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"Not everybody can become United States Marines. We want the best and we settled for nothing but the best, because there is nothing prouder, nothing finer, nothing standing as straight as a United States Marine. Now they got the Air Force, they got the Navy, they got the Army, they got the Coast Guard - and if you want to join them, go ahead. They got plenty of room. But if you want a challenge, if you want to try something difficult, try to achieve the impossible - try 13 weeks of hell at Parris Island, South Carolina, and find out if you got what it takes, find out if you really are a man, then the Marines might be what you are looking for. Tarawa ... Iwo Jima ... Belleau Wood ... the frozen Chosin Reservoir. First to fight, we have never lost a war. We have always come when our country has called."

Born On The Fourth Of July has been both a controversial film as well as one of Tom Cruise's first breakout roles. Over time the film has become appreciated more as feelings on the Vietnam War have pretty much come full circle in the American political mind. Now it can be viewed for the remarkable performance Tom Cruise delivers and the rather stark reality check Ron Kovic's autobiography provided in 1976 to a nation that might not have been ready to hear it. Times have changed, and I think they're well reflected in Oliver Stone's film Born On The Fourth Of July, which Shout Factory has now made available in 4K for the first time.

"You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, the feds or whatever heard that he's gonna be here today, so they set up a trap for him. This whole concert? It's a trap. They're watching all the exits, checking everyone that leaves. There's no way to get out of here. It's kinda dope, right?"

The idea is actually based on a true story, with a lot of differences. In 1985 the FBI managed to round up over 100 high-profile criminals with a ruse that involved tickets to an NFL game. There have been plenty of other scams where promises of prizes have attracted otherwise cautious wanted people. I was at a promo for some home improvement club store, and while there, a couple of folks were nervous that it was a sting because they had outstanding warrants. It wasn't, but these things can and do indeed happen. The way it's done here leaves one to stretch credibility a bit more than I'm usually willing to go.

"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present ... tonight."

The idea for The Terminator came to James Cameron in a feverish dream as he was struggling and about to get fired from Piranha II: The Spawning. He was overworked and stressed and ended up in bed. He immediately wrote a treatment with then-wife Gale Ann Hurd, and they approached Arnold Schwarzenegger quickly to make sure they retained control over the property. Eventually he lost it anyway, and that's why so many franchise films that were out of his control.

“The juice is loose.”

Michael Keaton is on quite the reunion tour of reprising his old roles, and for most actors, stepping back into the role isn’t always easy. However, for Keaton, it is as if no time has passed whatsoever. Over thirty years since portraying this iconic role, Keaton returns as Beetlejuice, the trickster spirit who attempted to manipulate a marriage to Winona Ryder’s Lydia Deetz in order to gain a permanent foothold in the living world. Keaton isn’t the only one who returns in this well-done addition to the ongoing trend of continuation series; Ryder returns as Lydia Deetz, Catherine O’Hara is back as Delia Deetz, Lydia’s stepmom, and most notably Tim Burton is back in the director’s seat for the sequel. Burton’s return is most pivotal addition in my opinion, as the first film was full of his unique style that would be impossible for another director to emulate. Also joining the franchise are Justin Theroux, Monica Bellucci, Danny DeVito, albeit too briefly, and most appreciatively, Jenna Ortega, who previously and actively collaborates with Burton on the Netflix Series Wednesday, whose upcoming season I am anxiously awaiting.

"One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix..."

Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. You know the story already, so I'll stick the main idea. Freddy was a child molester and killer before the parents of Elm Street decided to burn him to the ground in a boiler room. Good homestyle justice goes wrong when Freddy reappears in the nightmares of the children of Elm Street. He has become a demon of sleep where he is able to manipulate the world into the most terrifying images possible for his victims trapped by their own slumber.

"It's good to be back."

It’s the little things I supposed. When forced to confront the prospect of your own death, what will you do with the time you have left. Some fight against their own extinction. Some seek help from a higher power. While some cling to the past and seek comfort in their treasured memories. In a Quiet Place: Day One we see a bit of all three. While Day One marks the third installment in the Quiet Place franchise, it serves as the prequel for the series showcasing how the world went silent after sightless aliens with sharp hearing and impenetrable armor plating take over the planet and attack the human population. For me, this is a welcome addition to the franchise because while watching the first two films, one of my recurring thoughts was I would like to see how the world went quiet. Imagine my excitement when I this movie was announced. In my mind, I figured the prequel would continue to follow the Abbott family. However, Day One is comprised of a predominantly new cast, with the exception of Djimon Hounsou, who was introduced in the second film. While I was initially disappointed, I got over it quickly as new blood provides a new opportunity to expand the story rather than restricting yourself. Lupita Nyong'o, Joseph Quinn, and Alex Wolff represent our new additions to the franchise, and they don’t disappoint.

"Let's get this party started, people!"

So, I somewhat missed the boat on the Despicable Me franchise but let me see if I got the gist. So Gru, played by Steve Carrell, is a reformed clumsy master villain, (though from what I can see he maintains the clumsy part) who now works for the Anti-Villian League; essentially now helping catch villains instead of being one. Interesting premises and after watching Despicable Me 4, I can see why the studios have deemed to keep the series going. Returning to the franchise with Carrell is Kristen Wiig as Lucy, another member of the Anti-Villian League that originally hunted captured Gru before falling in love and becoming his wife and mother to his son, as well as Miranda Cosgrove, who voices Margo, Gru and Lucy's oldest adopted daughter, and Dana Gaier as Edith, Gru and Lucy's middle adopted daughter. New additions to the cast include Will Ferrell as the film’s primary antagonist and old nemesis of Gru’s, Sofia Vergara as a femme fatale and secondary antagonist, and most notably and possible my favorite character of the film, Joey King as Poppy Prescott, an aspiring super villainess who has admired Gru for a long time.

