Posted in: Disc Reviews by Gino Sassani on February 20th, 2005
In the world of television spinoffs it is rare that the newer material will live up to that which spawned it. All In The Family holds the record for number of spinoffs and coincidentally produced the most memorable. Frasier was an instant hit after Cheers. But how many of you remember After-MASH or Beverly Hills Buntz?
Angel, to anyone living under a rock, dates back to the pilot episode of Buffy The Vampire Slayer. I recently took another look at that maiden appearance. Who says vampires don’t age? This i... going to be heresy for some of you, but Angel is a far superior show. The darker tones and the good sense to stay away from the Scooby Doo Club antics made it a show to be taken more seriously. That was until Season 5.
Posted in: Disc Reviews by David Annandale on February 20th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 19th, 2005
Until September is soap opera/romance that lacks sizzle. Karen Allen, of Raiders of the Lost Arkfame plays Mo. Mo is a plucky American girl who falls in love with Parisian named Xavier (played by Thierry Lhermitte). Mo misses her plane and is stuck in Paris. She meets cute with Xavier and an affair begins. However, complications ensue: Xavier has a wife and family.
The Paris locations are nice, but the lead couple lacks any chemistry whatsoever. Karen Allen is cute as a button, but Th...erry Lhermitte is a dreadful bore. The only interesting thing of note is that the director is Richard Marquand. Marquand directed Return of the Jedi and this is the movie he made right after. The two movies are like night and day. Jedi is fun and engaging, Until September is a bland piece of oatmeal.
Posted in: Disc Reviews by Gino Sassani on February 16th, 2005
Many seem to rule surfing out of hand as some sort of pastime for burnouts, potheads, or life’s free spirits. But Bruce Brown helped shine a light onto the sport with his release of 1966’s The Endless Summer, a landmark release that still is highly revered by people to this day for the revolutionary photography and its ability to capture the awesome feats of nature. And where some studios put out near-annual sequels, Brown waited 28 years to get his done, appropriately titled The Endless Summer II, repr...sing many more of the stunning visuals and amazing camera shots from the first. Bruce’s son Dana picks up from that film, and produces another film similar in style and substance to the first, although with a more hippie-ish title in Step Into Liquid.
The movie is about, well, surfing. There’s not too much more than that. Both in the Endless Summer II and Step Into Liquid films, Bruce and Dana combine the trademark Brown visuals with the usual “betcha didn’t know they surfed here” locations ranging from Galveston, Texas to Vietnam, shooting holes of truth through Robert Duvall’s immortal quote in Apocalypse Now, that Charlie does surf after all. The movie also shows you some of the current names of surfing, from ex-Baywatch actor (and multiple World surfing champ) Kelly Slater, to longtime big wave seeker Laird Hamilton. And the other main parts of substance have to do with the simple passion that some surfers have (like Dale Webster, who have caught waves once a day for over 10,000 days) or the joy that new people have when introduced to surfing for the first time (such as a group of Catholic and Protestant children who were united for a lesson). The movie culminates with a desire to catch waves in the Pacific, some of them reaching over 60 feet in height. At the end of the day though, the movie is about surfing, plain and simple, and the fascinating pictures nature can give us.
Posted in: Disc Reviews by Archive Authors on February 16th, 2005
The barometer for those interested in Robert Altman’s Short Cuts is usually whether or not they liked Paul Thomas Anderson’s Magnolia. Hell, it’s the question I posed to my fiancée when we were trying to figure out what to watch over the Thanksgiving holiday. The comparisons are pretty conventional; both are large ensemble films with intertwined plotlines set in California, both have a 3 hour runtime. Both even have Julianne Moore in predominant roles.
