Posted in: Disc Reviews by Gino Sassani on October 8th, 2002
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Posted in: Disc Reviews by Gino Sassani on October 5th, 2002
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Posted in: Disc Reviews by David Annandale on September 24th, 2002
During my years at college in Philadelphia, there was a guy who lived at the end of the freshman hall whom had been around far longer than any other freshman. He gathered a following and essentially coached his young ones, myself included, on how to have fun on and off campus. As National Lampoon’s Van Wilder began to spin, I couldn’t help but remember those glorious days and revere Van as he celebrated his life at Coolidge College.
Van Wilder, played perfectly by Ryan Reynolds, returns to Coolidge for y...t another semester of parties, personal secretaries and golf carts. What makes Van Wilder stand out against his fellow students is that this is his seventh straight year in attendance. Over those years, he’s become an icon of the school and in a sense, treated like a god. Jocks love him, geeks count on him and women melt before him. Of course, no one can stay in school forever and it takes the hotness of Tara Reid to ultimately show Van what life has to offer.
Posted in: Disc Reviews by David Annandale on September 24th, 2002
Changing Lanes never appealed to me during its theatrical run and I blame that entirely on Paramount’s marketing department. The commercials were not enticing in the least and quite frankly made me forget the film in a matter of minutes after viewing them. With the release of the DVD, I was willing to give Changing Lanes a try and am I glad I did. Propelled by a dynamic script and stellar performances, Changing Lanes gives life to an urban drama which tests the ideals of two men on the brink of insanity.
T...e story centers around Gavin Banek (Ben Affleck), a corporate attorney who realizes he takes advantage of others but has never confronted himself about the moral implications of the life he lives. While trying to rush to a court appointment, he is involved in a fender-bender accident on the FDR with Doyle Gipson (Samuel L. Jackson), also on his way to court but as a defendant in a child custody battle. This encounter appears harmless at first, outside of Gavin wanting to pay for the damage in cash and Doyle demanding to do the right thing and exchange insurance information. But when Gavin realizes he left Doyle with a vital court document to win his case and keep himself out of jail, his skirmish with Doyle to retrieve the document by close of business crescendos in a series of violent and disturbing incidents.
Posted in: Disc Reviews by David Annandale on September 11th, 2002
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I'll confess, I saw Maiden myself, lo these many years ago on their Powerslave tour, so I was sort of partial to this disc. The big favourites ("Number of the Beast" and "Run to the Hills" among them) are present and correct. As with all concert films, there are only so many ways of filming largely motionless people and making them look interesting, but the main point is the sound, when you get down to it.
Posted in: Disc Reviews by David Annandale on September 10th, 2002
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Young Alex O'Connel accidentally brings the Mummy back to life, and has the manacle of Osiris stuck to his wrist. With the help of his parents, and wielding the power of the manacle, he must find the lost scrolls (scattered hither and yon around the world) in order to defeat the Mummy. The animation is strictly Saturday-morning level, and calling these three episodes a feature at 65 minutes is stretching it a bit.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2002
Nicholas Cage did this film in 1989, long before most of the more famous films he places high atop his resume. He admits this is a film he would not be able to do today but is damn glad he did. Director Robert Bierman was also pretty much a novice when he created this quirky dark comedy.
To be honest I never saw the film when it was originally released and approached the DVD with a lot of skepticism. Most of the performances are way over the top and the cinematography is simple, often resorting to what Hollywood calls "stolen shots" (filming done without any set-up in a public area using real people.) Still, I found a lot to like about the picture. The casting was pure genius, particularly Jennifer Beals' haunting vampire.
Posted in: Disc Reviews by Gino Sassani on September 3rd, 2002
Con Express is, at its heart, a low budget Die Hard / Speed hybrid. Terry Cunningham shows off his love for the high impact thrillers, but unfortunately not always his respect. There are times when you don't notice the millions missing in the budget. The story, while it is a bit contrived, carries well throughout the entire film. My only complaint is that Cunningham saw fit to interrupt the film each time it started to flow with a senseless wraparound story of the hero being interviewed to take over the Customs office in Alaska. In an action film pacing is everything and the element most missing from Con Express.
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Posted in: Disc Reviews by Gino Sassani on August 22nd, 2002
Sleepy Hollow is certainly not your father’s version of the Washington Irving tale. Sleepy Hollow is enshrouded in patented Tim Burton darkness and rich gothic atmosphere. Johnny Depp continues to amaze... although his performances never appear extraordinary, they are nonetheless almost always wonderful immersions in character. Christina Ricci proves that her inspired deadpan performance in the Addams Family films was no fluke. I think you will find this to be one of the finest contemporary horror films to come along in years.
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Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
What happens when you take a writer/producer known primarily for music videos and documentaries, give him a modest budget, and a script of vignettes? You get a very artsy David Lynch imitation that I like to call Lynch-Lite. Jon Reiss wants so much to be David Lynch that there are even moments of the Twin Peaks theme in the score. I don’t mind struggling through a piece of film noir if I can eventually find my way to a payoff. Not that there aren’t bright spots and even flashes of cinematic genius here, just not enough.
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