Posted in: Disc Reviews by Archive Authors on August 27th, 2007
Over the course of all of the reality shows out there, someone decided to want to do one with the goal of finding the next big stand up comedian of North America. But with every comic remotely worth something having done at least a stand up special for a television show of some sort, the search to find a decent stand up was a long one, to say the least. And after several “winners”, are any one of them really top shelf material? Of course not.
So enter Showtime, home of such quality shows like Weeds, attempting to promote culturally aware entertainment down the collective premium cable buying throats of America, with their show White Boyz in the Hood. Simply put, the show pulls together some stand up talent of the caucasion persuasion and puts them on stage in front of a mostly African-American crowd. In the spirit of Def Comedy Jam and similar shows of that ilk, it’s an interesting idea.
Posted in: Disc Reviews by Archive Authors on August 24th, 2007
Written by Evan Braun
Most cartoons of the Saturday morning variety are written for kids and little else in mind, but every once in a while a show offers a little something extra. Pinky and the Brain is one such anomaly, providing plenty of great antics for kids, but even more for the grown-ups among us. It's full of parodies and Hollywood in-jokes that a 10-year-old could simply never appreciate. Strangely, as a 24-year-old, I felt very much within the target audience.
Posted in: Disc Reviews by David Annandale on August 22nd, 2007
Every so often, a remake comes along that does the original proud. David Cronenberg’s The Fly is one. Philip Kaufman’s reworking of Don Siegel’s 1955 classic is another. For the three people out there who aren’t familiar with the plot, pods from outer space are replacing people with soulless duplicates. Donald Sutherland is the health inspector whose friend (Brooke Adams) is one of the early people to believe that someone close to her is no longer who he appears to be. Before long, Sutherland, Adams, Jeff Goldblum and Veronica Cartwright are running for their lives.
The story of perfect paranoia is infinitely flexible, adapting itself perfectly to the tenor of the times (assuming, of course, the filmmakers are halfway competent). Kaufman’s film distinguishes itself from its predecessor by playing on our worst fears concerning big city anonymity and alienation, and by introducing the infamous pod scream, which leads to one of the most chilling final frames in film history.
Posted in: Disc Reviews by Archive Authors on August 20th, 2007
In August 1945, the world was transformed in the blink of an eye when the U.S. dropped atomic bombs on Hiroshima and Nagasaki. That act of destruction sparked the end of World War II, and the beginning of endless suffering for those who survived.
It was the first and only attack with nuclear weapons in our history, and the story of White Light/Black Rain is the reason it should never, ever happen again. Hundreds of thousands of people died as a result of the bombings, but when you meet the survivors, it seems that the worst victims were those who lived.
Posted in: Disc Reviews by Archive Authors on August 18th, 2007
There was a time when break dancing was the hottest thing around. For this film, that time is 1986, when a talented young dancer goes too big in a dance contest, flips off the stage and winds up in a coma. He wakes up 20 years later, a grown man with the mind of a 12-year-old, an unhealthy passion for break dancing and a crush on the girlfriend he almost had two decades earlier.
With that premise, how can you go wrong? Plus, you know Kickin' It Old Skool is a righteous movie because it spells 'School' with a 'k.'
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
I am something of a news junky. For lack of anything better to do, I'll routinely flip my television over to CNN for countless hours of 24/7 up-to-the-minute coverage. Of all the talk shows on the airwaves today, there is no match for the great Larry King. Oprah only wishes she were this good. The ladies on The View should bow down to Mr. King, who is so good at what he does that even his most famous guests seem to open up to him in ways they would normally know better than to do in front of a camera. Whether you're looking for something light and funny, the hardest news story, or the insights into the most intriguing public figures in the world today, this DVD set is your one-stop shop.
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
If I had to find one single word to completely encapsulate this show, and particularly its first season, it would be: Cute. No, wait ... scratch that. Make it: Nauseauting.
Posted in: Disc Reviews by Michael Durr on August 12th, 2007
There are often stories about burn patients who lose part of their face or leave their other body parts horribly disfigured. It is sad and unfortunate. But what if you had horrible chemical and fire burns and had to take refuge in warehouses and underground? You had the strength of ten men, but could create a mask that you could use to duplicate your enemies or be the man you used to be? However, that face only lasted 99 minutes. This is the story of Darkman. A trilogy of movies that developed a cult following for its subject matter and campy presentation. Part action, part sci-fi, part thriller. But a great time as long as you left your brain at the door.
The first film directed by Sam Raimi (Spiderman, Evil Dead) features Liam Neeson as Dr. Peyton Westlake, a brilliant scientist on the verge of finding the solution to liquid skin cells or synthetic skin. This in time would help burn patients or disfigurements replace unwanted and dead skin tissue. The problem is he can only make it last for 99 minutes. One day his lab gets ransacked by a group of thugs led by Robert G. Durant (played by Larry Drake) who are in search of a memorandum. Peyton is horribly burned in the fire and presumed dead when his body can't be found in the explosion. He later resurfaces as a John Doe burn victim who is given a radical new treatment that cuts off his nerve impulses. He breaks out of the hospital and retreats to a condemned warehouse. He then goes back to the wreckage of his lab and tries to salvage his work. Using what is left of his work and vigilante money that is collected from thieves and bad guys that he fights he attempts to recreate faces of his enemies so that he may take revenge on the Durant crime syndicate. He also attempts to get back in touch with his girlfriend (played by Frances McDormand) by putting on his face and spending time with her. However, he realizes he can only put on the charade for so long and continually he descends back to the darkness as Darkman. He prevails over Durant, but the pain and suffering he endures from day to day stays with him.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2007
Superheroes come in all shapes and sizes these days, so it doesn’t really surprise me to find out that one is a big blue tick. I don’t think The Tick has any special Lyme Disease Ray, and I have yet to see him bite anyone, but he sure has a knack for stopping the bad guys. This Ben Edlund creation is one of those American Dream success stories. The independent comic was created to promote a local comic book store in Boston. Edlund, only 17 years old at the time, tapped into a wonderful spoof of the comic superhero molds. He populated his book with very colorful characters easily recognizable as the original ones he was spoofing. Within 10 years The Tick would become a children’s cartoon staple. There is an appealing degree of wit and intelligence in this cartoon that honestly looks kind of stupid on the surface. The Tick isn’t the sharpest tool in the toolbox and is rather naïve for a super crime fighting master. He’s surrounded by an equally kooky group of characters, assisted mostly by his sidekick, Arthur. The villains are just as outlandish and out there as The Tick and his comrades are.
   The DVD set’s clever title is The Tick vs. Season Two. The collection could not honestly be called The Complete Second Season because one of the episodes is mysteriously missing. I’ve been informed that the episode, Alone Together, was removed for rights issues. The same thing happened in the first year. Sometimes spoofs can be a little too close to another property, and perhaps that explains the missing toons. Fans will also be a little bummed that favorite Micky Dolenze, yes he’s that wacky The Monkees drummer, no longer voices Arthur. Rob Paulson takes over the job, and the difference does take some getting used to. The episodes are also not quite as strong as the first season. The single standout has to be the Christmas extravaganza, The Tick Loves Santa. The Tick’s love for Santa almost keeps him from nabbing the bad guy when an electrical accident converts him into “Multi-Santaâ€, a clone-like group of larceny-minded Kringles.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2007
What do the following huge stars all have in common: Elton John, George Burns, Peter Sellers, Don Knotts, Bob Hope, John Cleese, Madeline Kahn, and Milton Berle? They all were guests on the second season of Jim Henson’s The Muppet Show. I can’t believe how many of the episodes I remember watching occurred in the show’s sophomore season. It would be pretty hard to argue that the series became the in place for A list entertainers to have a little fun. Like a neighborhood clubhouse, the top stars would come to the show and allow themselves to be often upstaged by Henson’s cute little creatures. They would place themselves in ridiculous situations and often allow themselves to be lampooned and ridiculed, and they always appeared to have a blast while they were doing it. Elton John singing his Kiki Dee duet, “Don’t Go Breaking My Heartâ€, with Miss Piggy has to be one of televisions most memorable moments. Not only do you have a guest list that would make Saturday Night Live envious, but you have something they never had, namely Kermit, Miss Piggy, Fozzie and Gonzo providing their special brand of Muppet madness.
   If you’re not familiar with this show, shame on you. In this series The Muppets, Jim Henson’s own design of puppets take over a concert hall and put on a weekly show. What this means is that you are actually getting to sit behind the scenes as the show is being put on “liveâ€. Some of the best bits are provided by Kermit’s frantic attempts to prepare guests and put out fires, literally. Miss Piggy is the show’s prima donna and is always making unreasonable demands to continue working on the show. The band is anchored by that loveable drummer, Animal. There’s another story here but, trust me, you don’t want to know. You’ll also see such running bits as Pigs In Space, a Muppet Star Trek, and, of course, our kitchen chef preparing many delectable delights for your culinary pleasure. That’s if he can catch the chicken. The eclectic nature of the guests means there’s usually something for everyone’s tastes. I found myself enjoying every show even if I did not care for that particular week’s star.