Based on short stories by Raymond Carver...and written by Altman, many of the characters in Short Cuts are reprehensible turds, let’s face it. You’ve got the policeman/husband and father of three Gene (Tim Robbins, The Player), who frequently cheats on his wife Sherri (Madeline Stowe, Stakeout), and even drops off the family dog hundreds of miles from home because he barks too much at Gene. Gene pulls over women at traffic stops to get phone numbers, one of whom may have been Betty (Frances MacDormand, Fargo), who is separated from her pilot husband Stormy (Peter Gallagher, The OC). Jazz singer Tess (Annie Ross, Pump Up the Volume) frequently drinks and never provides any encouraging words to her daughter Zoe (Lori Singer, Footloose). Limo driver Earl (Tom Waits) is a drinker who frequently berates his wife Doreen (Lily Tomlin, Nashville).
Posted in: Disc Reviews by David Annandale on February 16th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on February 15th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 13th, 2005
I may have been late to the rapidly growing bandwagon of admirers of the TV comedy Arrested Development, though it was kinda cool to see David Cross (Mr. Show) get onto a network show that would have appeared to been lucky to stay around for a whole season, in a sitcom where the main character was played by Jason Bateman. I mean, Jason Bateman! A guy who was known as Justine’s brother who bounced around from sitcom to sitcom and was virtually off the radar, playing bit parts in other harmless comedies. ...nd as it turns out, the product of a great ensemble cast, including Jeffrey Tambor (The Larry Sanders Show) and a very underrated Will Arnett, Arrested Development has grown into appointment television.
Bateman plays Michael Bluth, son of George (Tambor), the head of a company thrown in jail for stealing money from the company he started, and maybe committing some “light treason.” Michael is the responsible one, who works to try and get his father out of jail, for his mother (Walter) to produce some of the secrets of the company, for his older brother George Oscar Bluth (or GOB for short) to regain good standing in a magician’s alliance he founded, and for his twin sister Lindsay (Portia De Rossi, Ally McBeal) to stop spending so much money, and be a wife to her husband Tobias (Cross) and her daughter Maeby. What makes things ironic is that for all of Michael’s positioning on making himself the rock of the family while George is in prison, he also screws up pretty significantly from time to time when running the business, and he looks to his jailed dad for help.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Will Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.
By and large, Anchorman does deliver on that, though occasionally Ferrell himself isn’t the one causing the laughs. As 1970s San ...iego newsman Ron Burgundy, Ferrell is the one everyone in town trusts, along with his newsteam. The chemistry is broken when female newscaster Veronica Corningstone (Christina Applegate, Married With Children) is hired. Ron has to resolve the conflicts between himself, his team and his new interest in Veronica…
Posted in: Disc Reviews by Archive Authors on February 10th, 2005
Films like Crimson Tide, Hunt for Red October and U-571 have tried on their own ways to take their place as the definitive modern submarine movie, but Das Boot still stands as King, over 20 years after its release. I remember hearing about this film growing up, and as a lad of 10, wasn’t into foreign films, or war films, as I am now, which may not be saying much. In seeing it when the Director’s Cut first came out in 1997, many people snapped up the 5.1 soundtrack, and Director’s Commentar... which was on the flipper disc. In my first viewing, I became enamored by the experiences of German war correspondent Werner (Herbert Gronemeyer), as he watches the transformation of the baby faced crew of the U-Boat transform into unshaved, withdrawn men and the end of their journey in the 10 foot wide by 150 foot long submarine.
Jurgen Prochnow (Air Force One) is the Captain of the sub, who has become jaded from hearing the numerous failures of the sub, and while he does follow orders, and attempts to attack an Allied shipping convoy, the mission is almost one of survival. Doing what you can to stay sane, almost civil, during the time in cramped quarters. When his (and other) boats encounter the Allied ships, the chase is sonically powerful, with loud depth charges booming in the water, rattling the metal chassis of the sub, along with the contrasting quiet of the crew, hoping to avoid the ships above them. Wolfgang Petersen (The Perfect Storm) does an outstanding job of portraying the cramped quarters, the decaying morale of the crew, and all of the suspenseful elements up to, and including, their trip home.
