Posted in: Disc Reviews by Archive Authors on November 2nd, 2003
The Tick was a live action show based on the wildly different super-hero of the same name. He was also featured in an incredibly funny animated series in the early 90’s that also ended way before it’s time. The Tick follows the comedic adventures of a muscular, but dim witted 300 lb powerhouse whose duty is to clean the city of evil-doers while shouting inane phrases such as the always catchy “Spoon!”
When I first heard that they were going to make a live action version of the Tick, I was very skeptical ...- but then I learned that they cast Patrick Warburton (Putty from Seinfeld) as the blue guy and I thought this could work. I was thoroughly impressed after seeing the pilot that they had truthfully captured the off-beat antics that the animated series perfected. Having Ben Edlund (the Tick’s creator) intimately involved in the creation of the series really paid off from the perspective that none of the Tick’s quirky charms were lost in his jump to the small screen; however poor marketing from Fox played a role in its too early demise.
Posted in: Disc Reviews by Archive Authors on November 1st, 2003
The Christian rock/rap group dc Talk had gone about as far as it could go by the new millennium, and they found themselves at a crossroads. There was virtually no new ground for them to tread upon as a group, but they didn’t want to shut down the show, either. Instead, the band went on hiatus. Each member subsequently put out a solo record, and started the process of building a fan base all over again.
All of the solo albums are surprisingly good in their own unique way, and all have done fairly well at re...ail. This DVD is the companion piece to tobyMac’s “Momentum” record, the only one with such a support piece. The disc’s main event is a collection of three videos from the album; “Extreme Days”, “Get This Party Started” and “Irene”. The “Extreme Days” piece also comes with a bonus alternate ending, which I happen to prefer to the original.
Posted in: Disc Reviews by Archive Authors on November 1st, 2003
I can sum up my feelings about the documentary “Stevie” with one word; “uneven”. Some portions of the film are surprising, touching and moving. Other portions, however, leave the viewer feeling a little sick, wondering how anyone could feel sorry for a person as desperately evil as Stevie.
In the end, all of the various problems with this film rest solely on the shoulders of its director. By bringing cameras into Stevie’s world, he has colored it, and made it something different than what it would otherwise...be. One of the greatest challenges facing documentary directors is the issue of how to capture the story while not affecting its outcome. James ignores this issue completely, however, and eagerly thrusts himself in front of the camera, actively engaging himself in the lives of his subjects.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
Audio
Posted in: Disc Reviews by Archive Authors on October 30th, 2003
dc Talk is a bit of an anomaly in the growing Christian music scene. While not necessarily a group that crosses over into the mainstream, they have grown into about as big of a Christian music act as they can become. The group is made up of three members, each one unique in their musical style and talents. The rock, rap and pop influences they bring together blend to create something new and unique. Backed by a full band, dc Talk has created a live show that rivals most major mainstream acts.
Welcome to th... FreakShow is a concert video, shot during the support tour for the group’s “Jesus Freak” album. Footage from the show is intercut with backstage footage, interview segments, and scenes from different stops on the European leg of the tour. These bonus segments help to break up the show into something that is more enjoyable for home viewing than just a standard concert performance.
Posted in: Disc Reviews by David Annandale on October 27th, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 25th, 2003
Most sci-fi fans have a very warm place in their heart for Starbuck, Apollo, and the rest of the crew of Battlestar Galactica. At over $1 million per episode, it became the most expensive show in network history. Star Wars master Jedi f/x man John Dykstra utilized many of the techniques he developed for the Lucas enterprise. George Lucas claimed they were so close he was forced into a failed effort to sue the show for copyright infringement. Sci-Fi channel is about to relaunch this revered franchise, but the results appear so far underwhelming. (Starbuck as an airhead blonde chick?) Dressed in an amazing package that resembles a Cylon face, this is the ultimate Galactica. Glen Larson was already a network master with huge successes under his belt, like the famous forensic scientist Quincy, when he wrote and pitched the show. Galactica was a risk he did not have to take. The result was television magic. Like so many masterful shows before it, such as another famous sci-fi “enterprise”, it was never given a fair chance at the time. It was doomed to only be truly appreciated when it was finally gone.
Audio
Posted in: Disc Reviews by Gino Sassani on October 25th, 2003
Forever Knight was a CBS attempt to provide original drama broadcasting in the late night slot. This was, of course, before Letterman came along. After two seasons it was jettisoned and the USA network picked it up. USA retooled the show and ran it for just one more year for a total of three: Thus the Forever Knight Trilogy. The concept was quite intriguing. Knight would strongly emulate the popular Ann Rice universe of vampires, combining these gothic images and stories with a modern police drama. Each episode had a trademark dual storyline. One story would involve Knight’s seedy vampire past, while the second story would involve the current police case. The stories would blend on some common element like loyalty or Father’s Day. Filmed almost totally at night in Canada, the series had a distinct atmosphere assisted in no small part by the wonderful time-lapse photography and the cello-rich score of Fred Molin
Synopsis
Posted in: Disc Reviews by David Annandale on October 23rd, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on October 22nd, 2003
The Hills are back! Hank, Peggy, Bobby and Luanne have returned for more down home shenanigans. After a successful first season that followed in the footsteps of the Simpsons, King of the Hill was a surprising hit from the creative mind of Mike Judge, formerly responsible for the heavy metal antics of Beavis and Butthead. The second series picks up where series one left off albeit with improved writing and further exploration of the characters. I particularly like the characterization of Hank as a true redneck – ... particularly sexually inhibited redneck at that.
There are some great moments in the second season that continued to define the pathological relationships between the Hill family – from the twisted father/son relationship that blossoms due to Bobby’s uncanny accuracy at shooting things which then allows us some insight into Hank’s own poor relationship with his war-vet father. There are some classic digs into American life as one episode gives us a little more background into Luanne as she is returned to the trailer park from whence she came, in time for the trailer park to be hit by a tornado. While this is happening, Dale’s wife, Nancy the TV weather girl, comments on air, “Why is it that tornado’s always hit trailer parks?”
