Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Actor Edward Norton first came to my attention in the heist film, The Score. I hadn’t heard a lot about the bright young actor, but I remember that he impressed me quite a bit. When you consider he was playing along with the likes of Marlon Brando and Al Pacino, that’s no small achievement. Somewhere along the way I missed the 1996 release of Primal Fear. Based on the William Diehl novel, the film would be the first major feature to star Norton. It was a breakout character and a breakout performance. He deservedly was nominated for an Academy Award for the role, one he likely should have received.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2009
The highpoint of I’ve Loved You So Long is a rather brilliant performance by Kristen Scott Thomas. She is able to inhabit a character in ways I’ve rarely seen. You’ll be hard pressed to find any identifiable boundaries between the actor and the character. Now, usually, that’s the foundation for a solid film. The problem is that her character just isn’t that interesting of a person after a while. Of course, there are nuances to observe, and Thomas serves them up well, but after a short time we’ve really come to know this character pretty well. We just don’t find her all that interesting.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2009
Is it me, or have we been getting a lot of talking animal movies of late? I suspect the use of the CG technology that exists today lends itself to this kind of film. You might even make the argument that it hasn’t really been any different than the talking animal cartoons that have been with us forever. It’s just that now we can make live action dogs, or any other creature, for that matter, appear to be talking in a fairly realistic way. And as far as the use of that technology, Beverly Hills Chihuahua certainly blends the CG and live action footage seamlessly enough. And while I can’t really find much fault with this movie, it just seems like I’ve seen and heard it all before, a little too often as of late.
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2009
“Did you pick your feet in Poughkeepsie?... Have you ever been to Poughkeepsie?... When you were in Poughkeepsie, you sat on the edge of the bed, didn’t you? You put your fingers between your toes and you picked your feet…. If I can’t bust you on this other thing I’m going to bust you for picking your feet in Poughkeepsie.”
There can be no argument on this point. The 1970’s was a golden age for the cinema. When you think about the iconic characters and films the decade produced, it’s hard to contradict the point.
Posted in: Disc Reviews by Gino Sassani on March 2nd, 2009
The French Connection had one of the best film endings a show of this kind could ask for. There was absolutely no need for a sequel. Obviously the success of the first film laid the groundwork for another adventure. In reality the case was rather left open, so there was certainly room to follow up the action. The problem is that none of the elements from the first film remain in the second beyond Gene Hackman’s portrayal of Popeye Doyle and the return of Fernando Rey as the villain Charnier. Friedkin would not return to direct, and even though he was replaced by an even greater director in John Frankenheimer, not much of the original crew remained.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“A movie filled with so much terrible horribleness, you’ll crap someone else’s pants”
Bruce Campbell has carved out himself quite a little niche in the acting game. No one would consider him a superstar, and the films he’s most notable for are the kind of cult favorite films that critics tend to hate, all except this particular critic. What’s kind of funny about the whole thing is that Campbell has appeared in some seriously successful films, including all three Spider-Man movies. His parts in these affairs might have been small, but Sam Raimi fans know that it wouldn’t be a Raimi film if it didn’t have Bruce Campbell somewhere.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“Safety is the greatest risk of all, but safety leaves no room for miracles, and miracles are the only sure thing in life.”
Spike Lee finds a noble cause in the experiences of the Buffalo Soldiers, fighting in Italy during World War II. There’s no question that history hasn’t always dealt fairly with the contributions the black soldiers have made on the battlefields that have, at times, defined our nation.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2009
What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known?
Posted in: Disc Reviews by Athena on February 13th, 2009
Athena, here again sub “woofin’” for Gino. For those who don’t remember me, I’m a 13 year old Siberian Husky, and Gino lets me watch and review some of the movies for you guys. Times like these you need a dog’s eye view, and I happen to have two of them, a blue one and a brown one. Who says dogs are colorblind? I don’t get to go into the theater here a whole lot, something about fur in the equipment. I thought I was bein’ helpful because Gino’s always saying he doesn’t get enough software for his PS3. Hey, I got the softest wear around here. Well, Gino let me in again a couple of nights ago to watch the latest in the “Buddies” films.
Posted in: Disc Reviews by Gino Sassani on January 21st, 2009
“When one starts to perceive one’s own reflection as a completely separate being, one is suddenly confronted with two entirely separate egos, two entirely separate worlds that can surface at any given moment. A feeling of self hatred usually triggered by a psychological shock can split the personality in two, hence creating two or more personalities with distinct memories and distinct behavior patterns within the same individual. The patient has the false perception of the existence of two distinct worlds, the real world and the world inside the mirror.”
Or maybe not so false, at least according to the 20th Century Fox thriller, Mirrors.