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"I can guarantee your safety ... more or less." 

Some things cannot be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby." And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will.

"If you carry a 00 number it means you're licensed to kill ... not get killed."

1961 was a pretty big year for many of us. In the NFL one of the new teams entering the league was one in Minnesota called the Vikings, and they would draft a quarterback named Fran Tarkenton as one of their first acts. I was born that June, and a couple of weeks later one of the most important deals ever made in Hollywood was consummated. EON Productions had just been formed as the partnership between Albert R. "Cubby" Broccoli and Harry Saltzman, and their partnership started off with a bang when they acquired the film rights to Ian Fleming's British secret agent, James Bond. Fleming's first choice to play his spy was Roger Moore, who later did take over the role, but long after Fleming had died. Sean Connery would fill that role nicely, and within a short period of time Fleming was on board with Connery in the title role.

Good evening, everybody! My name is Robbie Williams. This is my band, and for the next two hours, YOUR ASS IS MINE!” 

I was really intrigued with the film’s concept. After all, every year musical biopics are released, and they can sometimes seem like they are all following the same blueprint, which, needless to say, makes it rather difficult for them to stand out. Better Man bucks that trend by instead of opting for an actor with a passing resemblance to the subject, rather depicting the subject as a chimpanzee, which was inspired by Robbie Williams’ own perception of himself as a "performing monkey". If that doesn’t make this film stand out, I don’t know what will. This also has the added benefit of allowing Williams to voice the character himself, which in my opinion adds a layer of authenticity to this biopic. After all, who better to tell their life story than the person themself?

"I'm not feeling motivated to be valuable to anyone but myself."

When Alex Kurtzman took over the television side of Star Trek, he started with Star Trek: Discovery.  Michelle Yeoh played one of the better characters on the series. She started as a ship's captain and was soon killed off. But then the ship heads into the Mirror Universe, where Yeoh's character of Philippa Georgiou wasn't a Starfleet officer. She was the emperor of the Terran Empire. She ended up on our side of the looking glass and had some rather interesting stories. It turns out that almost from the beginning Yeoh had some ideas of a spin-off she hoped to do. That series was Section 31, which involved a black-ops agency within the Federation, and she thought our kind of evil emperor might be a perfect fit.

"The thing I love about Valentine's Day is the expectation of the unexpected. That something magical could happen, and maybe that special someone will come back into your life and change its course for the better."

Valentine's Day is one of those Hallmark holidays that leave us with a warm and fuzzy feeling inside. Unless, of course, you happen to be alone, or a member of the Bugs Moran gang in Chicago in 1929. So it really means a lot of things to a lot of people, but I really do question the use of that particular day for the setting for first-time director Jonathan Eusebio's action film Love Hurts. The Valentine's Day angle is pretty weak, and a think gimmick for what is basically a comic martial arts film that gives Vietnamese actor Ke Huy Quan his first starring role. The gimmick pretty much failed, and the film tanked after just a short time at the box office, bringing in a measly $15 million with a budget of over $18 million.

"What my associate is trying say is our new brake pads are really cool. You're not even gonna believe it. Like, let's say you're driving along the road with your family. You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. Eeee. Whoa, that was close. Ha-ha. Now let's see what happens when you're driving with the "other guy's" brake pads. You're drivin' along,  the kids start shouting from the back seat, "I gotta go to the bathroom, Daddy!" "Not now, damn it!" Truck tire. I can't stop! There's a cliff. Aaahh! And your family's screaming, oh my God, we're burning alive!" "No! I can't feel my legs!" Here comes the meat wagon. And the medic gets out and says, "Oh my God." New guy's around the corner puking his guts out. All because you want to save a couple extra pennies."

There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello.

"Ever since I was a young boy, I played the silver ball, From Soho down to Brighton, I must have played them all, But I ain't seen nothin' like him, In any amusement hall, That deaf, dumb and blind kid, Sure plays a mean pinball." 

I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975

"We work 364 days a year because on that one day we deliver presents to several billion individual domiciles across 37 time zones without ever being detected by a single human being. We prep, we rehearse every moment, every stop down to the last chimney. So yeah, it's a lot of work."

At first glance, it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from Director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spinoff Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson's spinoff black hole Black Adam. It's a working environment friendly to the actor.

"So a psychopath walks into a bar and sees this famous clown sitting there all alone. Totally drunk;, it's pathetic. "I can't believe you're here," he says. "What a disappointment. I used to watch you on TV. What can I get you?" And this clown turns and says "Well, if you're buying you can get me anything." "Perfect," the psychopath says. "How about I get you what you f'in deserve?"

Folie a Deux. French for madness of two. From the moment that title was an announced, it was presumed that Harley Quinn would be making an appearance, and I applaud Lady Gaga’s selection as Joaquin Phoenix counterpart. However, I suspect that the reason for her selection was twofold given the decision to make the film a musical. Perhaps not an official musical, but in my humble opinion, I don’t think it could have been any more official. Unfortunately, this was among my issues with the film. It was too long, and there were too many songs.

I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut