Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
Synopsis
On the outside, Rivervale High seems like a typical suburban school, filled with a largely white, middle-class population. New student Jenny Dahlquist (Jane McGregor) quickly discovers the divisive cliques that polarize the campus when she tries to find a seat in the cafeteria. Cheerleaders, jocks, druggies, preppies, skateboarders, nerds—they've all staked their territory in the lunchroom, and don't tolerate outsiders. At an empty table sits Trevor, the ultimate loner/outcast. Dubbed "The M...d Bomber," Trevor targeted the football team with an unwired explosive device the previous year, after enduring continual abuse and humiliation at the hands of the school's swaggering athletes. As a result, Rivervale now resembles a maximum security prison, complete with metal detectors, guards, and a zero tolerance policy.
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
In 1967, a top secret document was commissioned by the government, tracing the United States’ history with the Vietnam war. This history went as far back as the 1940’s. The result was a 7,000 page document. In 1971, a defense department official and former Rand corporation employee, Daniel Ellsberg, secretly photocopied these “Pentagon Papers” and released them to the New York Times. Then President, Richard Nixon, called Ellsberg’s act “treasonable”. FX and Paramount’s television production of The Pentagon Pa...ers details this period in Ellsberg’s life and times.
The opening credit sequence (with its shadowy images and sounds) sets up the expectation that this movie will be a taut political thriller. Perhaps in the style of The Parallax View or Winter Kills (which are must sees, by the way). Unfortunately, the sequence belies the film’s true events. It’s really a carefully crafted character piece; at least, it tries to be. James Spader plays Ellsberg with a kind of indirect integrity. In any given performance, you’re never quite sure where Spader is coming from. And you probably think he’s into something kinky. In The Pentagon Papers, Spader’s indirect and unconventional qualities are a good match for Ellsberg.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2004
The third season of South Park was a bittersweet one. It seemed that season 2 had floundered just a little. Most of us wondered if the talents of Stone and Parker had already run out of gas. Season 3 turned out to be one of the funniest yet. This was also the year that Mary Kay Bergman committed suicide. Mary Kay had provided ALL of the female voices for the show. This left the crew in a scramble to deliver episodes before they could find a replacement. This unfortunate turn did produce some memorable episodes, howev...r.
Audio
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
The Stupids are a family with, as you can guess, a below-average intelligence. I think this might be due to inbreeding. The plot is fairly simple, more a series of vignettes: the family gets into some mess because of a mistake they make, and then get out of it in some silly manner. It sort of comes together in the end, but that's how the whole movie goes.
The Stupids is a kid's movie, and it was made with that exact audience in mind. It's not really there to entertain adults and...the level of humor is about the same as your average Saturday morning cartoon. It's full of puns, silly situations, and obvious references. Of course, a good kid's movie entertains both kids and adults, and The Stupids doesn't even attempt that. The movie is nothing more than a series of sketches, and once you accept that, you're in good hands. It's hit-or-miss like any sketch movie, but when it hits the silly and surreal stride it strives for, it's a lot of fun.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2004
The 1980’s saw a second British entertainment invasion reach the shores of America. That’s when the BBC began to unleash its peculiar brand of humor mixed with sci-fi on PBS stations in the US. College campuses all over the land were tuned to the likes of Dr. Who and later Red Dwarf.
There’s no question that this stuff is not for everyone. Red Dwarf brought us the cheesy f/x and dry humor of Tom Baker’s Dr. Who and added a generous helping of Monty Python and Benny Hill. With the third season, however, thi...gs began to change for Red Dwarf. Set production designer Mel Bibby joined the program, giving it a much sharper look than the previous two years.
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
I can only imagine what it might have been like to be a child during the heyday of Disney’s live films division. Going to see The Parent Trap or Mary Poppins as a young girl must really have been exciting. Experiencing Pete’s Dragon or Chitty Chitty Bang Bang in the theater must have been a thrill for young lads.
Unfortunately, Disney has not lived up to those high standards in its later days. Part of the wonder of those films was that they were not children’s films, as much as s...andard feature films that were easily accessible to children. While there is nothing wrong with films such as Angels in the Outfield, The Mighty Ducks or George of the Jungle, they just don’t have the same classic quality that the older Disney films had. The genre grew into a direction that made these modern films a little more sterile, and a little lower quality than your average Hollywood production.
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
Synopsis
Barbarians is The History Channel’s box set of a series of four interesting documentaries. Each chronicles the rise and fall of one or another of history’s famous “Barbarian” tribes – from their generally agrarian origins, to their bloody warlike height and eventual gradual decline or precipitous fall. Four groups are covered in this box set, on two discs:
Posted in: Disc Reviews by David Annandale on February 20th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 18th, 2004
MTV is getting used to productions about provocative love affairs. Just look at Justin Timberlake and Janet Jackson at this year’s MTV produced Super Bowl. So in their production of a modern updating of Emily Bronte’s novel “Wuthering Heights”, MTV throws in everything but the nipple.
“Wuthering Heights” is a benchmark of Gothic Romantic literature. It tells the tale of a doomed and frenzied love between the two protagonists, Heathcliff and Cathy. “Wuthering Heights” has been adapted for film and tel...vision umpteen times, in different styles and different languages. The most notable adaptation is probably the first in 1939, with Larry Olivier and Merle Oberon in the title roles.
Posted in: Disc Reviews by David Annandale on February 17th, 2004
Synopsis
