Dolby Digital 2.0 (English)

"Remember back in the day when things were made by hand and people took pride in their work? My name is Rick Dale, and I bring these things back to life."

If you watch Pawn Stars on History, than Rick Dale really needs no introduction. From time to time the Pawn Stars guys get in something that they want to have restored to increase its value. For most of those projects they go to Rick and his team. Now Rick's gotten his own spin-off series, and it's set up very much like the other show from the grunge guitar soundtrack to some of the same wheel-and-deal aspects. This is pretty much the same production setup, and it will appeal to the fans of Pawn Stars.

Six different Nickelodeon children's programs aimed at preschoolers each have their own Christmas (or Holiday) special episodes and are compiled together on this DVD release.

 Dora the Explorer: Using tons of repetition and visual cues, Dora and her friends teach kids while alternating between English and Spanish. This time they need to go to the North Pole.

Here is a forgotten 80s, romantic dromedy that may have been forgotten for a reason. Various love triangles arise around the setting of a Demolition Derby. Jamie Lee Curtis and Patrick Swayze star in a tale packed with the usual 80s comedy tent poles such as weird dreams, screwball scenarios, and youths having to stand up for the little guy.

Cody (Curtis) might lose her Derby site until a recent high school graduate stumble into her life to help, and perhaps steal her heart. Meanwhile a derby rider (Swayze) is pulling his life together after his long time girlfriend starts having an affair. The story runs through the sort of formula we've all seen before, with those aforementioned signifiers of its place in the American 1980s along with familiar 80s actors appearing. Heck, they even have cameos by John and Joan Cusack and Michael Winslow (yes, the guy who does the sound effects from Police Academy) sneak in. The performances are acceptable, the gags are not the freshest, and the romance is jammed with heartache and conflict.

Greg (Ryan Scott Self) lost his fiancée when he couldn’t match her religious faith. Now he’s written a script based on the relationship, and is going to direct the movie. But the path of indie filmmaking is paved with thorns, as he is plagued by demands from the backers for inappropriate casting, more sex, edgier language, and so on. His ex isn’t too happy about the movie being made in the first place, too.

The film takes the form of a mockumentary. We are supposedly watching the behind-the-scenes doc shot by a camera crew following Greg around as he struggles to get his vision up on the screen. There doesn’t seem to have been a compelling need to adopt this fiction in this case, and the stylistic attempts at realism wind up underlining the improbabilities of the story. An indie film director worrying about landing a PG-13 rating? A scene with a hack script doctor is amusing, but would make more sense if the unfortunate Greg were working on a mainstream release. Furthermore, the plot is too meandering and pedestrian. That the movie industry is a difficult place is hardly a revelation, and so Cinema Salvation is ultimate a very nice, but also rather anodyne, film. Still, Self is a pleasant screen presence, one who engages the audience’s sympathy. We root for him, even if the material fails fully to engage us.

Personally, I do not watch much reality television. Most “realities” they present is quite boring or scripted. However, as of late I have started to watch reality shows that I have dubbed, “One Man’s Junk is another Man’s Treasure.” My two favorites are Storage Wars and Pawn Stars. The idea that just because one person might think it is a piece of crap, the next might think it is worth a ton of money. Today’s review is the second volume of American Pickers. Will it be another diamond in the rough?

So, as I asked myself when I unwrapped this sucker, what exactly is American Pickers about? Well, there are these two guys, Mike Wolfe and Frank Fritz who roam the United States in search of knick knacks, car parts, collectibles, anything that will bring them money. A picker. Their method is somewhat unorthodox as they actually visit people’s homes, storage sheds, and any other place where somebody have stored their collection.

“Do you want to paaarrrty!”

If one loves zombies, one loves The Return of the Living Dead. This wonderful, unofficial sequel to Night of the Living Dead seamlessly combined horror and comedy in a way that has rarely been achieved. I would say the only other movie which did that as well was An American Werewolf in London. I had often heard stories in interviews about the insane experience making this movie was, but never knew the whole story. Or should I say stories?

Season 2 of the Tyler Perry-created series continues misadventures of Leroy Brown (David Mann), who, last season, opened up a seniors’ residence. This season has all the characters firmly in place, and the stage is set for no end of misguided schemes and misunderstandings, all of which conclude with lessons learned and heartstrings tugged.

If the above sounds a little generic, that’s because so is the series, and furthermore, I’m referring to an archaic quality to this series’ generic nature. Put another way, this is an unapologetic (though it should be deeply ashamed) throwback to situation comedy’s dismal era of the 1980s. The performances broad, unfunny caricatures, all squealing yelps and bugging eyes. The laugh track comes in on every other line, underscoring just how desperately unfunny the dialogue is. As for the plots, I cry mercy. Brown hopes to get rich marketing his family’s barbecue sauce, Brown becomes an over-demanding patient after being grazed by a bullet, Brown wins twenty bucks in a lottery and becomes a gambling fiend, and so on and so on and so forth. Storylines that would creak even if the main character were named Ralph Kramden, overlaid with thudding sanctimony and Real Social Issues.

After reviewing the magical 2002 World Series of the Anaheim Angels, it was only appropriate to review a half century of highlights and lowlights from the team's history. The Angels are not a flashy team, they win with raw talent and a ton of heart. Their success in the 2000's only came after many years where they floundered and did not meet expectations. Let's explore the team the Autry's built. Here are the Los Angeles Angels, now known as the Anaheim Angels.

The Angels name was actually birthed in the late 1950’s when Walter O’Malley purchased the team from the Pacific Coast League. However, it was not until 1960 when it became the focus of a new expansion for the American League. Enter Gene Autry who in 1960 (owner of Golden West Broadcasters and the famous actor) was trying to seek broadcast rights to the team. But soon he would become persuaded by others to actually purchase the franchise. He did and named it the Los Angeles Angels.

"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."

A while back we ran a contest where we gave away several discs that contained some of the most exciting games in baseball history. These games were released individually as full broadcasts on one DVD. Now A&E has decided to put the collection together in one special sweet baseball collection. Just in time for the dramatic end of this year's World Series, you now have a chance to stretch more than that seventh inning. You can keep the baseball season going for as long as you like with these classic games. You get the entire television broadcast and a special audio that contains the home team's radio broadcast. For Phillies fans that means getting to hear the late great Harry Kalas once again.

There's a game in here for everyone. Here's a rundown: