Posted in: Disc Reviews by Archive Authors on April 25th, 2011
Highway to Heaven was a television series that ran from 1984-1989. Jonathan Smith (Michael Landon) is an angel on a mission from God or “the boss”. After quickly finding employment as a handyman, Smith teams up with the ex-cop Mark Gordon (Victor French) to solve problems and help people with their everyday struggles. This series has plenty of sentimentality, spirituality, nostalgia, and unintentional comedy. As a newcomer to the series, I found myself unable to look away.
Michael Landon has an undeniable charisma. I am too young to have seen Bonanza or Little House on the Prairie. However, from watching this series I found myself struck by his screen presence. The camera remains fixed on his face during the majority of scenes and audiences are drawn in. Highway to Heaven is constantly delivering a message; the show looks at the human condition and questions why we operate the way we do. The delivery can sometimes be implausible. For example, during a physical altercation, Smith begins quoting scripture to the wrong doers. This blatant attempt at focusing on religion as the message can easily turn viewers off. However, within the realm of this show, audiences are able to give it some leeway.
Posted in: Disc Reviews by Michael Durr on April 25th, 2011
In the 1980’s, I grew up watching a lot of sitcom family shows as I am sure a lot of kids my age did. Somewhere in my late teens and twenties, I ran away from sitcoms and straight in to cartoons and wrestling. (you thought I was going to say reality shows didn’t you?) But before that happened, I probably saw every last one of those crazy family sitcoms. Including Growing Pains. So when I received Growing Pains Season 2 to review, I knew I didn’t need season one and could dive right in. (
It is Season Two for the Seaver clan. Jason Seaver (played by Alan Thicke) is still operating his practice from the home while Maggie Seaver (played by Joanna Kerns)is exploring a career in journalism. With Jason at home, he is able to spend time with the three kids. The youngest, Ben (played by Jeremy Miller ) is going through middle school.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2011
Boxing has never been a particularly popular sport for me to watch. The boxing world has always seemed to be one of lies and politics. But on the other hand, I will watch with interest any movie that has boxing as a major subject. Rocky, Raging Bull, heck The Great White Hype are all fine examples of exciting boxing movies. That is why when I received Knockout with Steve Austin, my interest was peaked a little to say the least. Let us see how it goes.
Matthew Miller (played by Daniel Magder) chews his nails and doesn’t like the fact that he is in the middle of nowhere (Tacoma, Washington). His mother, Christine (played by Janet Kidder) gets after him for his nail biting and tells him that he had to drop out of private school and go to public school because times are tight. She does it in a rather melodramatic manner and it is no wonder that Matthew didn’t just punch out her lights right there. That would have been a boxing movie to be proud of.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2011
There are usually two schools of thought when it comes to judging sequels. One tends to be very harsh on the proceedings expecting it to surpass the original (which it hardly ever does) in all aspects of film-making. The other still expects a good film but realizes that this sort of thing is usually financially driven and just hopes for something that can favorable stand against the original. I happen to be in the later crowd. But, I certainly found myself inching towards the former when I received the blu-ray package to review Ip Man 2, Legend of the Grandmaster. Let's go inside, shall we?
Ip Man (played Donnie Yen)has escaped from Foshan and has made way with his family to the Hong Kong of the 1950's. His wife, Cheung Wing-Sing (played by Lynn Hung) is pregnant with her second child. However, the family is barely making ends meet. Cheung can't work much and Ip Man's martial arts school isn't going as well as planned. They can hardly cover rent and school fees for their son, Ip Chun (played by Li Chak).
Posted in: Disc Reviews by William O'Donnell on April 22nd, 2011
The Green River Killer was responsible for the deaths and disappearance of dozens of young girls during the 1980s. This two part miniseries, originally airing on the Lifetime network, chronicles the two decade long investigation made by Sheriff David Reichart.
Spread out over two episodes. The mystery plot can wear a bit thin at points and start to resemble a watered down TV police drama, but credit must be given for how the director recreated both the era it took place in, as well as the sense of sickening frustration the police felt for having spent so many years chasing one person. The grim realization these investigators have is that the only way they can gather more useful evidence is by having more bodies emerge in their search. The higher the body count, the greater their chances are that the killer will leave behind a piece of evidence they can use, taking into consideration that this was a time before our modern understanding and use of DNA evidence (a point that become the linchpin to the eventual apprehension the title of the film promises).
Posted in: Disc Reviews by Gino Sassani on April 20th, 2011
"I guess every town has their own boogeyman stories... There's always a moral, mainly don't pick on the nerdy kids, don't have pre-marital sex, don't do drugs."
Posted in: Disc Reviews by Gino Sassani on April 20th, 2011
"A trip down memory lane and right into harm's way."
From the first frame to the final credit sequence, you will at once feel like you're watching some lost 1980's slasher film that was somehow misplaced among the entire generation of low-budget formula horror films. The music sounds almost like a direct rip-off of John Carpenter's Halloween theme, and that's not intended as an insult. The cheap synth track was the soundtrack for an entire generation of late-night-date movie-goers from the mid 1970's until the 80's ended. Director Drew Rosas is obviously a true fan of the era and genre. I've seen too many attempts to capture that look and feel before. But there's something a little different about this one. Rosas has more than just a sound-alike score going for him. The film stock looks like it was lifted right out of a time warp stuck in 1978. There are even well-placed scratches and dirt artifacts to give the film an aged look. Beyond that, there is a texture to it all that defies coherent description. You know it when you see it, and Drew Rosas apparently knows it, because I saw it on Blood Junkies.
Posted in: Disc Reviews by Michael Durr on April 9th, 2011
Since this week it appears I am taking on a U.K. flavor for my reviews, I decided to throw one more British drama review ripped straight from their local tele programs. This one involves a lawyer who turns into a judge and dons the infamous powdered wig. To my shock, it isn't even labeled as a comedy, so why am I already laughing? Well, before I go mad as a hatter, let's proceed forth with The Guilty. We will see if this judge is a cheeky bugger or a wanker. I'm guessing on the latter.
Steven Vey (played by Michael Kitchen)is quite the lawyer in England. He wins case after case and he is surely a lock to be the youngest person to ever be asked to be a judge. One night after a big win, he chats up a conversation with his new secretary, Nicky (played by Caroline Catz). They end up having dinner together and go back to her place for a midnight cup of joe. One tiny fact might be important at this juncture, Mr. Vey is very married. That cheeky bugger.
Posted in: Disc Reviews by William O'Donnell on April 8th, 2011
Saying there is an “elephant in the room” often means someone is ignoring some enormously obvious truth. To say that Patrice O'Neal can be ignored is foolish...and to say that he speaks the truth...well, you'd have to be pretty jaded to take this man seriously when he flips one PC view of the relationships between men and women on their heads.
The less enlightened viewers might write off O'Neal as misogynist as he explains “mooshing” and his advocacy for a “Harassment Day” (where office workers can make sexual passes at their female coworkers without fear of reprimand) but that would be like dismissing Lenny Bruce as racist for telling jokes about races. Of course, O'Neal is no Lenny Bruce, but the point stands that everything he says is done so with tongue firmly placed in his cheek, or purely as satire.
Posted in: Disc Reviews by Michael Durr on April 7th, 2011
I say old chap, I do fancy a good British TV show. Maybe, it is because I grew up with more than my share of shows like Monty Python and the Black Adder. Maybe, I just like their funny accents. There is probably a bloke in the next alley who is willing to give me a beating for that comment. However, I will hold out and share with you my take on Man in a Suitcase, a late 60’s British drama that aired on ABC. Could I possibly bribe this bloke with some fish n chips?
McGill (played by Richard Bradford) used to be a former US Intelligence Agent. In one of his assignments from six years, he saw the writing on the wall that a top American scientist was going to go work for the Russians. Mac tried to prevent the situation by trying to intercept. The agent was told to stand down by his superior. However, shortly after the superior disappeared in a sailing accident and the scientist defected, leaving McGill to hold the bag.