”. Audience – “What was that?” Why, our movie today is the Adam Sandler and Jennifer Aniston picture: Just Go With It. Roll the film!

Twenty years ago, Danny Maccabee (played by Adam Sandler) ended his wedding day with a big broken heart and an even bigger nose. Man, was that thing huge. Be sure to never invite him to a coke party. Coke party? Yes, this review is brought to you by Cherry Coca-cola. No, you can’t have any because I drank it all. Anyway, Danny goes off to a local bar to drink the night away (not Cherry Coca-Cola) and strikes up a conversation with a hot girl who notices his wedding ring.

On first glance it might seem like a rather odd choice to have the likes of Billy Crystal direct a movie about the 1961 drive to beat Babe Ruth's sacred homerun record by teammates and friends Roger Maris and Mickey Mantle. When the film first aired on HBO,,I recall doing a bit of a double take myself. But, once you've seen the man talk about his memories of the game and the absolute reverence and respect he has for its history you begin to understand why he was the perfect choice to direct 61*

The film begins in more recent times. We are placed in the heat of the 1998 baseball season when Mark McGuire and Sammy Sosa were engaged in an eerily similar race to break Maris's 61 homerun mark. McGuire was the first to do it, coincidentally in a game against Sosa's Chicago team. Of course, at the time we didn't know that McGuire was juicing up and Sosa had a thing for corked bats. The Maris family was there to watch the record be broken, at least his children were. His widow had to watch from a hospital bed after having a health episode that very day. The family was gracious, and of course, it brought back memories of the 1961 season. It is here where the real story begins. The film recounts the friendship between Mantle and Maris, known as the M&M boys, and the film carries us through one of baseball's most tumultuous season.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us, the show has not only survived, but it has thrived, looking to be around for quite a while yet.

In season 1 Sam Winchester (Padalecki) was in college. His fiancée was attacked by a creature that had once also taken his mother. Enter brother Dean (Ackles) who arrives to take the mourning Sam on a cross-country search for their missing father. It turns out that Daddy Winchester has been on a self-imposed crusade to find the monster that took his wife and any other demon or creature he might be able to hunt along the way. We also find out he’s trained the boys to be quite capable monster hunters themselves. Most of the first year dealt with the brothers fighting their way to their dad. It ended in a hell of a cliffhanger. Season 2 didn’t waste anytime picking up the action. The action picks up the moment we were left waiting last May. If the first year gave the boys their mission, the second is about consequences. All of the expected monsters are there for the hunt, and year two turned out twice as good as the first. If you didn’t think that was possible, check out this second-year DVD set.