"This is the story of one of America's great unsung heroes. I mean, you've seen him, but you never knew who he was. You've cheered for him and cried for him, and women have wanted to die for him. But did he ever get any credit, or the girl? No! He's what we call the "stuntman", and the reason I'm talking so fondly about him is, well, because it's me, Colt Seavers. Anyway, picture work isn't wall-to-wall employment, so maybe you wonder how a guy keeps his head together. Well, one way is to wait by the phone ... and wait, and wait. The other is to take an occasional job with the court system of the United States of America, where a man is considered innocent until proven guilty. Unfortunately, sometimes a lot of these people get out of jail on what we call bail, and they'd run like hell ... and that's where I come in. I sometimes pick up rent money trying to find them and bring them back to justice." - Television series open.

Lee Majors performed a pretty solid television hat trick in his television career. Over three decades he starred in three iconic television shows that defined him for three successive generations. In the 1960's he was Heath Barkley on the TV western The Big Valley. Like the Cartwrights in the more popular series Bonanza, the Barkleys faced all of the elements of the Wild West, and Lee Majors was there for it all. From 1965 to 1969 he was in 112 episodes of the hit show. Then the 1970's arrived, which was the decade in which I became  acquainted with Majors as Steve Austin, "a man barely alive" until a secret government organization made him "better than he was" as The Six Million Dollar Man. He was "reassembled with a bionic arm, eye, and two legs. It made him "stronger ... faster ..." I spent many a summer afternoon running in slow motion and making that "chichichi" sound as a young boy. The Six Million Dollar Man ran from 1974 to 1978 and went 99 episodes, a couple of spin-offs, and several television movies. The show has been kicked around in Hollywood for decades with several attempts to make it a film franchise, often updated to The Six Billion Dollar Man. I guess a million bucks just doesn't go as far as it used to. Now it takes $126 million to put Majors' third series on the big screen. That happens to be the role of Hollywood stuntman-turned-action-hero Colt Seavers, and it ran from 1981 to 1986 and another 112 episodes. If you're keeping score at home, that's an amazing 323 + episodes of television over three decades. And now it's Colt who beats Steve and Heath to the big screen in The Fall Guy, directed by David Leitch and starring Ryan Gosling in Majors' Colt Seaver role and Emily Blunt as his co-star, playing Jody Moreno, originally played by Heather Thomas. But is this a movie that audiences are going to fall for?

In 1993 when this film came out, 1962 just seemed like another time that as a teenager I just couldn’t wrap my head around. While the kids in Matinee were excited about these giant monster films, I could sort of relate, as I was getting into horror myself, but instead of atomic bugs, I was getting into the slasher heavy hitters like Freddy Krueger and Jason Voorhees. So a film about kids spending most of their time at a movie theater was something I could relate to easily, and as I got older I simply continued to appreciate the film more as I consumed more films from the past and grew to appreciate filmmakers like Val Lewton, William Castle, Roger Corman, and Lloyd Kaufman, the guys who knew how to turn a cheap film into an event experience through a variety of marketing gimmicks. The idea of ambulances being staged outside a theater because audience members may faint or having people in costume lunge at unsuspecting guests. These innovators make going to the movie theater an experience even if the movie wasn’t all that great … and now 30 years after the release of Matinee, I find myself bitten by the bug of nostalgia. I can’t help but miss how I used to consume movies, either spending an entire day at the multiplex sneaking into R rated films or hitting the video store and grabbing a bunch of videos to watch with friends. Now we have streaming, and it just isn’t the same. The movie theaters may not have the sticky floors that we all hated, and to be fair I do like the stadium seating, but it’s just not the way it used to be, and with ticket prices skyrocketing along with crazy rates at the concession stands, well, it isn’t too hard to understand why people want to believe the theater experience is dying.

I don’t mean to be so bleak, especially when Matinee is far from being a downer; instead it is a charming love letter to a time where as a kid things would have been so simple, but for adults the terror of an atomic missile strike kept many parents in fear. Gene Loomis (Simon Fenton) is your typical kid, but with his father being in the military his family bounces around a lot, and while his father is deployed he feels the need to be “the man of the house” and look after his mom and his little brother. This new deployment has them brought down to the Florida Keys, and at the worst time imaginable, during “he Cold War, and when the Russians are threatening to drop atomic bombs on the States. We see how the kids are prepping with bombing drills and folks around town are emptying out the store shelves (a scene oddly reminiscent to when the COVID panic recently struck and the nation was in a panic over toilet paper). Gene is eager to simply just leave the base and find his sanctuary at the local theater and just watch movies all day. It’s at the movies he happens to run into one of his idols, Lawrence Woolsey (John Goodman), who has come to town to premiere his new film, a B-monster movie called MANT, and he’s going to be presenting the film in what he calls “Atomic Vision”.

"For most of human civilization, we believed that we were Earth's most dominant species. We believed that life could only exist on the surface of the planet. Well, after a certain point of view, you have to wonder what else we were wrong about. In the beginning, Hollow Earth lived in harmony with the surface world. The Titans were the guardians of nature, and the Great Apes became the protectors of humanity. But a great evil threatened the peace. A powerful and ruthless ape desperate to conquer the surface world led his tribe into war against the one they call the Monster Who Ate a Star. The war with the Apes nearly destroyed Godzilla. But after a great battle, he imprisoned the apes in a fiery realm of Hollow Earth. Their false king remains obsessed with reaching the surface. The Iwi call him the Skar King."

That in a nutshell is the plot of the latest Monsterverse film from Legacy and Warner Brothers. It's called Godzilla X Kong: The New Empire, and we're told the X is silent. And here I thought it was some kind of a multiplier.