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This is not your father's cop show. Even if you’re father watches NYPD Blue.

The Shield may just be the show that puts F/X on the map, if it can stay on the air long enough to do so. This is a series that pushes all the boundaries. It features a level of adult language that is comparable only to South Park, fleeting nudity that rivals that of the previously mentioned NYPD Blue, and violence levels never before seen on a network television series. The weekly plots also push the li...its, with the main character being a crooked cop that is happy to get the bad guys off of the street… as long as it serves his best interests.

Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character. The detail and quirks of his Detective Goren make this a compelling show to watch. Never before in TV has there been such a complicated character, at least not in a primetime drama. If D’Onofrio decides to call it quits, Criminal Intent will not survive as its sister shows have.

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Ben Franklin once said that two things one should never see being made are sausages and laws. So far there haven’t been any pilots occurring in a meat factory. Politics aside, Aaron Sorkin has created a first-rate TV show. The real success here is the casting. I’ve always preached to whoever would listen that its character chemistry that makes for good drama. Star Trek was successful not because of the f/x. The character triumvirate of Kirk, Spock, and McCoy was everything. Sorkin appears to know that lesson. The actors chosen for this show feel like they really have been together for years from the very first episode. Martin Sheen seems to be having the time of his life in what many actors would view as a demotion. As a high school government teacher, I was always impressed with the way subtle facts about American government were blended into the show. It was downright educational at times. The writing is the other star of this powerful drama. It amazes me that a couple of actors walking down halls could be so damn interesting. Truth be told, The West Wing has drifted from its wonderful roots in the last two years. This first year was some of the most compelling TV ever.

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It takes a lot to become a true Christmas classic. Mr. St. Nick just doesn’t have any of it. The story of a reluctant Santa Claus was done with much funnier results in the Tim Allen The Santa Clause films. Kelsey Grammer can be a very fine comedic actor as his stints in Cheers and Frasier have more than proven. The problem here is the material is old and tired and Grammer never seems to be able to decide on a tone for the film. I’m a fan of just simple fun, but this film never really takes me on a good ride. Hallmark has a reputation for good clean family value filmmaking. Mr. St. Nick certainly fits that profile. There just simply isn’t any life here.

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So, it’s like a… Space Western?

Having never seen this show, this was the question posed to me by my wife halfway through the pilot episode. Honestly, I wasn’t sure myself. It certainly appeared to be a space western, but the characters were randomly speaking in Chinese. It was drama, yet it was dark humor. This was a truly odd program indeed.